Such a frustrating disappointment

Although it has its amusing moments, in eneral the plot does not convince.

Simple and well acted, it has tension enough to knot the stomach.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

I never read the book that this movie's based on. It's about the Sager Party. The father, Henry, the mother Naome, and six children, starting with the oldest son, John, who leave Missouri for Oregon along the Oregon Trail in 1844. At the time they leave, Naome, John's mother, is pregnant with a seventh child. Catherine, born along the way, comes into a world of hardship. Henry dies of blood poisoning in an Indian raid. Naome, the mother, dies of pneumonia. The other members of the wagon train don't want John and his six brothers and sisters in the wagon train and order them to go back to Missouri. All the men in the wagon train regard John as shiftless and lazy. However, John refuses to turn back and is determined to get his family to Oregon. Along the way, they meet Kit Carson, and other historical characters. A couple of reviewers didn't like it. I liked it when it was on TV back in '70s. It should be remembered that back in the '70s, it didn't take very long for movies to make it to television from the movie screen.

As one who grew up in Oregon and remembers reading in history about the Sager children on the Oregon Trail, this film has personal sentimental value.I agree completely with the other reviewer's comments regarding the flaws in this film. Yes, it does seem very low budget and amateurish, especially by today's standards. There are some fairly believable scenes here and there, but the true greatness of this film is in its historical value. The fact that this adventure profiles a family during the great migration on the Oregon trail, using real characters, not made-up ones, to do so is unique. It seems today's great epics, Titanic, Pearl Harbor, etc. tend to rely on fictional characters that pollute the authenticity of the real story. The irony is that real people are far more interesting and compelling as well as being more believable.The real Sager story is a great one and deserves a good telling using the best available. I'd like to see it attempted again with better writing, acting, and production. Unfortunately, Hollywood's recent track record for remakes is mixed at best and I wouldn't hold my breath expecting such a remake to be even as true to the facts as this one was.In spite of its flaws, this film is a must see for anyone wanting to know about the history of the Oregon Trail though films. Any collection of Oregon Trail related films will include it.Roger

Afte the explosion of sex and violence in movies, even more the twisted amorality of in the late 60's, there was a predictable backlash. By the early 70's, Hollywood had found a market for "nice" stories such as The Waltons and Little House on the Prairie, not to mention a bunch of other knock-offs that failed. This family-oriented counter-revolution extended to film, with Disney putting out lots of cheap, dumb-but-funny Kurt Russell movies and cheaper American International-like studios doing Grizzly-Frontier-Adams-Fremont in the Rockies productions. Some sucked pond water and some were even worse. Maybe the worst I've ever seen is Seven Alone, a story of a flock of 1840's era kiddies fighting their way along the Oregon Trail after their folks die (a blessing if human worth is based on acting ability). I grabbed this flick off the shelf at the local library, figuring it would be digestible cheese for my family to watch. Sure enough, my wife is enjoying it and my 9-year-old is loving it. Because I'm a pain-in-the-keister critic, I'm bleeding profusely from biting my tongue in order not to turn family movie night into Mystery Science Theatre 3000 with me playing all three parts of the audience. I try to be a good dad. This is so awful. I feel sorry for Dewey Martin and Aldo Ray, two accomplished and successful actors from the 40's through 60's. They must have been so very desperate for parts that they took the offer to do this hopelessly underfunded, underacted, and badly produced mess.And yet . . . There is some small bit of accuracy in this gunk. While another reviewer on this site had a small scale hissy over the movie being politically incorrect in its treatment of American Indians, I remind you that when a principal character refers to the natives as "dirty redskins," that's the least of the insults that were hurled at Indians by Caucasian settlers. They were hated and feared, and to our ancestors, the natives were a pestilence. Doesn't make it right or wrong, just accurate. My recommendation would be to skip this dull nonsense (even if the book it was based on was a good work of history) and stick with the tasty cheese put out by the Disney dairy. The most you'll get is gas. Seven Alone gave me a splitting headache.

Based on a true story (but with certain elements altered to enhance the tribulations and drama), this family-geared film details the ordeal of seven children who must fend for themselves on the way to Oregon when their parents die. Martin and Collings are a farming couple with six children (and another one soon on the way) who decide to head west to the Oregon territory where rich, spacious land awaits anyone who's willing to make the tumultuous trek there. Their oldest son (Petersen) is continuously in one sort of trouble or another from mischievousness to laziness to stupidity. Naturally, it falls to him to care for his siblings when his parents pass away in quick succession. He is determined to reach Oregon and build the home his father always wanted (containing the stained glass windows his mother treasured.) The kids face all varieties of danger from raging rivers to untrustworthy Indians to exposure from wind and snow. A story like this certainly has potential and it gets off to a decent enough start (mostly thanks to the more seasoned acting of Martin and Collings.) Eventually, though, the film turns trite, dull and ridiculous as these tiny kids conquer the old west while adults drop like flies around them (this is NOT how it happened in real life.) Some of the good things about the film include a relatively tense Indian skirmish, an okay musical score and authentic locations. Bad qualities include horribly amateurish acting from the children (most of whom are related in real life), a low budget, awkward direction and an occasionally absurd script. Martin, a bit more weathered than in his heyday, but still attractive, does a decent job as the dad. Oddly, he looks healthiest and most robust when he's about to konk out and die! (His death scene is really bad. It's a shame he didn't check out Shelley Winters in "The Poseidon Adventure" for pointers.) Collings gives a far more solid and assured performance than her scant resume would suggest. She gives the film its small amount of warmth and class. Ray, in a very blustery performance, runs hot and cold as the wagon train's resident doctor. Actor/Stuntman Smith pops up (preposterously) through the film as Kit Carson. The only other performer of note is the reliable character actor Griffith as the children's uncle. There's just enough of a seed of a good idea to demonstrate that this could have been a great movie, but it isn't. It's just OK. Pat Boone sings a treacly song over the credits and has discernible trouble getting to the various notes of the melody.