Very Cool!!!

Great Film overall

Although it has its amusing moments, in eneral the plot does not convince.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

An unusually complicated story-line finds Rogers, Hatton and Acuff joining the Arizona Border Patrol after a stint in Teddy Roosevelt's Rough Riders. The territory is being terrorized by a gang of bandits led by a mysterious "Arizona Jack" who hides out across the Mexican border between raids. What seems at first a standard goodies-versus-outlaws chase (compounded by vengeance, though this aspect is soft-pedalled) is made more complex by the runaway daughter of a rich mine-owner who wants to marry her father's manager. Unfortunately for her, the manager...It can be seen that Rogers' role is less central than in most of his vehicles. Indeed it's the girl who has the main part - and that makes this a very unusual "B" western indeed. Rogers still finds time to sing a couple of pleasant songs plus a chorus or two of "Johnny Comes Marching Home", but all the numbers are staged in odd circumstances. What's more the musical interludes are not built up as ends in themselves, but are treated in a much more realistic and casual fashion. Compared to their obligatory central staging in his later westerns, here the songs are almost peripheral to the main action. Rogers' personality is more likably subdued here too, allowing the other players to make much more of an impression. Of course if you're a rabid Rogers fan, you may find the amount of screen time devoted to the other characters - Miss Hart, Pawley, Meeker, Miss Sebastian, even Rockwell - unappealing, though I really enjoyed their performances. (It was also good to see George Chesebro up to his usual villainy. Glenn Strange can easily be recognized as one of the bandits, while the more eagle-eyed will pick George Montgomery in a triple-threat role as a rough-rider, a bandit and a double for Rogers).Kane omits this picture from his filmography, though it's certainly nothing to be ashamed of. The director makes good use of his locations, his players and a surprisingly expansive budget. There's more than enough chase, fisticuffs and shoot-out action to satisfy the fans, though the final rounding-up of the bandits is disappointingly short.OTHER VIEWS: Herbert J. Yates had the bright idea of re-naming Miss Roberts as Mary Hart so that he could bill "Rogers and Hart" as the new sweethearts of the west. To this end, he probably ordered his scripters and directors to focus more - or at least just as much - as on Leonard Slye! (Slye didn't actually change his name to Roy Rogers until 1942).

Frankly, if it says "Roy Rogers," the odds are it will be good. And this one is. For several reasons.One, the historical setting is very interesting. It's around the turn of the 1900s and this contingent of Rough Riders is returning to these United States ... well, actually, considering the time, to a territory of these United States: Arizona, and the border with Mexico.The Rough Riders' leader, Colonel Teddy Roosevelt, is being talked about as a vice-presidential candidateRoy Rogers nearly always played either himself or a character named Roy Rogers, which was the case this time. It seems an odd practice, but was also done with Gene Autry, among others. Often, it detracted and/or distracted from the movie, but here it doesn't matter.Soldier turned Border Patrol officer Rogers is joined by, among others, Rusty Coburn, played by veteran Raymond Hatton, an actor who had been around since the silent days and who often hammed it up like a B-class John Barrymore but who, here, was restrained and believable.Other talent, and I do mean talent, included the beautiful Lynne Roberts and former chorus girl Dorothy Sebastian, as well as the prolific Eddie Acuff and the almost ubiquitous Hank Bell, again uncredited!Seriously, it's hard to think of westerns without thinking of Hank Bell, he of the handle-bar mustache and Western drawl, and a superb character actor. Here he got some lines and again showed he should have been given many more speaking parts and many more-important parts. Maybe he never complained but many of us, his fans, do.Amazingly, also uncredited were Duncan Renaldo and George Montgomery. The latter had a small part, but Duncan Renaldo's character was very important to the story.Chris-Pin Martin and the really talented I. Stanford Jolley were also uncredited even though Martin also had an important part.So, even if the story or directing or music were minor -- and they weren't; they were quite good; after all, the director was Joseph Kane - - the cast alone makes this more than worthwhile.

This outing Roy Rogers spends more time in the saddle ridin' and shootin' than singin'. Roy and two of his Rough Rider pals Tommy Ward(Eddie Acuff)and Rusty Coburn(Raymond Hatton)team up riding the range and trying to bring an end to corruption in a mining town. When Tommy is gunned down by a notorious outlaw Arizona Jack (William Prawley), Roy and Rusty end up as patrolmen on the Mexican border trying to capture their partner's killer and a gang of gold smugglers. Joseph Kane produces and directs this better than average western. Other players include: Mary Hart, George Meeker, Glenn Strange, Hank Bell, Dorothy Sebastian and Roy's trusty horse Trigger.

The fifth film in which Roy Rogers is given the leading role, this low-budget Republic Pictures production places Roy and a group of comrades, all freshly mustered from the United States Army in 1899, following service in Cuba with Theodore Roosevelt's Rough Riders during the Spanish-American War, and still bulging with aggressive energy, as they join en masse the (not yet in existence) United States Border Patrol, assigned to the wild and woolly Arizona territory. Since this is, after all, a Roy Rogers picture, i.e., one that includes musical interludes, the entire contingent of stalwarts breaks into an a cappella rendition of "When Johnny Comes Marching Home" as they first appear at a Border Patrol outpost where their station commanding officer assigns his new charges with effecting the apprehension of a mysterious "Arizona Jack" and his gang who are preying upon Territorial businesses and then fleeing across the international border into Mexico. The plot is pleasingly intricate and director/producer Joseph Kane, at the helm for his initial Rogers movie, includes as much as he can of Jack Natteford's screenplay before the dollars run out, with a viewer being treated to a well edited, crisply-paced affair, loaded with gunplay, fisticuffs, skillful horsemanship and stuntwork; there is even an abducted heroine. Scenes of dramatic action are halted twice to allow for musical interludes, first as Roy sings "Ridin' Down the Trail" and, later while behind bars, he serenades the lady he loves (Lynne Roberts playing as Mary Hart) who is confined to an adjacent cell, warbling "Here on the Range With You", accompanying himself by strumming upon a guitar. Raymond Hatton is Rusty Coburn, playing as Roy's sidekick, having succeeded Smiley Burnette for that honour, he himself soon supplanted by Gabby Hayes. There are numerous familiar Western genre players to be seen here, with George Chesebro being a particular standout as Arizona Jack's primary henchman. Kane's able direction provides for effective and vivid narrative pacing. Originally 58 minutes long, the film was competently edited down to 54 minutes for its television showings and video releases.