Touches You

Just perfect...

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Another almost there movie. It is let down by the fact that it is meant to be a comedy, but it is just not funny enough. Everything else is bang on except perhaps some of the characterisations, the only one I really warmed to was the blind rabbi and his dog (which produces most of the laughs!) I'm not from this world and it seems to really enjoy this film, it has to strike a chord. Well there was no resonance for me, I had to be made to laugh just using what was on the screen.Regarding the laugh count I think the makers realised this was low too as demonstrated by the: 'what's that drink? It's a bloody Mary. Alright I was only asking' gag. Smacks of desperation I'm afraid.Even so the nice warm ending was worth waiting for.

The coming of age tale is always one of the most enjoyable and heartfelt types of film, with Sixty Six proving that it is worth the viewer's time because of the wonderful character driven film that it is. It should be noted that because of the film's plot, you should immediately know that it won't be story driven outside of the characters' individual stories. To make it simple, if you know how the 1966 World Cup turned out, you know how this film is going to end. So, it is for that reason that I say, if you don't know how that World Cup ended, don't look it up. The film will tell you, and to be honest, it was one of the things that made it such a great movie for me. Knowing the outcome of the matches, however, doesn't take away from the experience.In a character driven film, the performances are obviously the most important, and here we have a trifecta of awesomeness. First and foremost, in one of my favorite performances of the decade, Eddie Marsan really shows some muscle and range as Bernie's father, in one of the most silently moving performances of recent memory. The character by himself is a hell of a subject to study, a neurotic and paranoid man who has lost faith in his own life because of the lack of success in his family business, and feeling distant from his wife. Marsan pulls this off wonderfully. You can't help but feel bad for him, despite numerous bad choices in the film.Helena Bonham Carter is, as usual, excellent as Bernie's mother. I really appreciated her towards the end of the film, when all of our characters have an epiphany. Youngster Gregg Sulkin is wonderful in his first role, and he should have plenty of work in the future. What you get from this film is a tad bit of predictability, yet where that hurts the film, the characters make up for it. Even supporting characters, such as one played by Stephen Rea, are as intriguing as the big three.If you enjoy teary moments, boys becoming men in their life, and a bit of British humor, Sixty Six is bound to be enjoyable for you. I was very glad I caught it in the brief run it had in my theater, because it's definitely one of the better movies that has come out recently, in addition to providing a nice break from all the summer explosions. As for Brits looking for this film to see, odds are that it's already on DVD in your neck of the woods, as it was released in the UK about two years ago.

Personally, I think so. For those of you unaware of his work he is responsible for directing almost all of the Mr Bean programmes which have entertained generations of multi lingual people, he also directed my favourite film, Bernard and the Genie. For those of you unaware of this film please search for it now and look at some of the comments about it has received, its quite simply the best Christmas film ever recorded. He delivers simple but massively effective narratives which appeal to all ages, easy to watch films which last long in the memory of all those who watch them. I fear Sixty Six will not be well received due to poor marketing (who exactly did it appeal too? I only watched it on the strengh of its director) but having just watched it I can assure anyone thinking about giving it a go to just WATCH IT! Its hilariously funny and deeply moving and the story flows like a butterfly. I was utterly dismayed I was sharing the experience of Sixty Six with 4 other people knowing full well it would be enjoyed by thousands if not millions more. Paul Weiland please stand up and take your place as one of Englands finest directors/writers and for the love of all things sacred make more films and continue the 'Bernie' trend :)

I was expecting a Jewish humour kind of film (like Jack Rosenthal's Barmitzvah Boy all those years ago). There *is* some humour, and some Jewish in-jokes, but mainly I found the film to be very sad. Like some other recent films about losers (e.g. Brassed Off) the pathos overwhelms the humour; contrast Full Monty, Billy Elliott, where the crapness of the situation is still treated humorously. I thought the film lacked Jewish characters and situations I could identify from my own childhood (where were the British vs Jewish conflicts, and the anti-semitism?) and I didn't like the rabbi (stereotype with that Ron Moody accent).What *was* good, I thought, was the attention to detail by the props department. I was 13 in 1966 (in fact my best friend's barmitzvah WAS on that exact date ... nothing like in the film though: plenty of guests turned up, though quite a few snuck out into the car park during the game) and a few things caught my eye, notably the duffle bag, and the kids playing a horse-racing game whose name I forget which involves stretching a sheet of canvas over the table and turning a handle to make the horses "run" ... Robledo or something. And of course all the old cars.