Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Quinton Tarantino unfathomable finesse indubitably hits screens once again as he has teamed up with an ensemble cast to rekindle the western genre. Tarantino has been candid of his admiration for Sergio Leone and this work will make his precursor proud. Tarantino has woven action, laughs, thrills and adventure into to the story of a slave who is emancipated by a bounty hunter in search of outlaws. Rather than proving to manifest perils and atrocious reflections of a liberated slave the movie delves into an entertaining spectacle. The movies cult status was affirmed by performances of Di Caprio and Christopher Waltz. Waltz performance as Dr Schultz of German origin never betrayed the German pedigree thoroughly deserved his Oscar. Di Caprio has proven why he is the best in business by portraying Calvin a barbaric, tyrannical and imperious master. The presence of Jamie Foxx draws parallel with Clint Eastwood from the Dollars Trilogy where his guns do the talk. What distinguishes this movie is it its cinematography backed up with stellar action sequences. The opening scene builds an intriguing conversation be Waltz pulling the trigger. The pub scene highlights Tarantino, s skill to keep audience on the hook by compelling storytelling.The movie is inundated with quintessential western shootouts. It has got everything guns, men, blood and the heroism. The torture scenes rather than being gruesome have had conversations which keeps the movie exciting rather than disturbing. The movie features customary Tarantino,s penchant for great theme music with visually stunning Cinematography. In Django Unchained Tarantino has unleashed an iconic western character with all its virile and ethos. It is an amazing prospect for a western aficionado to see the revival of a dying Genre by a torchbearer of 21st century film making. It is a must watch for every western lover, a Tarantino zealot and every film lover. This film might not serve appetite of every movie enthusiast but has certainly been a regalement for me. This will go as one of the finest films in the 21st century and has shattered fetters of a Genre which was the heartthrob of the 60, s. This might not be Tarantino, s magnus opus but a sensation of a western Genre.

Well, It is indeed a Tarantino Movie through and through. From first frame till the last, you can feel tarantino all the way. So if you are the fan of brutality and unexpected situation getting more unexpectedly worse, a true tarantino style. This is truly a gem for you.Even if you are not familiar with tarantino, go for it. Acting was great, Cinematography was beautiful. Just go for it.Multiple times watchable.

In Django Unchained writer/director Tarantino tends to impress then fail miserably throughout the film. The storyline concerns a German bounty hunter (Waltz) who frees a slave (Foxx) with the intention of using him to track down The Brittle Brothers. Waltz then proceeds to help Foxx rescue his wife from a ruthless plantation owner (DiCaprio). It is blatantly unfortunate to see how important Sally Menke, Tarantino's deceased Editor and "greatest collaborator", was at shaping the films which he wrote and directed. The editor who assumed the late Menke's role was Fred Raskin, whose filmography contains such fast-paced flicks as the The Fast and Furious: Tokyo Drift (2006), Fast and Furious (2009) and Fast Five (2011). The title says it every time, "fast", and Raskin who is obviously used to quick cutting brings an uncharacteristic pace to the film when compared to Tarantino's previous work. Right from the first scene it is evident that Raskin deviated from Tarantino's previous stylistic goals while editing the first cut during production. In the initial scene the pace of the editing is far too quick and the focal points tend to jump all over frame between these quick-cuts; ultimately disorienting the viewer and does not achieve what he could have been delivered more powerfully. Tarantino could fix only so many problems with Raskin's work, and since film is a collaboration he clearly had to compromise in certain areas. Compounded upon the shoddy editing, we have some pretty awful music choices which detract from the film and present no added benefit, albeit the opening theme is superb. There truly is a better film hiding in-between the poor editing and improper music choices. I'd say give Django a watch, if only to listen to the great dialogue... Take it this way, if I was blind this film would have come off much better. From the great highs to the unforgivable lows, Tarantino's sly cameo is one of the more entertaining moments where he refers to Django as "black", and not as a "n****r" like everyone else. Overall, Django Unchained only succeeds in being offensive, failing atrociously where Tarantino's films have flourished so well in the past. However, with my pretensions aside, one cannot deny Taratino's deft skill as a controversial and entertaining film-maker. S

Django Unchained stars Jamie Foxx as Django, a slave who gets hired by an ex-dentist bounty hunter (Christoph Waltz) in order to find the wanted men that used to own Django. The story of the film is captivating, just as any Tarantino movie, and it keeps you thrilled for the entire lengthy runtime. The usual Tarantino style is always welcome and the over-the-top violence just makes the movie more entertaining to watch. Leonardo DiCaprio's villainous performance is Oscar-worthy and he is definitely the best part of the film. I absolutely love every aspect of this movie and rewatch it every now and then. It's most certainly worth checking out. 10/10