Great Film overall

Excellent but underrated film

In truth, there is barely enough story here to make a film.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The theft of a lethal diary which could create scandal and possible war leads to intrigue amongst the rather shady passengers on the Orient Express they are all traveling upon. This isn't a collection of nice people, as the thief killed a valet during the theft, another government agent is determined to get his hands on it, and other assorted amoral people become involved through their own schemes and the close proximity to the people after the hidden diary, which results in murder. The poor American soldier on leave gets taken in by a French girl wanting to avoid customs charges, and after having been bored by the British expert on birds, you can see why he was taken in so easily. Another passenger is an obvious ruthless businessman whose assistant briefly gets his hands on the diary with nefarious plans of his own.This remake of a classic (and rare) earlier British film ("Rome Express") is updated neatly to Post War Europe and features a cast of mostly obscure British actors amongst its large ensemble. Most familiar to American audiences is future Disney star David Tomlinson during his years as a character actor in both comedic and dramatic roles. Excellent photography aids in the tension of the film which builds to a frightening climax.

Albert Lieven (Zurta) and Jean Kent (Valya) pursue Alan Wheatley (Karl) aboard the Orient Express. The object of their attention is a diary which Lieven must recover and leave the train with before he reaches Trieste.The film needed to go in either the comedy direction or the thriller direction. As it goes, it combines both which is frustrating. The final moments on the train are quite shocking given the rather lame humour which we have been fed during the previous hour and forty minutes. The ending seems out of place in this otherwise frothy adventure.Most of the actors are irritating. They play comedy roles that never make you laugh, except once – lawyer Derek De Marney (George) comes out with a classic laugh-out-loud moment when he presents his 3 theories of how someone has ended up dead to policeman Paul Dupuis (Inspector Jolif). It's the best moment of the film and we re-winded it twice! The best in the cast are Lieven and Kent, who play it straight and provide the thriller part to the film – the reason to watch it. Some characters are actually completely superfluous to the story – the bird watcher, the GI, the French cook and the British cook. There are too many characters providing comedy parts.As a whole, you watch to see what happens but it gets boring and the Brits speak in that ridiculous posh way that makes you cringe, and it basically helps to portray them as twerps. Not what is required for a good thriller.

This is a rattling good post-war thriller.It features customs duty evasion, adultery, espionage, murder, robbery in fact the screen writers attempted to include almost all the major crimes in their script (apart from sex crimes which were denied by the prevailing film code on film producers).The film is mainly played out on the romantic "Orient Express" with an international cast as it journeys from Paris-Simplon-Venice-Trieste across the Continent of Western Europe.Trains are a favourite location for thriller writers and several famous films were made with them as a backdrop: "The 39 Steps" (1935), "The Lady Vanishes" (1938), and "Night Train to Munich" (1940) all of which I can recommend to 1940s film buffs.I have quite a few films from the 1940s, my favourite era.If fans want to see the principal players from "Sleeping Car to Trieste" cast in leading roles, they should attempt to obtain the following films: Derrick de Marney - George Grant, a younger actor in Hitchcock's "Young & Innocent" (1937), Jean Kent - Valya, still playing rather sadistic roles in "The Browning Version" (1951), Albert Lieven - Zarta, more sympathetic as a portrait painter in "The Seventh Veil" (1945), Paul Depuis - Det.Insp. Jolif, a French Aristocrat in "Madness of the Heart" (1949) & "Passport to Pimlico" (1949), Bonar Colleano - Sgt. West, virtually playing the same role in "The Way to the Stars" (1945), Finalay Currie - Alistair MacBain, such a versatile actor, try the convict in "Great Expectations" (1946) with John Mills, David Tomlinson - Tom Bishop, his best role was as one of the "Three Men in a Boat" (1953).Finally, Alan Wheatley is indelibly imprinted on my memory as the dastardly Sheriff of Nottingham in the 1950s British TV series "The Adventures of Robin Hood" starring Richard Green.The plot without spoilers has already been indicated by other reviewers so I will restrict my comments on the acting.In the main it was very creditable and it has an interesting mix of international stars.The action never lets up but with the 1940s moral code in place, you know the guilty must eventually receive their comeuppance.In todays politically correct climate I am always fascinated by how often actors in these 1940s films light up and drink copious quantities of Scotch.It makes a refreshing change and reminds me of my youth when steam was the norm on railways.I rated it 6/10.P.S. I was born in 1946.

Sleeping Car to Trieste is pretty much a standard post-war British spy thriller set on The Orient Express with all the usual sets and train mock-ups. Nothing too cerebral but light entertainment when you have nothing better to do.