n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This movie feels like it was made purely to piss off people who want good shows

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Burt Reynolds's really made an impression with his smartly catered cop thriller "Sharky's Machine" and four years later he churn out another directorial crime outing. Maybe not as effective and complete, but still acceptable time filler. The story is penned by the reliable Elmore Leonard, who has a knack for building crime and character interactions within a busy framework. That's were I found it to peter out at times, as there seems too be so much going on and from that it can get a little distracted. It starts off strong, but then it goes wayward and stalls too often. Reynolds' sober direction seemed rather uneven in trying to balance out the explosively grimy moments with the uneasy comic relief. The film was more character driven (likeable relationships are struck or quick fuses erupt) and held together by its plot developments, but the script just didn't bite hard enough and its ending is quite lousy. Gladly the performances stand-up; namely that of the support cast. Where the bad guys are truly vile. Dar Robinson (who's mainly a stuntman) is magnificently threatening as the albino hired killer. A true scene stealer. While he hands out some nasty punishment and the gravel voice strikes fear. Alone just looking at him is frightening enough. Charles Durning playing a scummy low-life crook sticks out with his loud, bright Hawaiian shirts, feathered hair and wild bushy eyebrows. It's hard to take your eyes off either one. Leading the way in the bad guys is a dashing Castulo Guerra. You know the man with the power… the one you don't want to get on the wrong side of. To go with that, he's quite spiritual, but with a mean-streak. Burt Reynolds' character finds himself stuck in the middle of this trio when after getting out of prison he joins a buddy on job involving some of Miami's lowlife criminals. However it's a set-up, where his friend is killed and he is soon targeted. So he seeks payback, but on the other side of the coin he wants to go straight so he can catch up with daughter. Reynolds plays it with that laconically tough shade and knowing attitude, letting his charm carry him along. His weapon of choice seems to be his smartarse lines… physical wise gasoline or matches… that you only get disappointed when he can't get a hold of one of these objects. The next best thing was death by scorpion. Another scene stealer would be George Segal as a cheerfully naïve millionaire that loves the company of criminals. Some sequences with him were priceless. Also showing up is Candice Bergen (the love interest), Jose Perez and Alex Rocco. Clunky, but amusing.

Just saw this last night for the first time ever and it really brought back memories of South Florida in the early to mid eighties. The same memories when I saw Paul Newman's "Harry & Son" also filmed nearby in Fort Lauderdale. The soundtrack in "Stick" is the precursor for "Miami Vice" the series. Once Burt shaves off the bear he even conveys that Sonny Crockett feel and hey! he's rooming w/ his own black buddy. The Grove Tower condo building is the one and same used in the classic 80's Wham! music video with the closing shot being George Michael standing on the top-floor balcony lamenting his lost love (or something).Having lived in Miami during the filming of "Stick" there are some funny lapses I noticed like when the Albino follows Burt as they drive East on the causeway, but then they're at Miami Jai-Alai which is located West of the causeway. Or earlier in the movie when Burt and his Boricua friend drive to meet Moxie one second they're at Nurty's in Fort Liquordale and then the next second in Coconut Grove (the two places are twenty-five miles apart). Regarding the movie: it's story is all right, nothing ground-breaking, but a good Elmore Leonard expose of the assorted types dealing drugs and living large in the 1980's South Florida.It's a shame George Segal wasn't part of a last act twist, but the villain Burt goes up against was pretty creepy himself. The character of Stick's daughter Katie could have had some impact in the last scenes, but she wasn't written that way. Durning as Moxie is a hoot! The red eyebrows and red wig are too funny! The rest of the Spanish-speaking cast gives good support to the story and a strong sense of "place." Burt's direction is seamless and professional. Trivia note: in 1989 BOTH George Segal and Candice Bergen premiered new series on TV. Segal's was "Murphy's Law" and if you blink you missed it. Bergen's ... well, if you don't remember the iconic status her protagonist reached during the '92 presidential race (courtesy of Dan Quayle) then you must have blinked for eight years worth of time.

This is the first film of Burt Reynolds' I have seen that he directed as well as starred in. Yes, some elements of the story are clunky but overall STICK is very enjoyable. Reynolds gives an excellent performance as always. Charles Durning is quite good as Chucky but is let down by the very obvious wig he is wearing for the part (at least I HOPE it's a wig). George Segal and Candice Bergen are both good as well, but it's strange how Reynolds and Bergen immediately get into a romance.Stuntman Dar Robinson also makes a memorable villain as albino hit-man Moke. Since he was a stuntman I guess that means he did all his own stunts for the movie, which makes it even more cool. Very few stuntmen are good actors but Robinson plays the part well. The only problem is we don't see enough of him. The BIG bad guy, Nester, is played brilliantly too, but the actor's name escapes me right now. There's also a lovely song played over the end credits. I'm interested in reading the Elmore Leonard book this film was based on. I'm sure it and the film may be very different, but I still give the movie STICK a thumbs-up. I think it should get a DVD release.

Burt Reynolds for the "Miami Vice" generation!Even though pretty faithfully adapted from Elmore Leonard's book (by no less that Leonard himself!), Burt foregoes the good ol' boy routine to play the mean, tough, down and dirty characters like he did in "The Longest Yard", "Sharkey's Machine" and "White Lightning". But even though he did everything but sweep the sets afterwards, Burt just doesn't convince as a career criminal trying to settle a score from a drug deal that killed his friend.Everyone is grim, nasty and vile (stunt-man/actor Dar Robinson comes off best as hit-man Moki - true enough to say he has the best scene!) and with Burt as the lesser of, say, a dozen evils, SHOULD show at least some charisma in the part. But all he does is glower, grimace, threaten and shoot guns. Even love interest Bergen is pretty bland as she plays a character that suggests what would have happened if she never had any "Carnal Knowledge".The only one who comes off good is Segal, who plays a loud, crass, banjo-playing millionaire who hires Stick (Reynolds) for protection, little knowing he is just a cog in a serpentine plot to get back at drug mack Nestor (Guerra). Segal even goes as far as telling the "What's-the-last-thing-to-go-through-a-bug's-mind-before-he-hits-a-windshield" joke. (Punch-line? Go ask your Dad).The worst fate, though, is held for Reynolds steadfast Durning, who has to play a druggie that would look more at home at the circus (Charlie, orange-red hair is NOT your style). How does he intimidate people, by daring them not to laugh??In the end, you just can't help but figure what Michael Mann could have done with something like this. Well, Leonard's stuff is getting made and remade all the time now. Who knows, maybe in a few years....Three stars, one for the effort, one for Robinson's last scene and one for Murphy, whose career survived to do better things (hello, "Murphy Brown"!).Don't get stuck with "Stick".