Perfect cast and a good story

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

The movie is wonderful and true, an act of love in all its contradictions and complexity

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Cameron Mitchell followed several other American actors to Europe in the 1960s and starred in several films, including westerns and sword & sandal sagas. "Django" director Sergio Corbucci cast him as a veteran gunslinger in "Minnesota Clay" who is losing his sight. Nevertheless, Mitchell's Clay remains as fast on the draw and as accurate ever with his six-gun. For the record, "Minnesota Clay" represented Corbucci's first oater to helm after sharing directorial credit with Albert Band on "Grand Canyon Massacre," starring virile Jim Mitchum. Unlike Corbucci's later westerns for which he is better known, including "Django," "Navajo Joe," "The Great Silence," "The Mercenary," and "Companeros," "Minnesota Clay" qualifies as a more conventional sagebrusher in the mold of traditional American model with few of the sudden, nimble reversals of a Spaghetti western. One trope that "Minnesota Clay" adheres to in the Spaghetti western formula is its high body count. Corbucci co-wrote the screenplay with sometime collaborator Adriano Bolzoni. As it turns out, Bolzoni supplied the story for Sergio Leone's "A Fistful of Dollars." Interestingly, when you compare the plots of both "A Fistful of Dollars" and "Minnesota Clay," the similarities are noticeable. The two films resemble Japanese filmmaker Akira Kurosawa's vintage samurai saga "Yojimbo." An outsider rides into a town that two separate fractions are warring to dominate. The chief difference between the two films is that Kurosawa sued Leone for copyright infringement but ignored Corbucci's western."Minnesota Clay," for the most part, resembles a standard-issue American horse opera about a gunfighter searching for redemption. Mitchell is dutifully straight-forward as the quick-draw protagonist who wants to change his life. Clay escapes from a brutal prison camp after he takes the camp's doctor hostage at gunpoint. He rides back to his hometown of Mesa Encantada to find a man, Fox (Georges Rivière of "The Longest Day"), who can clear him of the crime that landed him in the hell-hole of Drunner Prison. When our hero arrives in town, he learns that two rival factions are tangling over the town. First, a villainous American named Fox rules Mesa Encantada like a racketeer and forces the town's merchants into paying astronomical protection fees. Were this not enough, Fox serves as the town's marshal so he controls the law in Mesa Encantade with an iron fist. Nobody in town likes Fox, and everybody would love to see him deposed. Second, a slimy stereotypical Mexican bandit General Domingo Ortiz (Fernando Sancho of "Gunfight at High Noon"), who is as dimwitted as he is gullible, wants to see Fox bite the dirt. He hopes Clay will join him. In the middle of all, two women pursue different aims. First, sweet young Nancy Mulligan (Diana Martín of "Revenge of the Black Knight") who lives just outside of town. She has been told that her father died years ago. One of the movie's revelations is that her father is none other than Minnesota Clay. Corbucci stages a typical American western scene where Nancy struggles to halt a runaway team and Clay rides heroically to her rescue. Second, the treacherous Estella (Ethel Rojo of "Doomed Fort") learns that her treachery doesn't endear her to anybody. She facilitates Clay's escape from Ortiz's camp. Estella informs Ortiz that Clay not only has fled, but he also has stolen Ortiz's box of gold. Surprisingly, Estella has aligned herself with Fox and tells him that Ortiz is heading toward the Mulligan Ranch. Fox assembles his men and rides to the ranch. Meantime, Clay and company knock off high numbers of Ortiz's riders out of their saddles. Ortiz sets fire to the building that our heroes have sought as refuge. The above-average "Minnesota Clay" ranks far down on the list of Corbucci's westerns. But it was a beginning for the gifted Italian. The blind gunfighter premise is novel. Incidentally, the Mesa Encantade town set is the same location that Leone used for San Miguel in "A Fistful of Dollars." Altogether, this Corbucci western contains seeds that foreshadow some of his ideas and techniques in his later westerns.

Sergio Corbucci is one of the spaghetti western's greatest directors – he was responsible for two classics, DJANGO and THE GREAT SILENCE, among many others. This is an earlier offering, made before he got his groove on, and it doesn't have the same kind of 'vibe' to it as all the Leone-influenced westerns that came out during and after 1967. This one feels more like a set-bound American western; it has that clean-cut style to it rather than the dark and gritty atmosphere that epitomised the 'spaghettis'.Saying that, it's still a great little film, really well paced for a western and with some intriguing characters. Much of the film's success is down to Cameron Mitchell, who appeared in some of the best genre films Italy had to offer during the '60s; most of these were directed by the great Mario Bava (I'm thinking LAST OF THE VIKINGS, BLOOD AND BLACK LACE, KNIVES OF THE AVENGER, the list goes on). Mitchell was a great actor in my opinion and he's perfectly cast as the hero here. He gives Clay a raw humanity that makes you sympathise with him from the outset and the fact that he's handicapped – as the film progresses he gradually loses his sight – only adds to the pathos. Clay's dire situation makes for a truly nail-biting extended climax as a group of killers prowl after him through deserted streets and stables.Elsewhere, genre conventions abound. There are some brutal Mexicans, led by ever-present character actor Fernando Sancho, and a wonderfully staged shoot-out in which Clay seems to kill about two hundred of the enemy by shooting them off their horses. There's a tough femme fatale, played by the beautiful Argentinian actress Ethel Rojo, who easily holds her own against the macho guys surrounding her. Georges Riviere, who starred in a couple of Italian gothics like CASTLE OF BLOOD before appearing in this, is an unusual villain in that he doesn't actually do much that's villainous in the film: he just stands in Clay's way, and that's enough. The action scenes are well handled and the location work impressive. This is a film where even the horses seem to have their own individuality. The dubbing is pretty bad but this is par for the course for any Italian genre film, really. It's a good looking film, well handled by Corbucci, technically perfect and with enough atmosphere to make it a success.

One of the earliest Spaghetti Westerns directed by a pre-Django Sergio Corbucci, this film was indeed, fun to watch and you don't need braille to see that. It's a huge upgrade from his lousy previous film, 1964's Grand Canyon Massacre; a film that doesn't feel like a Spaghetti Western film. Between the time of Grand Canyon Massacre release and the making of Minnesota Clay, a little film call 1964's Fistful of Dollars by Director Sergio Leone came out and change how Italian westerns films would be made. The film would be, more violent, cynical, and have more complex gritty darker story lines. You really see, how much Sergio Leone's film influence the making of this film. The year is 1883, Minnesota Clay (Cameron Mitchell) has just escape from a prison labor Camp. Determined to prove his innocence, he return home to confront the man that framed him, Sheriff Fox (Georges Rivière) whom terrorizing and extorting the town folks for years. Now Minnesota Clay is one fast guy with a gun. Possibly the fastest in the world. Unfortunately he is also slowly losing his eyesight, with his vision now so impaired that one more blow to the face could cause complete loss of sight. To make the conflict worst, Mexican bandits leaded by a man named Gen. Domingo Ortiz (Fernando Sancho) wants to take over the town, no matter whom is the winner. The whole concept of the rivaling gangs (Mexican vs. American) wanting control of a little town, resemble the premise of 1966's "Django" as well as Leone's Fistful Of Dollars in which both were based on Akira Kurosawa's masterpiece 1961's Yojimbo, which in return is based off, the 1929's novel, 'Red Harvest' by author, Dashiell Hammett. The whole idea of a blind man taking on gangs, were taken from the Japanese's Zatoichi's series of films, like 1962's The Tale of Zatoichi & 1962's Zatoichi on the Road. Most of this movie's story ideas, came from director, Robert D. Webb's 1956 hit, 'The Proud Ones' in which the protagonist has to deal with his old nemesis, as well as recurring bouts of blindness. So, the story and plot isn't anything new. Still, the film packs violent shootouts, a really high body-count and action pack scenes. The whole runaway wagon was very entertaining to watch. Lot of crane shots and elaborate pans, truly filling the widescreen frame. You really get the scope of how big the gangs are, with these shots. The acting is pretty good for the most part. Special mention to Fernando Sancho in his ordinary role as the fat Mexican bandit that always fun to watch. George Riviere was alright in the role, but way over shadow by Sancho. He hardly stood out. He clearly isn't in his element in a western context: it would be his only spaghetti western. The women in the film are just beautiful. I have to say, Diana Martin as Nancy was just wonderful. Another was Ethel Rojo as Estella who is as devious as she is beautiful was fun to watch. It was nice to see women have complex roles. There was only one annoying character; that the film could do without, and that's the talkative and clumsy admirer, Andy (Alberto Cevenini). He comes off as a Spaghetti Western version of Jar Jar Binks!! Cameron Mitchell was great in the main role, and you really see his acting chops in the more emotional scenes. While, the acting is good, the whole English dubbing dialogue sounds a bit off. It really didn't match, the lip movement at all. The music score by Piero Piccioni really didn't stand out. Still, it was later featured in the video game 2004's Red Dead Revolver. The stunt work is dangerous in some scenes, the horses & stuntmen really took some awful falls. The movie would influence other films such as 1966's 'An eye for eye¨ by Michael Moore, 1971's 'Blindman' by director Ferdinando Baldi and 1994's ¨Blind Justice¨ by Richard Spence. The movie is a bit aged, but the DVDs out there like the ones from St. Clair Entertainment are in good copies. Due to the low bitrate, there are some smudgy outlines, especially during sideward pans, but colors are vivid and print damage is reduced to some hairs and scratches. The audio is loud and clear, but there are quite a few dropouts. The movie has various endings to this film. Two different versions were made, a shorter one with an unhappy, and one with an added-on happy ending. Some copies of the film, end with Clay lying apparently dead in the street, with Nancy at his side, but in the Italian version, there is a version, where Clays rides off alive and his sight completely restored. The dying ending was a bit off putting. Overall: Watch it yourself, whatever ending you prefer. It's simply a must-see from the early years of the Spaghetti Western.

Spaghetti with Chorizo Western filmed in Spanish location as La Pedriza ,Manzanares Del Real and Colmenar Viejo and interior scenes shot in usual Italian scenarios called Elios studios. It deals with an inmate wrongfully imprisoned for twenty years for a crime he didn't commit and escaping from jail . As Minnesota Clay (Cameron Michell) takes prisoner a lieutenant (Julio Peña) and seeks revenge on the man who withheld evidence at his trial and arrives in a town ravaged by a sheriff and bandits . The gunfighter enemy is Fox (Georges Riviere), who nowadays results to be the Sheriff of a little town who himself terrorises the villagers . At the beginning Clay rescues a woman from bandits , she is named Stella (Ethel Rojo) a gorgeous but devious woman . Later on , Clay is imprisoned by outlaw Ortiz ( Fernando Sancho) and also townsfolk is living in terror of his band . In the middle of these two waring parties is Clay's daughter named Nancy (Diana Martin) who thinks her father is dead . The gunslinger enters the town caught between two feuding factions, a nasty sheriff and a gang of Mexican bandits, and is caught up in a struggle against them. But here is a problem however, Clay is going blind.The film packs violence , shootouts , high body-count and it's fast moving and quite entertaining . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes . It's an exciting western with breathtaking showdown between the starring Cameron Mitchell and his enemies , Geoges Riviere and Fernando Sancho . The movie contains gun-play, action Western , thrills and bloody spectacle . This interesting theme about a blind gunslinger is also treated in other films such as ¨The blind man¨ by Ferdinando Baldi , ¨An eye for eye¨ by Michael Moore with Robert Lansing and ¨Blind Justice¨ by Richard Spence with Armando Assante . In ¨Minessota Clay¨ appears as secondaries the habitual in Spanish/Italian Western such as Jose Luis Martin , Simon Arriga , Alfonso Rojas , Antonio Casas ,Alvaro De Luna and Guido Pernice , many of them usual in Corbucci films . Special mention to Fernando Sancho in his ordinary role as fatty Mexican bandit and in a cruelly baddie role , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . The movie gets the ordinary Western issues, such as avengers antiheroes , violent facing off , quick scenes and exaggerated baddies . It's an improbable blending of standard Western with pursuits, high body-count and it's fast moving and quite entertaining. An interesting casting full of usual Spaghetti make this oater well worth the watching . Mediocre cinematography by Jose Aguayo , Luis Buñuel's customary , but is necessary a perfect remastering , being the copy washed-out . Screenplay with interesting premise about a 'blind gunfighter' is written by Corbucci and Jose G . Maesso , also producer ( he produced several Western as ¨The ugly ones , Minnesota Clay , Django , A train to Durango , Hellbenders¨) . Sergio Corbucci's direction is acceptable , he made numerous Spaghetti classics . Direction is well crafted, here Corbucci is more cynical and violent and less inclined toward humor and packs too much action , but especially this moving Western contains broad violence specially on the character played by Georges Riviere . The other Sergio made several Western classics as ¨ Django¨, ¨The great silence¨, ¨The specialist¨ , ¨The Hellbenders¨ , ¨Navajo Joe¨ , and Zapata Western as ¨The Mercenary¨, ¨The Compañeros¨ and ¨What am I doing in middle of the revolution¨ . In addition Sergio directed other inferior S.W. as ¨Far West story¨ ,¨Johnny Oro¨, ¨The white the yellow an the black¨ , ¨Massacre at Great Canyon (his first Spaghetti) ¨ and ¨Minnesota Clay (his second Western)¨. Corbucci makes a nice camera work with clever choreography on the showdown , fighting , moving shootouts and bemusing scenes . It's an offbeat , surprising and uneven Western but will appeal to Corbucci aficionados . Rating : 6 , riotous Western in which there's too much action and violence and enough excitement .