Boring

Pretty good movie overall. First half was nothing special but it got better as it went along.

In truth, there is barely enough story here to make a film.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

This work turned out to be an unexpected disappointment. Heres a film from a major producer, with a respected Director and top flight cast, that just ambles along without doing any of the characters full justice.No-one seems able to convince the viewer they are whom they play. Tracys accent is near laughable, and Garfield tends to drop in and out of his, as if he feels silly putting it on. Nearly every major character is unlikeable, with greed and drunkenness almost their only motivation. It seems the only one that succeeds is Frank Morgan as the towns humble hermit and friend to all lost dogs.Static studio backgrounds give the film a cheapened look. The best thing about this one is Franz Waxmans melodic Music score.Some will enjoy, but I feel most will be left wanting better. KenR............

There is no denying that the man who gave us THE GRAPES OF WRATH, OF MICE AND MEN, and EAST OF EDEN is a major literary figure - one of the handful of American literary figures to win the Nobel Prize for Literature. But John Steinbeck was also a man of his time and some of his time is hard to swallow. This is particularly when dealing with his novels and stories dealing with Latin-Americans in California. A man raised in the early 20th Century, his views of Latinos is rather heavily into stereotypes. That he could develop character despite the stereotypes was a sign of his abilities as a fine writer...but those stereotypes remain as a stigma today.In TORTILLA FLAT Steinbeck looks at life among a set of Latinos in Salinas, California. The central figure is Pilon (Spencer Tracy) who is a happy - go - lucky type, without any interest in life but what pleasure (food, partying, girls, booze) he can get out of it. But he does not like to work. Nor do his pals Pablo (Akim Tamiroff), Tito (Sheldon Leonard), Jose (John Qualen), and Daniel (John Garfield). But then Daniel learns his uncle died and left him two houses. He suddenly changes a little (he is a property owner) but that is soon dented when Pilon reminds him they are pals and he owes them a share of his good fortune. Somewhat unsettled by this, he does agree to letting the four freeloaders use the other house. The wisdom of this action is shown when they gradually let the nice little house go to ruin, ending with them accidentally burning it down (Pilon just smiles and shrugs his shoulders at this).Meanwhile Daniel meets Dolores Ramirez (Hedy Lamarr), a young woman who works in the local fish cannery. Daniel starts changing his whole views on life by his desire to woo Dolores - she feels her husband has to be a hard working man to win her respect. But Pilon and the others resent this hold Dolores has on Daniel. Pilon in particular tries to break up the love affair, but only manages to make his friendship with Daniel get strained. Daniel now has a job too at the cannery, but the others are still gainfully unemployed. Pilon decides that he and the others can rob "the Pirate" (Frank Morgan) a lonely eccentric. The best scenes in the film deal with Morgan, who turns out to be a touching old man who loves his pets and is saving his money for a religious offering for them. I won't go into the rest of the plot (which shows that Pilon can be a real friend too when he wants to be). Again it is well acted, although Tracy is reusing his "Spanish" accent that he used as Manuel in CAPTAIN'S COURAGEOUS, and would use again in THE OLD MAN AND THE SEA. Lamarr and Garfield actually display some chemistry together to heat up their scenes. Garfield too is slightly reusing a previous accent - his "Porfirio Diaz" voice in JUAREZ toned down a little. Actually if it wasn't for the performances (particularly Morgan's) the film would only have the character development shown by Tracy and Garfield. But the weakness of the stereotypes makes this film a difficult one to swallow. So I can only give it a "7" out of "10".

"Tortilla Flat" is a good movie. In some ways, it reminds me of "Juarez," another film in which John Garfield plays a Latino. The similarity is that both are good films that have contained within them really terrific scenes. I guess you could say that in these films, the parts are in some ways greater than the whole.For me, the best scenes in "Tortilla Flat" revolve around Frank Morgan, who plays a sort of tramp (homeless man) who goes around with a bunch of dogs. Like Mr. Morgan, one of the dogs seems to have appeared in "The Wizard of Oz" -- yes, I think Toto is in "Tortilla Flat." Not surprising, since both films were directed by Victor Fleming.But the most extraordinary scene is that in which Frank Morgan has gathered his five dogs, in the midst of the majestic Redwood Forest, and relates to the dogs the story of St. Francis. As he is telling the story, the dogs actually have a vision! As the vision hovers, and the dogs react, Morgan averts his eyes. When the vision passes, Morgan shouts to the dogs: "Did you see him? Did you see him? It was St. Francis! What good boys you must be to see St. Francis!"I know of few other films that depict pure religious experience so effectively. It raises this good film onto another level.

I'm not sure of the appeal of this story either in the book or in the film. The group of paisanos that John Steinbeck created is as shiftless and lazy a group as you will find anywhere. Their leader Pilon played by Spencer Tracy works this whole bunch as ruthlessly as Abbott regularly did to Costello. And the Costello of this story is of all people John Garfield.Garfield inherits a couple of houses courtesy of his late grandfather and Tracy and his friends move in to free load. Garfield also has his eye on Hedy Lamarr who works in a cannery and for a husband, much as she likes Garfield, doesn't want a shiftless loafer for a life partner. Garfield has to mend his ways before he's got any chance with her. Of course the prospect of kanoodling with Hedy Lamarr is enough to make any man straighten out, even get a haircut.Tracy has no intention of changing his ways. He even tries to bilk simple hermit Frank Morgan out of his savings. Morgan, who's called the Pirate in this film, got an Oscar nomination for Supporting Actor and he's the best one in the film. Close to him is the always dependable Henry O'Neill as the local parish priest.Tortilla Flat is about as opposite a story from The Grapes of Wrath that it's hard to believe they come from the same author, John Steinbeck. The Grapes of Wrath is about hard working Anglo farmers from Oklahoma who've lost everything and just want the chance to earn a living from the soil again. Tortilla Flat's paisanos have an attitude about work that is on the level of Maynard G. Krebs. They're a harbinger of hippies to come.Tracy in his portrayal of Pilon dusts off some of the accent he used in Captains Courageous. But as good an actor as he is, he just can't make this viewer have any degree of empathy for his character. About as opposite as you can get from the simple hardworking Manuel Fidelio of Captains Courageous.A lot of Latinos today find this film offensive and looking at it, I can't really blame them.