Most undeservingly overhyped movie of all time??

An action-packed slog

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

This was a film made on the cheap, including actors like Sybil Danning and John Carradine, who most people would be surprised was still alive in 1986. These good actors were brought in for short cameos so that we wouldn't notice the actors who were actually the stars of the film.So a corrupt archaeologist finds some artifacts in a tomb and unleashes a sorceress/vampire/mummy. The rest of the film involves characters who are or are not the protagonists trying to stop her before the final anti-climatic showdown.One of those great signs of cheapness. The aforementioned Ms. Danning firing an Uzi with the muzzle out of frame because they couldn't afford blanks.Not quite in the "So bad it's good" category.

Tomb, The (1986) * 1/2 (out of 4) If you remember the good old days when non-stop trash was shown on stations like Cinemax then you might have came across a film like this. The story is pretty simple as a con man is able to steal some jewels from a tomb in Egypt but the dead princess Nefratis (Michelle Bauer) comes back for revenge. She travels to America where she tracks down and kills all the men who bought these items. This film starts off with an incredibly silly action piece, which I'm guessing was meant to be some sort of Indiana Jones homage but then we move into more horror elements. As is to be expected, this film certainly isn't going to be mistaken for the work of Orson Welles but if you're lining yourself up for a film like this then I'm sure you know that already. Those wanting some cheap thrills will find some here but not nearly enough to make this film worth sitting through. At only 83-minutes things move way too slowly and sadly the energy runs out before the opening credits are over. I think fans of the horror genre might want to tune in just to see Cameron Mitchell and John Carradine but neither man can add too much to the film. I'm a die-hard Carradine fan and will attempt to see everything he's in but his work with Ray is cheaper than some of those films he did in Mexico back in the 60s. Mitchell chews up the scenery as only he can. Sybil Danning appears as well and fans of Bauer will be happy to know she has some nudity. There's not as much nudity in the film as one might expect but there are a couple gory death scenes. Most of the effects are cheap but mildly effective. THE TOMB is incredibly light-weight entertainment that isn't going to win any awards but I'm sure fans of "Z" movies might find it interesting. I enjoy low-budget movies but this one here just didn't have enough going for it.

No gore, no nudity (If I recall). A smart ass archaeologist faces off against a supernatural spirit in a fight for something or other. All the while, we get to drool over Sybil Danning and grimace at John Carradine. The spirit also seeks revenge for its disturbed tomb. - - - I usually had a soft spot in my bowels for Fred Olen Ray's early movies because they have gusto and that can do attitude in them, even when they don't succeed; however, "the Tomb" is simply missing this energy. Everything is filmed competently, but it doesn't have that kinetic something propelling the movie from scene to scene. Still, the decent acting, cheesy effects, and meatier story serve to keep interest through the underwhelming finale. Could've been better, but not a complete waste of time (okay, maybe it is).*1/2 out of 4

Hack director Fred Olen Ray unleashed this loser back in the mid eighties. "Stars" Sybil Danning and John Carradine are in the film for about 5 minutes each, and Cameron Mitchell has the good sense to not show up until about 50 minutes in and then gets killed about 15 minutes later. It's for sure none of these actors listed this on their resumes. As for our lead, David O'Hara, well let's just say he shouldn't have quit his coaching job. And the second male lead, Richard Hench, who doesn't enter the film until it's half over, seems to be reading his lines from cue cards offscreen. At times he appears to be in a trance. Some of the furniture has more life in its performance than he does. Of course most of the blame falls squarely on the director's shoulders here. Olen Ray can't seem to pace a scene to save his life; they all just drag on and on with the actors taking long, I mean long, pauses between each line of dialog. You can just feel precious seconds of your life slipping away while waiting for them to complete their discussions. Naturally we need some pointless t & a to pad out an already stretched film, and plenty of go nowhere scenes that do nothing to advance the "plot". The best I can say for this garbage is that it is only 84 minutes long.Skip this film and watch the 1980 flick The Awakening, which covers pretty much the same ground. While not a great movie, it's worlds better than this dreck.