Simply A Masterpiece

Excellent, Without a doubt!!

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

An Egypt-themed B-movie from the Sci Fi Channel. I'm not sure that many people will be wowed by this set-up or idea and indeed the execution turns out to be just a poor as in many a film made by the channel. The storyline sees a couple of heroic characters teaming up to battle an ancient curse whereby a Sphinx is wreaking havoc in the modern world and killing all who stand before it.Despite the Egypt theme and setting, this cheapo movie was made in Canada and boy does it show. None of the sets are remotely convincing, the CGI effects are awful, and nowhere is there an air of authenticity. Instead, the film happily copies and combines the characters from the INDIANA JONES and TOMB RAIDER franchises, to ill effect. Dina Meyer (STARSHIP TROOPERS) is the ageing female lead, saddled with an awful hairstyle and trying desperately to be Angelina Jolie (hint: she isn't). Lochlyn Munro is the chubby, goofy Indiana Jones wannabe (he even dresses the same) and frankly he's an embarrassment. RIDDLES OF THE SPHINX is thus barely watchable.

When i saw the preview for this last Saturday, i thought it was going to be a stupid mummy horror film. What i got was a future Indiana Jones story.Acting was alright for this, music was cool. I find it funny that he was dressed up like Indiana Jones, when there are supposedly in Greece, which is was probably just shot in a wooded area in Indiana or Canada, he was acting like Indy. That probably was the aim for this movie, and this is a rare treat, for those who like horror and comedy rolled into one. This has the potential of a Indiana Jones movie, too much actually, solving seven riddles to get rid of some transforming bird, (actually a gryphon most probably, it looked like one).The jokes kinda wore off, not real funny, it sounded like he was trying to be funny.OK movie i guess, i still have to see the other half of it before i make up my mind.

Factual concerns have little to do with this melodramatic fantasy. Forget the notion that you will learn anything about the Great Sphinx of Giza, mythology, or, for that matter, cogent story design in the art of cinema.But you may enjoy seeing a strong cast working on green screen sets, trusting that the budget will be there to put them in a realistic and menacing setting. That trust was seriously misplaced.I give it six stars because it crosses into the dreaded -- or prized -- "Plan 9" territory. Some will say this movie is a mess and a disaster. Others will say it's so bad it's actually fun to watch.Filmmakers in this genre walk a fine line when they try to depict a fantastic scenario without losing the audience's suspension of disbelief. Here, the disbelief is unsuspended fairly early in Act One when the protagonist blows up his own house in order to kill a deadly mythical creature pursuing him. I was wishing I could be there when he gets around to explaining to the insurance adjusters what had happened.The hero, Robert, is a high school teacher and language expert who transforms into an Indiana Jones clone as he and his allies jet from one ancient history site to another in search of clues to -- what else? -- the key to save humanity from a Biblical plague. Wait. Make that a pre-Biblical plague.He does so with the help of Karen, his plucky teenage daughter, who has some kind of super-analytical skills that aren't really explained, and Jessica, a plucky operative of a super-secret paramilitary organization that labors outside of international law but somehow has the support of academics worldwide and seems to be intent on fighting the forces of evil. The fact that Jessica is a beautiful brunette who took her fashion sense from Catwoman gives this movie at least one leg up on similar Sci-Fi Channel fare.My ultimate wish was that this was made as a comedy. That certainly must have been the conclusion of the closed-caption editors, who obviously had great fun. Several times every scene, when the pulsating soundtrack was turned up to explain motivation, the CC line was "music" -- flashing every 10 seconds. When Robert used his mystical amulet to try to break through an ancient Plexiglas barrier to save Jessica, the caption was "Bash, bash..." Indeed, this could be taken as a comedy until the last scene, when the climax unfolds in context of Ultimate Sacrifice. Certainly not the stuff of comedy.This then, is the Riddle of the Riddles of the Sphinx. Is this a Disaster for the Ages or a misbegotten comedy of errant intent? You be the judge.

The Sci-Fi channel. Despite having some really good original TV series, I always think of the network first and foremost as the "Disaster/Monster B-movie network". Even its documentaries are blatantly science fiction. That may come as a shock to some people, but dude, you CAN'T find a crystal skull with a metal detector...I only watched this movie because I was bored and I have a more than passing fascination with archaeology. I don't normally watch Sci-Fi Saturday.Now, as a writer, I understand that ideas are a dime a dozen, but I also know that we've been out of ideas pretty much since we've had the ability to HAVE ideas. That said, I understand the similarities to The Librarian and Indiana Jones, but COME ON! Don't make the hero of this movie dress IDENTICALLY like Jones! That's just taking the similarity too far!I applaud the idea of a female hero, but don't make her so gung-ho about guns that she admits they're her "security blanket" and continues using them after realizing time and time again the hard way that the monster's completely bulletproof.I can also understand the need to draw in the young adult demographic, but having the tweenaged girl be a complete genius and outthink the adults in almost every scene smacks of badly written Mary Sue fanfiction, especially if the concerned father seriously makes such a stupid decision as to take the kid into the heart of the war in Iraq(wearing bright pink no less), let alone repeatedly exposing the kid to an invulnerable monster when there's a perfectly good hidden sanctuary where she'd be safe. There's a reason why we have satphones, people.As for the writing, the movie was so completely predictable, it's hard to come up with a suitable adjective to describe it.