SERIOUSLY. This is what the crap Hollywood still puts out?

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Back when it released in 1997, Pardes was a box-office blockbuster because of the presence of Shahrukh Khan, the best-selling music by Nadeem-Shravan, and the excellence director Subhash Ghai. Still, for some reason it is not remembered as fondly as DDLJ, Kuch Kuch Hota Hai, or Dil To Pagal Hai - the reason being that it deals with several unpleasant truths about Indian society that the aforementioned films have a tendency to gloss over. It tackles the Indian obsession with Western culture and the elitism of the NRI population in a way that is both entertaining and emotionally moving. There's nothing wrong if the Indian adapts values from Western culture, but to what extent? To the extent of forgetting and deprecating one's own roots? Pardes is a moving tale of the negative effects of emotional and cultural ignorance and isolation and the healing effects of a relationship driven by genuine friendship and goodwill as opposed to greed and lust. The story begins with Ganga (Mahima Chaudhary), a simple Punjabi village girl who catches the attention of her father's friend Kishorilal (Amrish Puri), who wants her to marry his American-raised son Rajiv. Since Rajiv has no interest in marrying an Indian girl, Kishorilal sets Arjun (Shahrukh Khan) off to finish the task of getting the two together, and he succeeds in making the two fall for each other. Rajiv requests that Ganga come to America for a month to become accustomed to American culture, and this is where the drama begins, as Ganga begins to see that Rajiv is not what he appears to be, and Arjun begins to fall in love with Ganga. As one can see, the story is a typical 90's romantic melodrama, the kind that became popular following the success of DDLJ. However, do not be put off by the ordinary story. It is the way in which the story is presented that makes Pardes special. Ace director Subhash Ghai has crafted the scenes and situations of the film in a way that is both entertaining in a dramatic sense and emotionally moving. The first message presented is that of being proud of one's culture. It is not Western culture that is being depicted as "bad" or "immoral"; it is Indian society's and the NRI population's tendency to place it on a pedestal that is being condemned. The scenes with Amrish Puri's materialistic family are meant to highlight the ills of Indian elitism and the family's perception of Western culture as "superior" to embellish their wealthy NRI status. Why should Indians be ashamed of their culture? Why not adapt a value system that takes the best of both worlds? the film asks. Ghai also manages to tackle the opposite side of the coin as well by depicting the gender hypocrisy of Indian society. While Rajiv is allowed to wander around with various girlfriends even while betrothed, Ganga is humiliated and accused of being characterless simply for her innocent friendship with Arjun. The part of the climax scene in which the grandmother stands up for Ganga is yet another example that provides insight into the humiliation women in Indian society are compelled to undergo as a result of their expected subservience. The second message is that of the purity and genuineness of human relationships. The problem with the family in Pardes is that they do not value the benefits of family and togetherness, rather seeing love as a superficial entity devoid of genuine emotion. In one of the most touching scenes in the film, an emotionally deprived Ganga cries to Arjun that she "doesn't want a mansion worth millions, she wants the love of a human being, the kind of love that Arjun gives to others". The kindness and gentility of Arjun and the scenes that show his pure relationship with Ganga are another element that take the film higher. His love for Ganga is not driven by lust for outer beauty. It is driven by a genuine willingness to be there for her as a supportive friend and support her in all circumstances. This definition of love as an emotional rather than physical connection is a truly touching message that is necessary in today's world. Where the film stands out apart from similar films of the mid-to- late 90's is that it doesn't shy away from the ugly side of things; there is no utopian family or chocolate romance. Yet it manages to maintain the same clean, pleasant aura devoid of vulgarity or violence (save for the fight scene at the end) that is suitable for family viewing. In terms of performances, Shahrukh Khan gives one of his best performances along with that in "Swades" and "Chak De India". He is not his usual stereotypical romantic hero, but is instead more mature, restrained and real. He shines in the scenes and gives them greater emotional depth. Mahima Chaudhary is beautiful and endearing as the naive yet headstrong Ganga; she skilfully balances both the vulnerable and strong shades of her character, providing a truly heartwarming performance. Amrish Puri shines as the kind but misguided father figure in a role similar to his in DDLJ, and the supporting cast ranges from decent to pathetic. The technical effects, such as the cinematography and sound, give the film a truly professional look and make it even better. The film is directed at a very brisk pace, and the film does a good job of moving through its 3 hour duration without making you check the time. Nadeem-Shravan's musical score is another highlight of the film, and the songs bear great elegance and musical substance with their deep rhythms and rich melodies. In short, don't be misguided by people's dismissal of "Pardes". If you are willing to accept and acknowledge the bitter truths depicted, you will be able to see something that is truly special.

Whatever anyone may say about Subhash Ghai's 'Pardes', I personally found it very entertaining, engaging and charming. The film may be slightly stereotypical, it may be a bit incorrect, but should it really matter to me as long as I enjoy it? The portrayal of the US may have been flawed, but the film's issue was in my opinion dealt with convincingly. Besides that, the story was very lovely and the film was according to me believable and moving due to the performances, the music and the overall writing.The film is about a young Indian girl named Ganga who lives in a rural village in India with her extended family. Her father's best friend, Kisohrilal, who's been living in the US for over 20 years, comes to visit them. Kishorilal is immediately charmed by Ganga and wants her to marry his young son Rajiv. Ganga's father agrees to the proposal and soon comes Arjun, Kishorilal's faithful nephew, who is also a good friend of Rajiv, to organise the engagement before Rajiv, who's never been to India, comes to see his bride. Arjun and Ganga befriend each other, but the real trouble starts when Ganga is taken to LA to live with Kishorilal's huge NRI family before marriage. The social, cultural and economical gaps rise, and Ganga finds herself lonely in a world which is very distinct from hers, where no one except for Arjun seems to understand her. There also starts the realisation that Ganga and Arjun are actually in love.The film is according to me beautifully narrated and Subhash Ghai's direction is very good. Technically the film might have been better as the cinematography was not that good. I did not see 'Pardes' as a social film or anything of that sort, but more as a romantic drama, and in that genre it was very well-made. I don't think Ghai tried to show NRIs in a bad light, because such differences and difficulties are to be expected in any kind of transition from one country to another, particularly when moving from a conservative and traditionalistic society like that of India to a liberal country like USA. There were many great and touching moments in the film, my favourite being when Ganga talks to her father in India on the phone and feels very lonely and sad. The romance between Shahrukh Khan and Mahima was very well portrayed and the two had a wonderful chemistry. While discussing Shahrukh Khan's best performances, many seem to overlook his work in 'Pardes', but this is according to me one of the finest performances of his career. As Arjun, he is kindhearted, and atypically subdued, sensitive and extremely vulnerable. Khan played his role with restraint, depth and sincerity rarely seen by actors of his bracket in those days. The film's brightest spot may be the gorgeous Mahima Chaudhary. She is not only one of the most beautiful actresses to have graced the Indian screen, she is also an extremely talented actress. Her smile lightens up the screen, and she is so compelling, moving and charming as the smart, sensible and no-nonsense Ganga that there seems to be nothing easier than to fall in love with her. This is a marvelous performance and easily one of the greatest debuts by an actress in Hindi cinema. Why she did not go on to reach any particular heights in her career is still mystifying. Another newcomer, Aproova Agnihotri, who plays Rajiv, fails to impress here and it was not a good idea to start a career playing an unsympathetic character. Amrish Puri is outstanding as Kishorilal, and the rest of the cast provide good support.Nadeem-Shravan's soundtrack includes some very melodious tracks. I liked Kavita Krishnamurthy's rendition of "I Love My India". This film also marks the breakthrough of Sonu Nigam, who became a star with the song "Dil Deewana". A soulful, melancholic and very romantic song called "Zara Tasveer Se Tu (Meri Mehbooba)" was beautifully sung by Alka Yagnik and Kumar Sanu. To sum it up, 'Pardes' is a wonderful romantic drama and that is the reason it was appreciated upon release. I recommend 'Pardes', for its story, music and superb star cast, particularly Khan and Mahima.

Pardes was a Hit movie from great director Subash Ghai. It tells the story of a girl from India, who has a arranged marriage with a guy from America. She gets engaged to him and travel to USA, and realises her fiancé is not a nice person. This is more of a woman's point of view based movie that stars Superstar Shahrukh Khan. He doesn't give a great performance as he usually does. This is mainly because the movie is more based on Mahima's life. Mahima looks very sexy and gives a fairly good performance. Her character is a little immature, which doesn't impress me. There is a scene where she is asked to sing a song in front of many people including her fiancé and in laws, but she see's Shahrukh, leaves the stage and runs toward him. She is suppose to be a village girl so it is acceptable. I'm sure not all village girls are this immature, not to understand, its bad manners and disrespectful to do this. Apoorva plays the Fiancé in a pathetic performance. His character has no realism, there is a scene where he starts a fight in the club with a American person. He starts talking to him in Hindi in a dreadful looking scene. Poor music and the movie does get a little slow at time. The ending looks rushed and unprofessional. Overall not such a bad film.

Americans have no morals or values. An Indian born in America smokes, drinks and sees women as sexual objects. He's a snob. He has no morals or values. An Indian born in India living in America has morals and values. He is the ideal boyfriend. The ideal husband. The ideal son. The ideal son-in-law. He is Shah Rukh Khan. These are some of the stereotypes prominent in Pardes. If you look past these you actually have quite a lovely story. SPOILER Boy has to get married. Boy gets engaged to traditional Indian girl. Girl believes boy is her Raj Kumar. In his natural environment girl sees his true colors. Girl finds true love in the arms of her fiancé's friend.Pardes' strong points are surely the actors and actresses in particular Mahima Choudhary. Despite their stereotypical characters, they manage to make their characters tangible. Watching Mahima is an absolute delight and she shows great promise in one of her very first roles. These stereotypes however sometimes stretch the realms of reality. Or should I say reality as perceived by a Westernized Indian?***/5 stars