Samurai Cop
Samurai Cop
R | 30 November 1991 (USA)
Samurai Cop Trailers

When Japanese organized crime imbeds itself within LA, the police turn to one man to take down the deadly Yakuza — Joe Marshall, aka "The Samurai." With his fearless swagger and rock hard jaw, The Samurai tears a two-fisted hole through the mob and doesn't stop until the job is done.

Reviews
Aedonerre

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

... View More
Fairaher

The film makes a home in your brain and the only cure is to see it again.

... View More
BelSports

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

... View More
Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

... View More
Leofwine_draca

SAMURAI COP is another hilariously inept action B-movie from the guy who brought us Killing American Style. I think Amir Shervan's earlier film has the edge in terms of out-and-out cheese and comedy, but SAMURAI COP comes a close second. The title's a misnomer, brought about because there are a couple of samurai swords in the film; otherwise this is the usual cops and robbers stuff as upstanding heroes battle gun-toting criminal gang members.This film is so much like Killing American Style it feels like they were shot back to back: the movies share cast members and look and feel exactly the same in terms of staging, fight scenes, etc. The staging is staggeringly inept, with most scenes shot in single takes, and the acting is quite horrible. The main actor, Mathew Karedas, has a long hair style that swaps from being real to a woman's wig and back again as the story goes on (the story is that he had his hair cut short halfway through the production so had to wear a wig for the rest of the filming).SAMURAI COP is a film that nobody can take seriously, so the best thing to do is to sit back and laugh at it. In this respect it becomes something of a gem, an example of so-bad-it's-good entertainment. As with Killing American Style, Robert Z'Dar plays in support as the chief villain. Others must have enjoyed this movie, because a sequel followed in 2014 (!).

... View More
Scott_Mercer

I guess I was behind the curve on finding out about this messterpiece, but about a year ago I was clued in and have seen it several times since, as well as seeing the Kickstarter fueled Samurai Cop 2 in its theatrical run, no less. But let's get back to the original. A highly incompetent Lethal Weapon ripoff mixed with a ninja film, this was barely released direct to video in 1991 and thereafter floundered in obscurity. It may have actually gotten a theatrical release in some lesser nation; I know there was a movie poster from Poland which served as the basis for the first DVD cover. Years later, some hipsters dug it up and thanks to the internet, it developed a well-deserved and appreciative dedicated cult fandom. Although plagued with nonsensical writing, bad acting, non-existent direction, hack-job editing and video-game level musical score, Samurai Cop is actually a hilarious entertainment experience, unlike the even worse action/exploitation flick also made by an Iranian immigrant, the diabolical Dangerous Men. Where Dangerous Men is filthy, difficult to watch and depressing as hell, Samurai Cop is rollicking, goofy and insane. A lot of this appeal is due to the good will engendered by the two leads, Matt Hannon and Mark Fraser, who ended up doing very little after this film, career-wise, which is a shame. Half the script makes no sense as it is an impression of American films and American culture written by an outsider, English-as-a- Second-Language auteur, director Amir Shervan. Lead actor Hannon wears a cheap ladies' wig through much of the film as he had gone off during a break and cut his hair short (to be fair, Shervan told him the film was done and called him to come back for more shooting about six months later). Special effects are bargain basement, fight choreography is nearly non-existent, and the Japanese gang with only one Japanese person in it must be seen to be believed. At this point you probably don't need my recommendation to go see this as the film's reputation for hilarity is probably up there next to Tommy Wiseau's The Room by now. I'd even recommend repeat viewings as there's probably more laughs to be mined after the first go round. See it before you get shipped back to Tokyo in a garbage bag for fertilizer!

... View More
Martin Popov

Alright, this movie is pretty horrible. It's horrible in so many aspects, which is honestly all of them, to the point where it's actually pretty entertaining.You can just sit there and laugh, goof after goof after goof, it never gets boring. Okay,let me explain how horrible it is.-Cinematography: This movie is ripe with something I like to refer to as forehead shots. There are a lot of scenes in this movie that feature a close up of a character's face. But it isn't a normal close up, rather, 40% of the screen, the distance between the top of a character's head and the top of the screen, will be nothing but empty space, meaning that your eyes will naturally center on a person's shiny polished forehead. Aside from forehead shots, we've got scenes that are filmed in different times of the day and in different places, not natural day to night/place to place transition within the story, but different places for one scene! Imagine this: Main character meets bad guy. Camera switches to bad guy. Daylight. Camera switches to hero. Nighttime and different interior. Overall video quality is poor, as in, old VHS tape poor.The video quality, for a movie that came out in 1991, is sub par. -Audio: The music sounds like something from the Sega Genesis. Music aside, 50% of the entire audio of the movie, is dubbed in a studio. I kid you not.Two guys are going in a car, there is about a 50 meter distance between the camera man and the actors, and when they talk, the audio is perfectly clear. There's also a scene where 3 people have the same identical voice, saying the same identical lines."HEY WAIT UP I WANNA TALK YOU!". Just an example.-Acting: The whole movie feels as if it was shot on one take.The performance is so bad, so generic and more often than not over the top, to the point where the whole movie, turns into one big blooper. The main character, Samurai cop ( who, although the movie states he is fluent in Japanese, he can't pronounce the most basic of Japanese names even if his life depended on it), you just can't relate to him; he is a hulking mass of polished muscles, that is immune to bullets, who has no character development. In fact, all people have no character development. They are the same throughout the movie. There are plenty gun fights in the movie, and whenever somebody dies, the death scenes are really, really exaggerated, and if you pause and look at the "wounds" ,there are no bullet wounds, no ripped cloth or anything, it's just ketchup. The two main characters, Samurai Cop and his buddy, look a lot like the duo from Lethal Weapon, and I mean a lot. -Story: Well, the story is about two detectives investigating a Japanese crime gang, who for some reason, have only one Japanese member, and that's the main boss. Well, they don't do much investigating. In fact, half of the movie is just filler. As in super long needless sex scene filler. ( For some strange reason, the sex scenes are the ONLY part of the movie where the cinematography is okay.). The plot is so simple, linear, and underdeveloped, to the point where there is no plot at all. The film makers knew it, it'll become obvious within the final 20 minutes of the movie; it's like the director said " You know what? We've got nothing, might as well make them go on a rampage and kill everybody. Because that's what normal people do". -Other things to consider: It's offensive to women. The vast majority of female characters, and I mean literally the vast majority, are portrayed as sex objects, nothing more.The poster for the movie, at least the original one, bears heavy similarity to a previous movie poster called Maniac Cop. It's also worth nothing that the two movies shares the same main actor, Robert Z'Dar. I've come to believe that Samurai Cop tried to leech of the popularity of Maniac Cop, which came 3 years earlier. And that's pretty much it. It's horrible, but it's so horrible, you can laugh at it.

... View More
Rutegar Strong

This is really great and fun movie! I watch often with my friends while enjoying beer and always we have good time! Matt Hannon plays the Samurai Cop that always catch the crooks using Samurai skills and police training. But now he must catch the toughest criminal named Fujiyama who has bodyguard named of Yamashita which is played by Robert Z'Dar! I should admit that acting in this movie is not so good except for Robert Z'Dar. But it feels that actors all had fun time to make this exciting action movie. It makes audience smile or laugh when watch it! What my favorite thing in this movie was is Robert Z'Dar with cool beard! With good acting talent Robert Z'Dar perfectly capture role of Japanese man. Amazing!9 of 10 Stars! *********

... View More