That was an excellent one.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

The movie really just wants to entertain people.

Here's a film I reckon, was judged quite unfairly, if harshly. Although it's no hit, it's still a lot of fun, with danger at many a turn, and a worthwhile view. What makes the film work is the bonding and excellent casting of Minelli and Reynolds. Starting out very much like Code Of Silence, one of the producers attached to that, worked on this one. We have a drug buy, gone to s..t and a very p..sed off Captain who pushes Burt's buttons, not a good thing to do. A psychotic (Remar) highjacks the shipment, Minelli a hooker with heart, witness to Remar's features. She was with a sicko client in the next room, of this ritzy hotel when this mayhem went down, resulting in a score of Burt's men being taken down. Now Burt's demoted, working as a rent a cop, his new job has him undercover in Santa Claus guise. With a few attempts made on Minelli's life, running scared, she implores Burt's services, which at first, he's so very much reluctant, zero tolerance I'm talking, as she is a stroke of bad luck for him as far as his career prospects go. With the story that moves unhurriedly along, the building of the relationship, between our leads, I really liked. Minelli provides a lot of laughs, where things even turn romantic, something that had to happen I guess. Minelli's larger than life character sold the film, where Burt is just Burt here. He's done far better work. There are moments you think, he really doesn't care. Australia's own John Stanton (Bellamy) makes an appearance, as a bad guy, and it was good to see him in this, his second overseas flick, after that so called dud Taipan. It's good to see Bernie Casey re team with Burt after Sharky's Machine. On the surface, Rent a Cop appears pretty weak and washy, and this is cause of Burt and Liza's antics, stuffing about, straying away the business of the story, but it has a good moments of action, well executed in a not a half bad flick. You get laughs, like you don't expect, and it's quite the adventure with our two, where we owe most of our thanks to the wonderful Liza. For Burt fans especially, and others who don't enjoy a not so bad action flick. Love the instrumental theme song.

In 1981, Burt Reynolds did a movie called SHARKEY'S MACHINE. He played a cop who is demoted to the vice squad after a shootout with a drug dealer results in several deaths. In RENT-A-COP, he plays a cop who is reduced to working as a security guard when a masked killer botches a drug bust and kills his fellow police officers. In the former movie, Burt watches a hooker, played by Rachel Ward, whom he hopes will help him nab a crimelord. In the latter movie, a hooker, played by Liza Minnelli, joins forces with Burt to track down the killer. Both of these movies co-starred Bernie Casey. The plots of both movies seem familiar, and Liza is not really believable as a hooker, but RENT-A-COP is just one of those Eighties movies that is far more fun to watch on TV rather than the big screen.

I love the music score, the relaxed jokes and the expected turns in the story. I have no idea how it did in 1987, but it is among my favorite cop comedies from the period. A little rip of off Beverly Hills Cop but I'm able to forgive them. It is among those I go back to watch again when I have forgotten it.The worst thing about it is the villains. None of them go down in history. No special features to mention on the DVD I got, which is crappy. However, I believe they could have created a lasting DVD audience if they had invested a little in the extra quality features.You can probably drop buying it if you're not likely to enjoy the genre, Minelli or Reynolds. If you can rent/borrow it cheap and are able to enjoy simple action/comedy from the eighties then pop the corn, relax and enjoy.

Didja know that, contrary to popular belief (and the Razzies), Liza-with-a-Z actually received rave reviews from Variety and the NEW YORK TIMES (!) for her performance in this otherwise utterly ordinary cop thriller. She's actually very funny in it, and Reynolds has his moments as well. There is an absolutely hysterical scene near the beginning with Burt as a security guard disguised as Santa in a department store, bantering with his new boss, an overly officious matron yammering about his failure to scrutinize his "policy manual."