As Good As It Gets

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The acting is good, and the firecracker script has some excellent ideas.

The best films of this genre always show a path and provide a takeaway for being a better person.

This classic western pulls the viewers in with the weirdest plot twist, you're supposed to fall for the villain of the picture. This wasn't heard of often due to the fact that the Hayes code prohibited the villain of the film from winning at the end, they had to meet justice one way or another. The significance of the film is most likely that the villain, no matter how likable or how much we may want them to come out on top, should get what they deserve. The historical significance for the time period this film came out in was that of post war Vietnam, which had been going on for Americans for close to fifteen years, was very much so to reinstill Americans with hope for a brighter day even when things seem hopeless.

There are some good things in this movie, a clever montage scene using what appear to be old stock photographs (for most younger movie audiences the scene probably goes on too long, but that wasn't a problem for me) and some clever and/or funny dialogue, but there is a minority camp that doesn't like this movie and I'm in that camp, and we're all in it for the same reason: this is an incredibly smug movie.

I was like 15 when this movie came out. Movies were really different in the old days. They took way more time developing a story and characters before the climax started to slowly build. Younger generations are accustomed to the fast-paced stories and action of today's screen writing and cannot endure the slower pace of older movies. I agree, they seem to languish and even stagnate at some places, but what younger generations don't have, is the nostalgic connection of where they were and who they were when they fist viewed this movie. This was a coming-of-age movie for me and it represents way more than just celluloid stretches of what many would qualify as adequate or even mediocre acting, effects, locations, music, never before seen supporting characters and actors. It was a piece of my mid to late teens that contains memories of the life and times in which that movie played. The raw emotion and reverie of the late 1960's will forever be inexorably tied to that movie for me. Nostalgia.

Released is 1969 and directed by George Roy Hill, "Butch Cassidy and the Sundance Kid" stars Paul Newman and Robert Redford as the eponymous outlaws and key members of the Hole-in-the-Wall Gang headquartered near Dubois, Wyoming. After robbing one train too many, the head of Union Pacific hires a six-man team of skilled lawmen to apprehend the duo and so they flee to Bolivia with Sundance's lover & schoolteacher, Etta (Katharine Ross). Strother Martin, Ted Cassidy, Jeff Corey and Cloris Leachman are featured in peripheral roles.The gist of the story is historically accurate, with the movie starting in the late 1890s and ending with the outlaws' deaths in November, 1908, which means the picture encompasses about 9-10 years, although it seems more like a couple of years. In any case, this was a state-of-the-art Western when it was released and a huge success at the box office. The production quality, tone and theme are comparable to 1967's "Bonnie and Clyde." It's a very 'modern' Western, arguably the first (although a good case could be made for 1967's "Hombre"), and therefore holds up well today, hardly seeming dated; that is, disregarding "Rain Drops Keep Falling on My Head," which plays during an interlude at the end of the first act. In spirit, the movie inspired future great modern Westerns like "The Missouri Breaks" (1976), "The Long Riders" (1980) and "Unforgiven" (1992), all superlative Westerns that don't seem to age as the decades pass.While Redford was already appearing in significant movies, this is the one that shot him to stardom and he went on to star in notable Westerns like "Tell Them Willie Boy is Here" (1969), "Jeremiah Johnson" (1972) and the great "The Electric Horseman" (1979), the latter taking place in the modern day, of course. As for Newman, it's hard to believe he's the same actor that starred in the aforementioned "Hombre," as his character couldn't be any more different as Butch Cassidy, a fun-loving, witty train robber (in "Hombre" he's the opposite: a laconic, mirthless white man raised by Apaches).Although the tone is similar to "Bonnie and Clyde," I don't think it's on the level of that film. I also don't understand the gushing it often receives. Yes, it's good, but at the end of the day, it's about two thugs who were on a collision course with premature death due to their own folly. Newman and Redford are entertaining as the pair, but it's hard to sympathize with fools who stubbornly insist on carrying on their idiotic thuggery even though they have the awesome opportunity to start a new life.There are two sequels worth checking out: "Wanted: The Sundance Woman," a 1976 TV movie starring Katherine Ross, which shows what happens to Etta after leaving the duo for America; and, especially, "Blackthorn," a 2011 release starring Sam Shepherd as Butch Cassidy in his old age in Bolivia, which presupposes that he somehow survived the ending of this movie.The film runs 110 minutes and was shot in Utah, Colorado, New Mexico, Arizona and California. The script was written by William Goldman.GRADE: B