Thanks for the memories!

To all those who have watched it: I hope you enjoyed it as much as I do.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

This is without doubt one of the top ten worst movies I have ever seen. The high rating on IMDb may be attributed to the fact that (I have no proof of this -- it's just an opinion) the entire production crew voted before audiences had a chance to view it. The criminals are the most incompetent, ridiculous and annoying I have ever seen outside of a comedy (which I don't think this is supposed to be), and the protagonists are just as bumbling. Add to that some of the worst acting and dialogue I have ever heard and film-making skills that could easily be surpassed by a bunch of teenagers playing around with their cell phones and you have Nobody Can Cool, a film that makes about as much sense as its title. I could point out some the unbelievably ludicrous things that happen in this movie, but I didn't want to have to hit the "spoiler" button. I will say characters act in ways that simply defy all logic and leave it at that. You have been warned!

A bickering couple goes on a weekend retreat to a cabin in the woods but finds several criminals hiding out there. They are soon drawn into the criminals' web of violence.First off, the pacing in this movie is pretty slow. It probably takes a good thirty minutes before anything really relevant to the plot occurs. During this time an attempt is made to do some character/atmosphere building but it largely fails. None of the characters really ever come off as likable and they never really seem like they are in danger either.Even after the initial setup the pacing never really recovers. The characters all go through the motions that numerous other movies have, only without a good script or even good actors to bring the story to life.If horror fans are looking here for a cheap, fun thrill you can look else where. Besides being more of a thriller there is nothing here for you. There are no real scares or scary scenes, no sex, and the only violence comes in the form of some amusing CGI gunshots.Other then to turn on for some background noise I don't think I could recommend it to anyone.

Nobody Can Cool proved to be a moody and atmospheric suspense thriller. Its color palate cleverly supports a pair of menacing characters, Len and Gigi, who are awaiting the arrival of someone they fear. Before that encounter, they must deal with the unexpected intrusion of a pair of young professionals, a shallow couple with problems of their own. In a remote cabin that each couple expected not to share, trouble begins when the young professionals discover that their bedroom door has been locked. Not willing to accept this situation, Susan, the more assertive and ambitious of the pair, climbs out the bedroom's window and, as the plot develops, into increasing conflict with the looming Len and the aggressive but very pregnant Gigi. If Nick Principe, who plays Len, did not say a word, his presence would bring to the screen echoes of the unhinged villains encountered in comic books. He promises to be the constant source of the misery that Susan and her companion will confront. However, the malice of the expectant Gigi, who speaks with a foreign accent, is not long kept in check. Her pregnancy has not softened her or made her life affirming. In fact, the sequence that establishes her character conveys something grotesque, vulgar or sordid. Such plot elements are woven into a tight and compelling script. The exchanges between the characters are convincing and quickly move the action forward. There are no wasted words. The low-level lighting, in many of the scenes, adds to the film's gritty depiction of the situations of the characters. The very tall, bald, slightly bearded and heavily tattooed Len, in fact, often seem to emerge out of darkness, as if he were an element of a distressing dream. Moreover, every one of the film's agents is in some sort of nightmare or trap. Other stylistic elements contribute to the film's unsettling atmospherics. Attention is often called to the passing of time, as the film's unwinding moves us closer to inevitable catastrophe. One could add to this the nighttime setting, the remoteness of the cabin and the eerie sound effects. What most struck me in the film's first half hour was how well it was put together. Each scene moved seamlessly to the next; the visually jarring elements were intentionally so. The camera's movements were well considered, and the final product seemed the result of careful consideration of how the cuts between shots would contribute both to the revelation of character and to the tensions that were basic to the action. The brevity of some of those early shots, coupled with the red and green colors that dominate each frame, suggests that the film's directors might have wanted to evoke the panels of classic crime comics. But there is no detective or comic book hero to resolve the villainy and mayhem in this film. Nobody Can Cool shows what can be done with a well-developed script and a cast that works together. Highly recommended.

Although it starts in familiar territory--2 opposing couples forced to spend the night together in the boonies with no phone-- it quickly switches gears turning unpredictable, ratcheting up the tension. Nobody Can Cool strays from "tried and true" plot conventions to make a taut original outsider thriller.You won't say, "I've seen this before", and that's exactly part of its charm. The other part is the immersive experience created through the quality of the production and the performances. The actors inject distinctive personalities into each character that make them fun to watch. You care about them and become invested in their stories. I don't want to describe the characters because it is better to get to know them as the film unfolds. I don't want to ruin it, but they do bad things and are in a jam. Sometimes it is pretty funny.The directors deftly weave the couples' interpersonal conflicts (many allowing for the humor) with a suspenseful smart crime plot that gradually unfolds throughout the movie. The shots are varied and confident with some visually arresting angles that add to a forbidding aura. The sound design adds a complementary background to the plot enhancing the tension and suspense. It's one of the few microbudget films I've seen with a multi-layered plot, complex characters and impressive production design, color, and cinematography to create a distinctive style. Too many films cherry pick what they decide to do well. You get good gore, but no story and cookie cutter characters. It's always a pleasure when a film cares about its plot, characters, and visual appeal at the same time. Nobody Can Cool is that kind of film. It's an original that should be sought out and given some real attention. I rated it ten stars because it impressively succeeds at a high degree of difficulty on no budget, and it's a remarkably well-crafted first feature. Full of chills, thrills, a tight plot that works, it grabs you early on and takes you on a colorful race to the end.