Perfect cast and a good story

Disturbing yet enthralling

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This movie is done in sequences and cobbled together later which makes it different than most films. It has 4 Directors listed including some top ones and an A-List cast that includes some folks from the silent era as well as some top stars.This has a scene with William Demarest and Fred McMurray which reminded me of all the scenes they do together in MY Three Sons much later. Jimmy Stewart and Henry Fonda in the same film is a rare thing, we have that here. Harry James from the big band era, and a young Burgess Meredith as a reporter.This movie is rich with character actors and the script is written by some top screen writers. So is it perfect? It is an experiment back in this era and because of the cast it is worth a view. Each sequence varies in quality and you will like some of them better than others. At least that is what I did.

I only saw the first half of this film so can't comment on it as a whole, but do not be deceived into thinking that this is some uncute story about cute babies, mother love, and sacrifice. The only two directors who shot successful sequences involving babies are Howard Hawks and Sergei Eisenstein. Well, Charlie Chaplin in "The Kid", if you want to stretch the definition.Burgess Meredith wakes up one morning with his wife Paulette Goddard -- sleeping in THE SAME BED. Already, you can envision how disgusting and vulgar this movie will be. Not really, of course. The same-bed business broke one of the movie code's rules in 1948 but the stories are innocent. At any rate, this introduction is frenzied and excessively chipper. Meredith and Goddard constantly run, shout loudly, and sing during a shower. It's exhausting to watch.Meredith, a reporter pursued by bookies, imitates one of those inquiring photographers of the period. This is Los Angeles at a time when newspapers were the chief source of news, and they were ubiquitous. I was interviewed by a representative of the New York Daily News while I was eating a knish on the sidewalks of Springfield Avenue in Irvington, New Jersey. The question had to do with the transfer of the Dodgers' franchise from Brooklyn to Los Angeles. I didn't know the meaning of the word "franchise." When it showed up in print I sounded like the financial manager of a professional ball team.Where was I? Yes, the movie. Meredith dreams up his question of the day: "In what way has a baby influenced your life?" The first story that Meredith gets from ordinary people is about the song "Melancholy Baby." The episode features Henry Fonda and Jimmy Stewart as itinerant musicians who've been force into staging a musical contest on a pier and rigging it so that the mayor's son wins, though he can't play anything on the trumpet but clinkers. The plan is for trumpeter Fonda to play the song from a rowboat under the pier while the mayor's son just tries to finger the valves. It works until the boat begins to bob up and down. Fonda's playing is increasingly erratic. The judge, Harry James, winces. The scenes is hilarious, with Stewart trying to lead the band and help the phony candidate. He winds up with a lemon stuffed into his mouth.It's good to see Fonda and Stewart together. They work perfectly off one another and were pals in real life despite their opposing political positions, Stewart conservative, Fonda liberal. They shared quarters early in their careers in Provincetown and were plagued by stray cats. They painted one of the cats purple, hoping it would scare off the rest. Instead they wound up with the same dozen cats, only now one of them was purple.Meredith gets the story in his notebook and takes off, still pursued. He stumbles into the house of a movie star, Dorothy Lamour, and asks her if she's ever had a baby. "It's not true," she replies spiritedly, "I only met him twice." The baby in this story is a Shirley Temple figure who is petty and demanding while a movie is shooting. Lamour gets to sing two song in a sarong. One of them echoes her personal history -- born in New Orleans, elevator operator in Chicago, and so forth. This episode, too, is funny, especially the climax, a parody of Lamour's 1937 movie, "The Hurricane." That's about as far as I got. It's a light-hearted and fast-paced comedy. You'll probably enjoy it.

¨A Miracle Can Happen" was the original title of this film , it deals with a down-and-out reporter called Oliver Pease (Burguess Meredith) gets a dose of courage from his wife Martha (Paulette Goddard) as she suggests him an interesting inquiry : "Has a little child ever changed your life?" . Oliver gets answers from two slow-talking musicians (Henry Fonda and James Stewart) , the second sequence Charles Laughton played a bible-reading minister , and the third part about an itinerant couple (Fred MacMurray , William Demarest) who is deceived by a child . In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" results out to be fully developed as a beautiful girl ; in the second , an unfortunate church Minister (Charles Laughton) teaches a grumpy father (Henry Hull) to learn kindness by Bible reading ; in the third, the family of a spoiled brat doesn't want him returned . Did You Ever See A Miracle Walking?This is a sketches movie full of humor , fun situations , entertainment and amusement . Interesting screenplay by Laurence Stallings and Lou Breslow based on original story by Arch Oboler . The picture is made up of many vignettes featuring many capable stars , it belongs to sub-genre about ¨anthology film¨ ; movies like "Flesh and Fantasy" and "O. Henry's Full House" used large casts to tell several interlocked stories , though "Tales of Manhattan" is the best of the anthology films , it follows the adventures of a tuxedo's tailcoat as it passes through the hands of several diverse people , being also starred by Laughton and Fonda . This ¨A miracle can happen¨ consisted of three short stories , about 20-25 minutes each , linked by the Burgess Meredith character. Titled "A Miracle Can Happen", this film debuted on February 3, 1948 at the Warner Theatre in Manhattan , during February, the feature also opened in Philadelphia and Detroit ; in June, when released nationally, the picture ran nine minutes shorter than its original 107 minutes, and the film's name had been changed to "On Our Merry Way," thus avoiding any religious connection that moviegoers might assume by seeing the word "miracle" in the title . Nice acting by Burguess Meredith as a misfit journalist pursued by a creditor , he writes lost pet notices and looking for a good scoop he tricks the editor of the newspaper . Sensational duo formed by Henry Fonda and James Stewart , they are fabulous as an amusing couple become involved into a funny contest . Charles Laughton plays masterfully an unlucky Minister ; however, this segment was eliminated in some copies with a parody of an actress whose roles usually feature a sarong as Dorothy Lamour's South Seas movies , as the powers-that-be decided to drop this 'religious' story altogether and it was replaced by a more comic one . Independent producer David O. Selznick offered to buy the film in order to issue the Laughton sequence as a short, scrapping the rest of the picture ; Selznick's plan was rejected by producer Benedict Bogeaus and producer-star Burgess Meredith . In Spain, "A Miracle Can Happen", complete with the original Laughton sequence intact but of course without the alternative Dorothy Lamour story , as it has been released on DVD there, and retains the English-language soundtrack, the movie can now been seen as it was originally intended . Extraordinary support cast formed by notorious secondaries such as Harry James , Victor Moore , William Demarest , Hugh Herbert , Eduardo Ciannelli , Henry Hull , John Qualen and Carl 'Alfalfa' Switzer . The film has an atmospheric cinematography carried out by four prestigious cameramen as Joseph F. Biroc , Edward Cronjager , John F. Seitz and uncredited Ernest Laszlo . Evocative and appropriate original musical score by Heinz Roemheld . The motion picture was well directed by four classic Hollywood filmmakers as King Vidor, Leslie Fenton and, uncredited, John Huston and George Stevens . Rating : Good film , 6'5/10 .Well worth watching .

Interesting story that doesn't know where it wants to go - I won't be as harsh on this film as other posters. That's perhaps because I know a little about the personal lives of two of it's stars, Burgess Meredith and Paulette Goddard. I just watched this on Kino's DVD. It's one of those rare films with multiple directors and long thought lost. Burgess Meredith and Paulette Goddard get things started for us n the opening and make a cute couple(they were married in real life at the time) and she calls him Oliver, Meredith's real life first name. Meredith plays a newspaper guy and for some reason asks the question "has a child made a difference in your life?" He is IMO trying to get an answer to make something tick for his newspaper article and/or for personal reasons ??. Though this is a scripted film the question, one get's the feeling, is a personal one for Meredith and Goddard, for in real life in 1944 Goddard suffered a miscarriage of their child, probably devastating to both of them. Unless you know that bit of trivia you won't pay but fleeting attention to the conversation between Burgess and Paulette. As stated in the summary this film has to be one of the first motion pictures to show a husband and wife sleeping together in the same bed, which is impressive considering the Breen Production Code in effect at the time. Married couples however would continue to sleep in twin beds until TV shows like The Brady Bunch in the late 1960s. The film pairs off into too many directions first with James Stewart and Henry Fonda, then with Fred MacMurray and William Demarest. Stewart and Fonda were friends in real life and that holds something for fans of the pair but their story is aimless. The duo put on a variety show reminiscent of today's American Idol. MacMurray and Demarest would famously work together again in the mid 60s on My Three Sons, after Demarest replaced William Frawley who became ill and died. MacMurray and Demarest have their comic moments especially with a precocious(in a bad way) little boy called "Sniffles". Demarest is too old for the kind of physical slapstick he's subjected to here. All in all another aimless scene. Dorothy Lamour shows up as a cutie who later dons a sarong in a musical revue. A voluptuous piece of cheesecake, famous for playing the island girl in the Crosby-Hope 'Road' pictures, her stay is all too short. This film should have stayed focused on the interesting beginnings with Meredith and Goddard. Meredith himself is not involved enough in the linking stories to make the finale cohesive. He finds what ever answer/lesson he's looking for but the audience has been shuttled from one minor point to the next. Paulette at the close of the film reveals that she's pregnant(only in the story) and she and Meredith rejoice at end. Their story should have been the main focus of the film and dare the subject of talking about pregnancy which I get at the conclusion that that's what the story was about. Instead we're taken from one inconsequential story to the next without logical tie-in to Meredith and Goddard. That's why I think so many people miss the point and poo-poo the film. But if you know the different junctures of the film especially the part with Burgess Meredith and Paulette Goddard you should be able to enjoy the picture.