Murders in the Rue Morgue
Murders in the Rue Morgue
| 21 February 1932 (USA)
Murders in the Rue Morgue Trailers

In 19th Century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.

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Reviews
Ehirerapp

Waste of time

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Skunkyrate

Gripping story with well-crafted characters

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Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Murphy Howard

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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poe-48833

MURDERS IN THE RUE MORGUE is one of the more faithful adaptations of an Edgar Allen Poe story, and the filmmakers manage to fill in the "gaps" in the story (with scenes that aren't actually IN the short story itself, but serve to add to the movie in the way that such scenes SHOULD); the director's flair helps keep things interesting (the scene where the heroine is talking to her suitor while on a swing is the perfect example: the director takes an innocuous bit of exposition and makes it a memorable moment). The biggest problem I had was with the elderly chimp doubling for a gorilla in the closeups: having watched truly Remarkable Great Apes like Koko the gorilla, Chantek the orangutan and Nim Chimpsky the chimp COMMUNICATE with Humans (all via Sign Language), it's nigh impossible to watch this kind of amateurish misdirection and just shrug it off.

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Rainey Dawn

The movie is loosely based on Poe's short story Murders in the Rue Morgue. It is great to watch if you enjoy the classics.Bela Lugosi is wonderful as the twisted Dr. Mirakle. I love the costuming and overall creepy look they gave to the vile character. He had a good idea to prove evolution (the ape-human link) but the way that Dr. Mirakle goes about proving this theory is pure evil, for what he does to young women is overly cruel. He abducts the women and injects them with the blood of an ape.I would say this movie would be a great double feature with movie classics like "The Invisible Ray", "The Black Cat" or even "The Raven".7.5/10

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bkoganbing

Murders In The Rue Morgue casts Bela Lugosi as one of the many mad scientists he played in his long career. To make ends meet he has a carnival act, but it's really a blind for some gruesome experiments involving sex. InterSpecies sex that is.If Charles Darwin is correct and man is related to the other primates than it follows, reasons Bela apes should be looking to mate with man given the proper stimulation. So for his horny gorilla he kidnaps women and injects them with simian blood. In the Paris of 1845 Bela's experiments are working pretty good as his ape is let loose on these injected women and the young women of Paris are in danger. Women of all classes as streetwalker Arlene Francis discovers to her tragic regret.King Kong never eyed Fay Wray with more lust than Bela's simian had when he was checking out Sidney Fox. In fact King Kong should prove the hypothesis Lugosi was advancing. The climax of Murders At The Rue Morgue is very similar to King Kong with Leon Ames playing the Bruce Cabot part.Some really great sets and beautiful cinematography are the main attraction of Murders At The Rue Morgue which bares only the slightest resemblance to Edgar Allan Poe's story. Lugosi is fabulously sinister and lustful, he's checking out Fox and the others himself. It's not Dracula for him, but what is?

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mhesselius

I saw "Murders in the Rue Morgue" when I was just a child in the sixties and wasn't impressed. But now that I've seen the uncut original on Universal's Lugosi collection, I believe "Murders" is one of the most under-rated films from the golden age of horror.Direction by Robert Florey, cinematography by Karl Freund, and art direction by Charles Hall will satisfy the cravings of atmospheric horror fans. And the sources that Florey uses—the Poe story and the silent classic "The Cabinet of Dr. Caligari"—dovetail nicely. What seems rather silly in the Poe story (an ape escapes from a sailor to commit senseless murder) is more plausible and horrific when the ape's owner becomes Dr. Mirakle, a mad scientist intent on proving humans and apes are evolutionary cousins. Why else inject ape's blood into nubile young women if not to find a suitable mate for his side show attraction Erik? I was also impressed by the way director/writer Florey zeroed in on one of Poe's themes. The confusion of tongues scene from Poe's story in which people of different nationalities (ear-witnesses to a murder) mistake the ape's language for unintelligible human speech, demonstrates that humans are no different from Erik, another species of savage primate inhabiting the planet. Seeing Dr. Mirakle talk with Erik and translate for the carnival audience doesn't seem as far-fetched today considering the recent research into primate communication.These thematic elements, together with Lugosi's sinister but surprisingly low-key (for him) performance, and the scene in which Dr. Mirakle injects the street walker with ape blood (Arlene Francis made a good screamer), and in which fiendish assistant Noble Johnson (who made an art of playing such roles) cuts the ropes that bind her Christ-like between crossbeams, releasing her body through a trap door into the river, make this one of the most daring of pre-code horror films.The print Universal included in its Lugosi collection looks fine, much better that the one I saw in the sixties. And neither the bland performances of the romantic leads, nor the man in the ape costume detracts from the over all effect. The inter-cutting between the actual animal and the costumed double is really not that jarring when you consider what was being done elsewhere in this era.

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