Fresh and Exciting

Excellent but underrated film

An action-packed slog

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Henry Fonda doesn't contribute much to this film, although Dorothy Lamour does put in a good performance. This is really a George Raft film who puts in a strong performance, and there is a lot that you can learn from his acting. Fonda seems to be trying too hard to act. You just don't believe him, and you feel that he was very lucky to get a break in films in the 1930s. Even Akim Tamaroff puts in a better performance than Fonda standing shoulder to shoulder with Raft as an equal. I can see what Cecil B. DeMille saw in Tamaroff to cast him in 'The Buccaneer', although that was not a good film.Despite all this, I fell asleep during the film because it bored me to tears.

None of the other reviews have mentioned that SPAWN OF THE NORTH is in fact a remake of THE VIRGINIAN, with a change in locale from Wyoming to Alaska. There is also one other notable change. While Akim Tamiroff is Trampas and Henry Fonda steps into Gary Cooper's boots as The Virginian, the emphasis has been shifted to the likable but shady Steve character (Richard Arlen in the '29 talkie, George Raft here). SPAWN OF THE NORTH would itself be remade in 1954 as ALASKA SEAS, with a nice cast including Robert Ryan, Brian Keith, and Gene Barry in the roles played by Raft, Fonda, and Tamiroff respectively. On its own terms SPAWN OF THE NORTH is very effective entertainment, thanks to the guiding hand of director Henry Hathaway as well as its cast, not only the aforementioned stars but also experienced scene-stealers John Barrymore and Lynne Overman in support.

The opening music sounds like it could be from a jungle flick, though a title card calls attention to Old West parallels for fish pirates on the Alaskan frontier in the early 1900's. Prior to finding this film in a second hand shop, I had never heard of it, and to maintain the suspense, I didn't read the video sleeve, hoping that the combination of Fonda, Raft and Lamour would deliver. It's not too bad, set as it is in an unlikely venue of Arctic glaciers and salmon spawning grounds, with the Western parallel of good guys against bad guys only lacking the obligatory black hats.Henry Fonda and George Raft seem an unlikely duo to co-star, and each is acceptable in their respective assignments. Fonda's role as Jim Kimmerlee is a little more fleshed out and philosophical than Raft's Tyler Dawson. There's an interesting scene where Jim responds to Dian's (Louise Platt) lament over what she sees as naive for the native Indians to perform ceremonial prayer for a successful fish harvest. Jim points out that it's no more hypocritical than praying for rain when a farmer plants his wheat. I thought that was great.True to their respective natures, Jim's boat is 'Old Reliable', while Tyler Dawson's (Raft) is 'Who Cares', enough said subliminally to hint at what's going to happen. Interestingly, the 'pirates' of the film are cast as Russian thugs who raid the legal fishing nets, led by a seaman appropriately named 'Red' (Akim Tamiroff). When Dawson throws in with Red, it sets up a dramatic confrontation between Jim and Tyler that leads to Dawson's redemptive moment in the film's climax.Along the way, Dorothy Lamour and Louise Platt stand by their men, Dawson and Kimmerlee respectively, right or wrong. It's a different role for Lamour if you're used to her 'Road' pictures with Hope and Crosby. Platt has the kind of looks that will have you wondering where you've seen her before, but you probably haven't. She appeared in only a handful of films between 1939 and 1942, but one of them was John Ford's acclaimed Western epic "Stagecoach".True to his Western film roots, director Henry Hathaway called on a few veterans of the genre for supporting roles here. Fans will recognize Stanley Andrews, Duncan Renaldo and Fuzzy Knight, even though fishing boats replace stagecoaches."Spawn of the North" was recognized with an Oscar for Paramount's creation of special photographic and sound effects for the picture. The Academy might have also come up with something for the film's uncredited scene stealer, Slicker the sea lion. Every scene with Slicker was something special, the best being his team up with Fonda to put one over on Louise Platt's character, that was simply great!

This has been called a western at sea and deservedly, considering the shootouts and roughhousing and a plot line of conflicted loyalties. There is great wildlife and glacier footage and tasty atmosphere. George Raft and Henry Fonda are an odd-couple match, but the chemistry works for the worldly-innocent contrast. In the "egg" incident, notice how both of them seem genuinely tickled. Fonda, of course, is the do-gooder and has little to do here until emotions build toward the climax. Raft has the more interesting role, and a salmon fisherman is a part definitely out of the norm for him. He gets an opportunity to lightly display a variety of talents (singing, swimming, stuntwork). But best of all, this is an example of the kind of performance that thoughtful direction like Hathaway's could bring from him. A vital sequence is emotionally honest without being hysterical or histrionic, and it's perfectly toned to the point of being wrenching. Also having good turns out of the usual are Dorothy Lamour and Akim Tamiroff, though John Barrymore seems a bit wasted - no pun intended.