True Stories
True Stories
PG | 10 October 1986 (USA)
True Stories Trailers

A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.

Reviews
Phonearl

Good start, but then it gets ruined

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Merolliv

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Curt

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

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Darin

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

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Rodrigo Amaro

The original tag line of "True Stories" was: "It's a completely cool, multi-purpose movie." Yes it really is. Directed and written by David Byrne (singer, writer, composer, a multi-talented person), this movie is an surprising and uplifting story about Virgil, a fictional Texas city that are celebrating the state's sesquicentennial year. Byrne is the nameless narrator of "True Stories", and here he presents us all kinds of characters, including the lovely Lewis Fyne (John Goodman, very good) a bachelor who wants desperately to get married even knowing that his appearance isn't what most women wants; the Culver family led by the most influential business man of the city, the odd, funny and controlling Earl Culver (Spalding Gray) among many other persons.Both in his musical works and in the case of this movie, Byrne puts very forms of speeches, as may seem throughout "True Stories". It's not just an ordinary comedy, it has something more powerful between it. He made statements over the unbridled consumerism (well noticed in the lyrics of "Wild Wild Life" and in the video of "Love for sale", where a sitting woman and a walking employee robot, watches a video clip showing that everything and everybody's out for sale). Those moments might seen an attack to some viewers and probably many will find that these scenes has nothing to do with the movie. Wrong. It is just a way to show many aspects of real life, after all we're talking about possible true people but in a funny way. It is not pointing to the people like a character judgment. Instead of that, Byrne and the writers (the actor Stephen Tobolowsky is one of them) shows us many levels of the society's stereotypes (the funny guy, the simple people and the rich people, and their events). But there's a sense of union, everybody likes each other in the movie, people go to clubs and shopping malls, sing songs, go to the big parade honoring the city and their special figures. Everything is likable. Perhaps in a deep view you'll find that something's wrong.It's like Altman's "Nashville" but with less characters and more funny, and it's like "This is Spinal Tap", (both stories are showed in a documentary style) but Byrne's film is far more complex, very much like an art film filled with cultural references. This is one more of the most positive and underrated films I ever seen and I think it was made way ahead of its time. One of those to be watched again and again. If you're a Talking Heads fan you'll enjoy the songs played in the movie and sing along (Wild Wild Life is my favorite moment). If you're not a fan or don't know Talking Heads, well here's a great invitation to meet them. It's very cool and fun to watch! 10/10

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Steve West

I view this as Byrne's first feature film, except that he never made another (he stated in a recent AV Club interview that he would like to make another but isn't inclined to spend 5 years to get the ball rolling). Byrne reminded me eerily of myself in how he interacts with people, I've read that he thinks he might have had Apsergers but I am certain it is social anxiety, however he didn't let it get in the way of the direction of this film.I'm sure Byrne could have made a lot more commentary about society but as this is sort of in the "experimental" bin, it's padded with musical numbers (which might technically define it as a musical), a mock fashion show, a pageant (as the town is celebrating its sesquicentennial) and a local talent show performed on an outdoor stage fit for a rock band, climaxing with John Goodman performing "People Like Us".As it's probably Byrne's natural inclination to observe the world around him and find out what makes it tick, I think a fully-fledged Byrne film could have potentially been much more meaty (for lack of a better term), however he is primarily a musician so it's understandable that he did not become a writer-director after the making of this film. And I'm guessing that this film only exists because of the success Byrne and the Talking Heads were enjoying at the time.Overall it stands as a one-off, strangely dated curiosity but it is light weight, mostly enjoyable and is the only place to see David Byrne outside of a music video or interview.

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His_Dudeness74

When rock's 'renaissance man' (as he was once heralded by Time magazine ..) David Byrne got the go-ahead to direct and co-write his debut feature film, fans of the quirky Talking Heads front man were naturally curious as to what oddness Mr. Byrne would produce ... With True Stories, Byrne delivered the kind of ambiguous messages and intellectual stimulate fans had come to associate from his musical offerings - a simple enough tale, centering on fictional Texan town Virgil's quirky inhabitants and their preparations for it's 'Sesquecentenial celebration of special-ness' ... a nice backdrop for some kooky comedy, but is Byrne laughing with, or at Virgil's southern population - is he poking gentle fun at the new-age frontiersmen that constitute the towns occupants, or mercilessly taking the p*ss out of the Virgilians and their barren, pre-fab factory dotted landscape ? Some of the characters on display are fools, yet harmless-enough; 'the Lying Woman' with her outrageously tall tales, 'the Cute Woman' with her love of all things pink, 'the Lazy Woman', so rich that she never *needs* to leave her bed (Byrne : 'Well, wouldn't you ?") and fashion-concussed 'Dancing Fool' Louis Fine, who serves as the movie's main character (sympathetically handled by an amiable John Goodman ). Other characters are slightly edgier, conspiracy theorist/Preacher character, Pops Staples mystical love doctor, and the late Spalding Gray's wonderful town patriach ... Overall the films light feel leads one to believe Byrne's intentions were harmless enough - in fact his character in the film, an out-of-towner narrator dressed in ill-judged cowboy suits, is a nice metaphor for Byrne himself; an odd outsider (Byrne was a Scottish immigrant to the USA as a child) observing an even odder, new environment - the narration itself is often amusing but less often illuminating as to the Byrne's own opinions on what he sees...Great set-pieces like the ghastly Mall fashion show, Byrne's rather surreal dinner appointment at businessman Mr. Culver's family home, a wonderful detour to a gospel church and the assorted whacky acts performed by Virgil's finest during the parade and evening performance make the film easy to watch, as does the cinematography that successfully captures the vast isolated state of Texas and it's people's often kitsch attempts to tame it. Byrne and his band Talking Heads successfully weave musical numbers throughout the film naturally, without contrivance - the actors sing most of the tunes, Byrne only saves the last number, over the closing credits, for himself... Strangely David Byrne has never directed another film. I believe that if this film had been made 10 years after its initial release, it and Byrne would have been swept up in Indie movie fever; True Stories was a slightly odd film when it first screened, and it's ambiguity puzzled some. A bit like David Byrne himself ... Well worth re-visiting if you've seen it before too ...

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rosebud-karlstad

This movie made me a different person, to watch David Byrne was a heartwarming experience. Sometimes it's a slow moving picture but it picks up the pace in just the right time to make you feel involved in the characters. To put it frank - this was a mind blowing experience. Some people may come to the conclusion that this is just a simple movie about simple people - and these people are right. But my dear friends, ask yourselves; how often do you see that - once in a lifetime! The reason that I haven't said anything concrete about the movie is that it's a picture in the same class as Lost Highway, try to say something about that movie, it's not easy, see it and become a better human being.

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