Yawn. Poorly Filmed Snooze Fest.

It's entirely possible that sending the audience out feeling lousy was intentional

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

With the passing of Raymond Burr, Paul Sorvino stepped into the brilliant lawyer's part with interesting results. Sorvino proved his resourcefulness here but did we have to have the opera singing? We know that Sorvino, in real life, could hit the operatic notes but good, but that wasn't necessary here.Still, we have a very good story with 4 ex-wives of a real cad coming together to work with the latter. Naturally, when the cad, played with relish by Eric Braeden, is murdered, suspicion falls on each of the women. Since his current wife was arguing with him over his latest flirtation, she is the one who is arrested.That ending, as always, was totally unexpected but had the real Mason touch.Barbara Hale looked like she was grieving here in her brief stint as Della Street. William R. Moses, Ken Malansky, had plenty of physical footwork here and is to be commended for great physical dexterity. Or, what there a stuntman involved?Surprisingly, McEachin, who played the black detective always sarcastically involved in words with Mr. Mason, has none of that here and that is missed.

Mr. Sorvino was great in the type of role that Raymond Burr began and I expect many even before him. I must admit that as a first time in the PM format I looked forward to more. the character was just beginning to be developed and he was charming to all and talents without [it appeared] limits. Too bad the network or the producers or the writers or whoever is responsible didn't see that this character was worth pursuing. Many long time viewers may have been questioning because Mr Burr was so fully ensconsed in the role, but Mr. Sorvino's character could have been a second rate copy or a first rate new version. I thought it could have been truly first rate. Too bad it was one and done.

Perry is away in Washington so Anthony Caruso covers his practice for him for a short while. Anthony is busy helping out his friend David Morrison to bring together al his old models for a retrospective photography collection. However David's ex-models are all his ex-wives and the animosity between them is very clear. On the first night of the shoot a witness sees David's current wife kill him and flee the scene. Anthony believes she is innocent and steps in to defend her. Meanwhile Ken goes after another woman who may have been having an affair with David and has since vanished.Perry is `in Washington' for this film, which sounds like something you'd tell a child instead of having to explain that Granny has died. Indeed that is the case as Burr was dead and never made another Mason movie. However rather than have the taste and sense to finish the series, the producers decided to spin it out. In this instance that decision was ill-advised. The plot doesn't work. In order to get Anthony involved in a big case, it as to be with people he knows – thus the tortuous opening where he gets all the ex-wives together. This makes the film feel ill at ease with itself – Anthony never really rips into or exposes the suspects as they are all friends – plus none of the group seem to struggle with this at all, making it seem like they are strangers. Malansky's investigation is long and dull with moments thrown in just to try and liven things up a bit.The conclusion is silly even by the standards of this series. Would you take something from the murder scene? Would you have it on you when you are in the witness box? No? Well the guilty party does and it is this that traps them – it's daft and he/she is totally unbelievable and it feels so very lame that it's hard to really care!Sorvino is an interesting choice to play in the lead but he doesn't work. It doesn't feel natural having him walk round singing while one of his friends is a murderer and too much is made of him being an Italian. Aside from that I found it very hard to shake the image of Goodfella's Paulie from my brain and half expected him to order Ken to whack somebody! Sorvino struggles with a role that ties him into a case emotionally but doesn't allow him to express anything – I suspect he didn't want a second try and he didn't return for another role in the series. Moses is OK as is Hale but they are exposes without Burr and Hale has little to do. The support cast are OK but none are as interesting as the usual array of red-herrings etc. They are only good as eye candy as they are a few models etc – Johnson standing out cause she looks a lot better here than she has recently!Overall this is a pretty poor film and it highlights how good burr was in holding everything together in a familiar way. This has a plot that is a bit of a mess, characters who don't ring true in a silly situation and the whole thing just crawls to it's dumb climax, by which time I'd long since given up caring!

I thought this movie was OK. The cast seemed to be doing their best but in my opinion they were missing someone essential! Raymond Burr who would usually play the main character of Perry Mason died before this movie was made. It's still an OK story but having seen other TV movies with Burr in, I don't think this one is quite so good.