An Exercise In Nonsense

After playing with our expectations, this turns out to be a very different sort of film.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

For some reason, this film wasn't on DVD until this year, but it was shown a LOT on late night television back in the day. I saw it as a little kid and thought it was frightening and effective back then. Of course I am older now, but some of the veneer of seeing it back then still holds up.The mummy is dressed a little odd (no bandages), but his face is certainly hideous enough, and there is a reason for his strange garb which is unveiled later on. A fair number of people get killed, and we see the mummy quite a bit, really.Some people complain we don't see it for the first half of the film, which I guess is true, but on the other hand, the film is only 66 minutes long for Pete's sake. We don't see the monster in the first half hour of many movies, and this is no exception.If the movie dragged on for 90-120 minutes, it would be a disaster, but for only 66 minutes, it holds up. I pine for the days when a film-maker felt free to make a shorter subject, particularly when the topic doesn't hold up for a longer time. I wish the makers of Pearl Harbor had had the guts to cut THEIR movie back.

Archaeologists in Egypt find one of their crew has been turned into a blood sucking mummy after they have unleashed a three thousand year curse by entering a Pharaoh's tomb.The only person I know from this film is Les Baxter, who conducted the score. Not sure if that means anything... maybe these people were better known in the 1950s, or maybe they are all amateurs. I suppose I could check.I expected, based on the plot, for this to be a ripoff of "The Mummy". Not so. While it does have a mummy's tomb, that is just about the only connection. Hammer films featuring mummies are more like "The Mummy" than this film is. (And, I should point out, this film is shot very crisp and acted fairly well... that it gets low ratings and is largely unknown seems unfortunate.)

First up, the only reason I am writing this review is I fear the low rating the movie has will drive some viewers away. A 4.2 rating implies junk and that is not the case at all.The opening sequence showing the civil unrest in Egypt is well done and gives a nice back drop to the ensuing story. I won't repeat the synopsis which many have covered, except to say it is a little different, which is welcomed. The leads, particularly Mark Dana were quite good and earnest in their performances. The film manages to build suspense nicely and the short run time is probably a help.The negatives are it doesn't have the glitz of a Hammer flick and there is zero gore that modern horror fans require. Also the Mummy is not in the film at all during the first half of the picture. This is no masterpiece by any means, but it is a well made low budget monster movie from the 1950's. If you love old B movies from the 1950's then this is a nice way to spend 75 minutes.

**SPOILERS*** Slow as molasses mummy movie involving this expiation in the Valley of the Kings in Egypt that has to be aborted in order to keep the native population, who are at the time revolting against British rule, from finding out about it.Given the task of getting to this archaeological dig by his superiors British Capt. Storm, Mark Dana, together with a couple of British soldiers and Mrs. Sylvia Quentin, Diane Brewster, the wife of the head man at the dig Robert Quentin, George N. Neise, make their way to the unearthed mummy's tomb. On the way there Capt. Storm Sylvia and his men run into this desert-like princess Simira, Ziva Rodann.Simira seems to be superhuman in her ability to withstand the rigors of desert life, she doesn't drink water or get tired, but also knows just what Capt. Storm & Co. are looking for and warns him and his group to stay as far away from the dig, Pharaoh's Ra Ha Tet tomb, as possible.At Ra Ha Tet's burial chamber Robert Quentin and his crew of archeologist's together with his Egyptin guide Simira's brother Numar, Alvaro Guillot,already opened his tomb before Capt. Storm can get there to stop them. Quentin violated Ra Ha Tet's body by having Dr. Farrady, Guy Prescott, cut his bandages. This action on Robert's and Dr. Farrady's part has Numar faint dead in his tracks. It later turns out that Numar somehow was possessed by Ra Ha Tet's spirit or soul who took over his body and caused him to age, at the rate of 500 years per hour, to become himself a 3,000 year-old mummy.The movie has Numar dressed in what looks like a pair of pajamas slinking around Ra Ha Tet's tomb and it's surroundings attacking and sucking out the blood in order to survive, like a vampire, of anyone man or animal that he comes in contact with. This blood-sucking adventure by Numar, with him later losing his right arm, goes on for some time until the by now crazed Quentin trying to find the entrance, you in fact thought that he already found it, to Ra Ha Tet's tomb get's himself killed is an indoor rock slide.We learn at the end of the movie that Numar, to absolutely no one's surprise, is actually Ra Ha Tet reincarnated into another, some 3,000 years later, person or life. Numar's sister the mysterious and sexy Simira is not only Ra Ha Tet's sister, since him and Numar are really one and the same person, but also the Egyptian Cat Goddess Babesti! Also not that hard to figure out.With Numar/Ra Ha Tet back in his tomb and all the deaths, due the the Pharaoh's Curse, now at an end Capt. Storm Sylvia and whatever is left of his men and the late Robert Quentin's archaeological expedition trek their way back to Cairo and modern, this in 1902, civilization. The survivors of Pharaoh Ra Ha Tet Curse keep what they found, and unearthed, only to themselves since no one would believe them anyway.