Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

This is a must-see and one of the best documentaries - and films - of this year.

Exactly the movie you think it is, but not the movie you want it to be.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Great cast of actors who are called on to make any number of unbelievable lines and actions believable. You so want this to work with the production values and the cast but the script is just impossible. Yes, of course the intelligent art professor is going to have an affair with the ladies man Italian professor who is notorious for sleeping with students, including one in her own class. High-minded student mouths off at her professor and the professor takes it as a matter of course with no repercussions. Lover of professor from California drops in and assumes they are engaged even though she says she's not sure. Professor is invited to an inner-sanctum sorority event and she not only goes but also proceeds to reveal the details of her private life to the girls. Mouthy student writes searing editorial attacking the professor and when professor delivers heartfelt feminist lecture, the students suddenly gets sad and contrite.and they are best friends forever. And what is Marcia Gay Harden doing playing a one level stereotypical pathetic-ditzy-spinster teacher? What a waste.

Women deserve better movies than this. Vapid, superficial. Some moments play out like a Julia Roberts' photo-op: teeth, smile, pout, tears. Emoting is not enough. One never gains a sense that Katherine Watson experiences any personal connection or passion for the subject she teaches. Characters are more like advertisement than three dimensional. Lacking depth. As if stereotypes could replace meaningfulness. Could have been a compelling movie that captured an era and expressed real stories of real women. Ginnifer Goodwin is the better part of this disaster. Would love to see an authentic treatment of the subject, which would require inquiry with actual people of the period. Disappointing. Missed opportunity.

In 1953, free spirited and non-orthodox art history teacher Katherine Ann Watson (Julia Roberts) accepts the challenge of teaching in the conservative Wellesley College. She leaves her boy-friend Paul Moore (John Slattery) in California and share a house with the teacher Nancy Abbey (Marcia Gay Harden) and the nurse Amanda (Juliet Stevenson). On the first day, her class fails under the leadership of the arrogant Betty Warren (Kirsten Dunst) and her friends Joan Brandwyn (Julia Stiles) and Giselle Levy (Maggie Gyllenhaal), but Katherine is advised by her mates and the Italian teacher Bill Dunbar (Dominic West) to not fear the students. Soon Katherine learns that the girls are only waiting to catch Mr. Nice Guy and get married and she fights against the status- quo of Wellesley and to keep her independence."Mona Lisa Smile" is an entertaining movie about a woman living ahead of time in a conservative environment. The performances are top-notch, highlighting Julia Roberts, Kirsten Dunst, Julia Stiles and Maggie Gyllenhaal. I bought this DVD many years ago and only today I have seen this movie recommended by a friend of mine. My vote is seven.Title (Brazil): "O Sorriso de Mona Lisa" ("The Smile of Mona Lisa")

It's 1953, Katherine Watson (Julia Roberts) is a California girl hired as an Art History teacher at the conservative all girls Wellesley College. The students are all from upper crust families, top academically, and aiming to get marry.There are top talented actors in this movie. The girls are Kirsten Dunst, Julia Stiles, Maggie Gyllenhaal, and Ginnifer Goodwin. That's some acting power. The oddest thing acting wise has to be the subdue performance of Julia Roberts. She starts off timidly which just doesn't fit her persona. Her energy is literally vibrating as she tries to squash it down. Instead of a slice of life, it feels more like a magazine article about a slice of life.Without more realism or more tension, the story just doesn't have the zip. One problem may be the fact that everything is about marriage. It is the era of the movie, but just superficially old fashion. Maybe director Mike Newell should emphasize more the pressure of the day. Instead he assumes the audience feels this automatically. He definitely needs to build up the tension. He needs more scenes like the one with Kirsten Dunst and her mother.