Don't Believe the Hype

Crappy film

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Shamus (1973) ** (out of 4) Shamus McCoy (Burt Reynolds) is a rough and tough New York private detective who is hired to track down the people who set a couple on fire. It turns out this couple was behind a jewelry robbery so whoever killed them now has the jewels.SHAMUS is a pretty disappointing film on many levels as it's so darn boring and has such a bland screenplay that it's easy to see why the movie has pretty much been forgotten. A lot of Reynolds' movies from this period are now considered classics but this one here has pretty much remained in the shadows for a good reason. It's certainly a shame that the movie didn't turn out a bit better because it has some elements that could have made for something much more memorable.The biggest issue I had with the film was the fact that the screenplay just didn't feature a very interesting mystery. The film also suffers from not knowing exactly what it wants to do because at times it almost seems like a spoof of the film noir genre with some really lame comedy bits. Just look at the opening sequence with Reynolds getting out of bed with a woman and doing some sort of comic bit that just isn't funny. There's a lot of flirting done by Reynolds but none of it is overly charming or cute.The film contains mostly forgettable performances and I'd include the lead in on this as well. Reynolds just really seems out of it here as if even he knows that the story isn't all that special. Dyan Cannon makes for a boring female co-star and none of the other supporting players pack much of a punch. The slow style doesn't help things and director Buzz Kulik just doesn't add any flair to the material.

The ever-cool Burt Reynolds gives a typically fine and credible performance as Shamus McCoy, a scruffy, but smooth and studly rugged womanizing private detective who's hired by flaky rich guy E.J. Hume (a pleasingly offbeat turn by Ron Weyand) to find a killer and retrieve a fortune in stolen diamonds. During his investigation McCoy makes the acquaintance of the lovely, vivacious Alexis (delightfully played by the gorgeously voluptuous Dyan Cannon) and uncovers a wild plot to sell surplus military weapons on the black market. Adroitly directed by Buzz ("The Hunter") Kulik, with a colorful and compelling, if rather muddled script by Barry Beckerman, a groovy score by Jerry Goldsmith, occasional exciting outbursts of raw rough'n'tumble fisticuffs, gritty, but lush cinematography by Victor J. Kemper, a funky New York City atmosphere, and a few charmingly quirky touches (McCoy sleeps on a pool table with a mattress on it and has a deep-seated dread of large dogs), "Shamus" makes for a hugely enjoyable and often thrilling private eye flick. Popping up in solid supporting parts are Larry Block as funny sports trivia freak informant Springy, Joe Santos as hard-nosed police Lieutenant Promuto, John P. Ryan as crazed fanatical army Colonel Hardcore, and John Glover in his film debut as a pathetic heroin addict. Excellent downbeat ending, too. Granted, we're not talking unjustly overlooked lost classic here, but this baby overall sizes up as a most entertaining vintage 70's Burt Reynolds star action vehicle.

Although this was a fast-paced pretty interesting crime story, it was not memorable, which is probably one reason there are so few reviews here.Burt Reynolds was perfect for '70s film world of film in which just about anything was shown or heard now that all the restrictions were removed. Burt, as he did in this film, would sleep with any girl that came along. In one scene, Reynolds enters a bookstore, sees the clerk has a "nice pair of boobs," so they have sex immediately right at the store. Only in the sleazy '70s of Hollywood! (Or in most men's dreams.)Actually, Burt excelled in films that combined action and humor, which this has but not enough to make this one of more-remembered movies. However, it does have very little nudity despite the above paragraph and no blasphemy. The best part of the movies might be the final action scene which provides two laugh-out- loud scenes.

A sarcastic, slightly self-parodying Burt Reynolds in his prime is the best thing this otherwise undistinguished actioner/mystery has to offer. Right from the opening scene, Reynolds sets up an unconventional action-movie character, who doesn't take himself too seriously. Unfortunately, he is plugged into an overloaded and ultimately unresolved plot, and into action sequences that are directed without much flair. Very minor film. (**)