Most undeservingly overhyped movie of all time??

Good concept, poorly executed.

The film may be flawed, but its message is not.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

The makers of this film landed themselves in something of a quandary. When the film was all ready for release, someone in Republic's publicity department pointed out that the title meant nothing. There was not a single reference to brimstone, in any shape or allegorical form throughout the entire movie. A Foreword was hastily added in which the early settlers were commended for fighting Indians, drought - and outlaws like "Brimstone" Courteen. In the movie, however, the character is not called "Brimstone" but "Pop" Courteen, a title that masks a viciously vengeful rancher who, together with his three sons, is waging a secret war against the community in general, homesteaders in particular. COMMENT: I don't know why Adrian Booth gets such prominent billing here. Her role is so small, you would expect to find her name well down the cast list. But then Jack Holt's part is so fleeting, he's hardly in the movie at all. Two players have the lion's share of the action: Number one, Rod Cameron, an indifferent performer, but rugged enough to acquit himself honorably in the action scenes (with the help of a stunt double, of course). Number two, Walter Brennan, who emerges as the real star of the film. Admittedly, you can't always rely on Brennan. True, he's given some engrossingly charismatic portraits in the past, but some directors seem to have been afraid of him and unable to keep him under control. But here in Brimstone, Brennan is not only perfectly cast, but perfectly controlled. It's a good meaty part, and though Walter plays it to the hilt, he doesn't overplay it, or project it on just the one monotonously menacing note. He shades the role well. He can temper open hostility and incredibly mean-spirited viciousness with sly cunning, subterfuge and even a seemingly transparent if rough yet rascally charm. Yes, Brennan has a great role. He plays it superbly.Oddly, the next most impressive performance is handed out by Hal Taliaferro. A long-time western star, under the name Wally Wales, Taliaferro must have played hundreds of miniscule roles in the 1940s. His name often appears towards the bottom of cast lists, but it is usually very difficult to pick him out in the crowd. Here for once, he has a comparatively sizable role. Although he makes an extremely late entrance, he provides an extra ingredient in the climax, agreeably complicating the shoot-out and adding a few nice touches to the suspense. Jack Lambert contributes his usual strong characterization as a surly but none-too-bright offspring, Guinn "Big Boy" Williams turns in a bit of slightly forced comic relief, while Forrest Tucker adequately holds down a none-too-large but unusual role as an opportunistic sheriff.Production values are unusually good by Republic standards (even if they are helped out by some blue tinted stock and matching main footage in the introductory episode), with locations near Sacramento, a fair bit of action, and above all, as said, Walter Brennan's riveting performance.

This film has quite a lot going for it. First, we have Walter Brennan as the title character, a crooked father who leads his sons in various cattle rustling schemes. Sort of reminiscent of Brennan's turn in MY DARLING CLEMENTINE, where he played Pop Clanton. Second, this film was made in the Trucolor process, Republic's answer to Technicolor. The blues are so strong and clear, and the reds and greens are perfect. This is very noticeable when portions of the film take place outdoors, and director Joseph Kane did take them out on location for quite a few sequences. So it's a gorgeously photographed picture. Third, I think this film is worth checking out because it moves along at a nice pace and is consistently entertaining. The direction and performances have much to do with its success. What a sturdy western cast, who raise the story a notch above most films that cover this subject. In addition to Brennan, we have Rod Cameron, the lovely Adrian Booth, Jim Davis, Guinn Williams, Jack Holt, Forrest Tucker and Will Wright. And oh, don't miss Jody Gilbert in her great bit as a Fat Woman (what else?) on the stage.

This one would have gone over well with the under 12 crowd, many years ago. For you young folk, once upon a time movie theaters had matinees for kids every Saturday morning. Starting times varied - ours started at 10:00 am, and consisted of some cartoons, a serial, maybe a comedy short, and then a (fair-to-middling) western feature film. "Brimstone" would have filled the bill for one of these, and if I were 11 I would have rated it higher."Brimstone" is a typical two-dimensional western devoid of rational thought and motivation, the type produced by the carload by Poverty Row studios in the 40's. It has lots of action, with fistfights and shoot-outs and hombres talking tough. This one has stalwart Rod Cameron as a US Marshal trying to apprehend some stage robbers, in fact a family of them. The family is headed by Walter Brennan in iron-fisted fashion as a cantankerous old rancher, and he makes the most out of his chance to carry a movie. He is like Moe and his sons like the other Stooges, aided by some unintentionally funny dialogue and knockabout comedy, as the British would say. (Of course,this is supposed to be deadly serious stuff).There are the usual plot dead ends and unresolved loose ends which I always find annoying, but at the age of 11, who would notice? There is enough action to fire up the young audience, and cause the matron to descend on us and order all concerned to be quiet, flashlight in hand.

Borrowing from his portrayal of Old Man Clanton in My Darling Clementine, Walter Brennan dominates this film as the mean and merciless head of an outlaw family. It seems that Brennan at one time was the local Ben Cartwright, but little by little the homesteaders and small ranches have nibbled him down to little by his standards. So he and his two outlaw sons Jim Davis and Jack Lambert have been plying the outlaw trade going after them with some cattle rustling and other forms of criminal enterprise.The general outlaw situation has a lot of people mighty of suspicious of sheriff Forrest Tucker and deputy Guinn Williams. Federal Marshal Jack Holt arrives on the scene, but he's wounded in a stagecoach holdup and not able to do too much.Into all this mix is a mysterious loner played by Rod Cameron who looks like he's trying to cut himself in on everybody's action, Brennan's and Tucker's. When you're not watching Brennan, Cameron's the one that should be paid attention.Brennan had a very bad time with John Ford when he made My Darling Clementine, but Ford got a great performance from him. I think Brennan channeled a lot of that into his role here of Brimstone Courteen.This is a great action western from Republic with quite a bit more plot to it than the usual Republic product for the Saturday afternoon kid market. And you'll not forget Walter Brennan in the title role.