It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Sole Survivor predates Final Destination by 17 years and you can see it had an obvious influence on Final Destination although Sole Survivor is the more well made film of the two and it is the far more creepy. The movie focuses on a young woman who happens to be the only survivor of a tragic plane crash. Following after being discharged from the hospital, she begins getting the foreboding feeling like she is in danger or harm, she begins to see these strange "people" following her and watching her every movement. All her friends and her doctors are convinced that she is suffering from a type of "survivor syndrome," where she feels guilt for being the only survivor and seeing so many people die from the crash. She begins to feel unworthy or not deserving of her life. It becomes apparent that "death" is not pleased with her for having survived its grip so it begins to send the recently dead to claim what it believes its due.Not only has it a great screenplay but it is also genuinely- terrifying. It packs in many jump scares where the protagonist could be carrying out unexciting tasks and then suddenly these deceased "people" who do not reflect any life behind the eyes begin to show up. The soundtrack is both eerie and distressing in equal measure to already heightens the bleak, atmospheric and foreboding tone. There is also a nice amount of gore in the film to satisfy those inclined to that and there is some nudity involving strip poker to satisfy all the needs of the horror movie goer.It was released in 1983 when the "slashers" and sequel fads were just taking off. It was a breath of fresh air in the horror genre that was beginning to run out of ideas in that decade. There is a nice tension that builds and builds to a chilling climax but it is never in a rush to get to that point which allows it to focus on nice character development. There is a strange beauty in the neon colors that are very much present in some important scenes.Can we escape "deaths" cold grasp? Can we outsmart "death"? Does "death" chase us for what it believes its due? In conclusion, I truly believe that Sole Survivor is just too good to remain as obscure as it is. It is on Youtube as I speak, so don't miss your chance to see this work of art.

Annoyed by all the attention thrown her way, the sole survivor of a horrific plane crash tries to get on with her life, however, it appears that Death still has a plan to take her in this intriguing horror thriller. The film's best asset is the dialogue with several fascinating notions tossed around as "survivor's syndrome", referring to guilt often experienced by sole survivors, and curious statistics, such as the majority of sole survivors dying within 24 months of their accident, often as a result of carelessness or subconsciously placing themselves in dangerous situations. The protagonist also offers an interesting tale of a dress that she was not charged for, commenting that she experienced similar elation upon surviving the crash, before then remarking "they eventually find" any mistake. 'Sole Survivor' is not, however, the psychological horror film that one might expect from such intelligent dialogue. There is never any doubt that it is not in her mind and that there are really forces out to get her. Also, creepy as the blankly staring zombies are, their lack of urgency in getting her never quite rings true. The plot is further drawn out with an extraneous strip poker game that only seems to exist to meet a nudity quota and most perhaps disappointing of all, both the lead actress and her boyfriend are bland. This is, however, a film to watch for its small delights: an ominous elevator ride, a foreboding bug-eyed clock, a young girl zombie, etc. The premise is also highly original and undeniably thought-provoking depending on how much one believes in chance, fate and coincidence.

Writer / director / editor Thom Eberhardts' feature directing debut is a nicely realized, grim and spooky little shocker worth viewing for horror aficionados hoping to find good lesser known films from decades past. It's got plenty of atmosphere, a never ending feeling of uneasiness, a good spin on "living dead" cinema, and its themes and ideas are interesting. As genre junkies will realize, it's similar in some ways to the more famous "Final Destination", which came along 17 years *later*. Eberhardts' script is often witty and offers good roles to a capable cast.Star Anita Skinner is impressive enough in the role of plane crash survivor Denise Watson that one may wish we'd seen more of her in films over the years. She displays just the right amount of vulnerability and confusion. Denise was the *only* survivor of this crash, and she tries to resume her normal life, but weird things begin happening. Unspeaking, creepy strangers start to appear to her and she wonders what it all could mean.Also in the cast are handsome Kurt Johnson as a kindly doctor, Robin Davidson as Denise's spunky neighbour, Caren Larkey as a washed up actress with unwanted psychic abilities, and William Snare as a frustrated coroner. Be on the lookout for foxy B movie actress Brinke Stevens as a player in a strip poker game who takes off her top and Leon (Robinson) as a gang leader.David F. Anthony composed the eerie music and cinematographer Russell Carpenter, who went on to really big things such as "True Lies" and "Titanic", does a really good job in helping to set the mood.The movie also educates us some on the subject of "survivor syndrome", wherein people who live through catastrophic accidents expire themselves within 24 months, possibly through a sense of guilt and feeling of unworthiness.All in all, "Sole Survivor" is one of those films that deserves a wider audience. It's too good to remain obscure.Eight out of 10.

Perky young TV commercial producer Denise Watson (a fine and sympathetic performance by the fetching Anita Skinner) is the sole survivor of a terrible plane crash. Denise soon finds herself being stalked by the malevolent spirits of recently deceased people. However, she can't convince anyone else that something is seriously amiss. Writer/director Thom Eberhardt (who later gave us the delightful "Night of the Comet") relates the compelling story at a deliberate pace, does an expert job of creating and maintaining an arrestingly uncanny and ambiguous "Twilight Zone"-style atmosphere, effectively grounds the fantastic premise in a credibly rendered everyday mundane reality, and delivers a fair share of flesh-crawling moments (the sequence with Denise alive amidst the mangled dead bodies of victims of the airplane wreckage is truly grim and disturbing stuff). Moreover, the smart script puts an intriguing spin on a psychological condition known as "Survivor's Syndrome," in which folks who manage to be the only survivor of a horrific incident often wind up dying 24 months after said incident occurs. The sound acting from a capable and appealing cast rates as another major plus: Kurt Johnson as helpful, likable physician Dr. Brian Richardson, Robin Davidson as Denise's spunky best gal pal Kristy, Caren Lackey as neurotic psychic actress Karla Davis, and William Snare as cynical, puzzled coroner Artie. The ever-foxy Brinke Stevens contributes a neat cameo as a sexy lass who removes her top during a game of strip poker. David F. Anthony's supremely eerie and shivery score further enhances the unnerving creepy mood. Russell Carpenter's polished cinematography likewise does the trick. The nightmarish last third is genuinely harrowing. A nifty and most worthwhile fright feature sleeper.