Best movie ever!

It's a mild crowd pleaser for people who are exhausted by blockbusters.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Gilles is an interesting character, a political activist studying to be an artist. But it's frustrating that beyond his political beliefs we get to know little about him. Conversations are short. What do any of the people feel? There are a lot of opinions and judgments made about society, authority, each other - usual for French films. But left me unsatisfied. Warning: Ironically, be prepared to meet many dissatisfied people, even majorly unhappy ones, during the course of this film. Wonderful evocation of times ('70s) and attention to detail though.

"The uncomfortable truth of the matter is that if there is no future for a radical mass movement in our time, there will be no future for humanity, because the extermination of humanity is the ultimate concomitant of capital's destructive course of development." - Ivan Meszaros "The majority is always on the side of routine and immobility, so much is it unenlightened, encrusted and apathetic. Those who do not want to move forward are the enemies of those who do, and unhappily it is the mass which persists stubbornly in never budging at all." - Gracchus Babeuf Olivier Assayas dedicated a 2005 Cahiers Du Cinema article to the widow of Guy Debord, the famous French Marxist philosopher. In the article, Assayas discusses the post 1968 revolutionary vanguard and his involvement in it. Assayas' films have themselves become increasingly political, moving from trashy meditations on global capitalism ("Boarding Gate", "Demonlover", "Summer Hours") to bio-pics on political terrorists (2010's "Carlos").Inferior to all these films is Assayas' "Something in the Air". Evocative of Bresson's "The Devil Probably", Godard's "Le Chinoise", Antonioni's "Zabriskie Point", Bertolucci's "Dreamers"/"Before the Revolution" and Fassbinder's "The Third Generation", the film watches as a student named Gilles finds himself caught up in the political turmoils of 1960s-70s France.Like most of the aforementioned films, "Something in the Air" is about political disengagement. Whilst radicals, students and workers take to the streets, young Gilles heads off into other directions. But Gilles doesn't simply disengage from politics, but sees such disengagement as the ultimate manifestation of his own free-will, freedom of expression and personal identity. This "identity" is mostly aligned to sex, wistful longings for past lovers, paintings, a desire for celebrity and trashy B movies involving Nazis and dinosaurs. For Gilles, activist movements impose their wills, doctrines and mantras too forcefully upon him. They leave no room for deviation, which Gilles, an artist, finds constricting."Something in the Air's" Gilles character was based on the defining years of Assayas' own adolescence. Early scenes watch as he mingles with radical film-makers (resembling Godard's Dziga Vertov Group), whilst others see him drawn to both the romance of revolution and the revolution of modern romance. But he's unable to commit to either, interested only in dabbling in things in the spirit of youthful experiment. Assayas encapsulates Gilles' personality early by having him scratch an "anarchist" symbol whilst a teacher delivers a lecture on orthodox Marxist history. The point? Gilles is his own man. An individualist! Assayas doesn't condemn or praise this, but the film nevertheless makes it clear that the "thing in the air" has shifted from breathless excitement to nothing less than the death of radicalism, the next generation torn between solidarity and personal ambition, selflessness and self-obsession. As French philosopher Regis Debray would say: "the Great Day has been and gone." 7/10 – Like Bruno Dumont's "Hadewijch", Assayas' film owes too much to Bresson's "The Devil Probably". See too Kelly Reichardt's "Old Joy". Worth one viewing.

Just watched the movie yesterday, and for those who are interested in the high school movement of France in the early '70s and expect the movie to have a say about the topic, it would be a disappointment. Therefore, alter your expectations towards an autobiography of a young artist who is in pursuit of love, his ideals and independence.The opening of the movie is promising with protests, group of students clashing ideas and then acting based on those ideas. You can actually sense that there is something in the air which is obviously the belief in the revolution. Yet later, it seems quite undecided whether to focus on the aspect of revolutionary ideas or on the personal lives and thoughts of the characters. Both topics can be processed in a movie, however in this one both aspects seems inconclusive.Also what I see missing in the movie is that all young revolutionaries were not faced a tough life or living a life that is rather comfortable. They want to change things but it seems they are not sure what they want to change or how bad things are for the working class. I am not expecting a person of that age to be fully aware of the situation but I wondered how would they react in a desperate situation. They do not look unhappy with their life.If I had watched the movie with different expectations, I would have enjoyed it more. It is still likable but not satisfying.

A miniature portrait of the student movement, that focuses around a group of few passionate youngsters.They do not just want better rights and more acknowledgment; they are prepared to fight in order to get it. It feels the world is at a turning point and so are their lives. If they do not fight for a better world, then what is it all for?The struggle begins full of zeal, passion and fervour. The time, being unforgiving to all, changes everything. The views of society change, ideals and lives. Through fighting, facing consequences and experimenting with free love and drugs our heroes find themselves facing new realities and challenges. The goal seem to have been achieved, what now? The existential question in everyone's minds.Though low key, it has enough youthful energy that exhumes passion, inspiration that can stir the audience's thought process expecting from all of us to not lose sight of our ideals, the very thing that makes us human.