Marina Abramović: The Artist Is Present
Marina Abramović: The Artist Is Present
| 13 June 2012 (USA)
Marina Abramović: The Artist Is Present Trailers

Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.

Reviews
Maidgethma

Wonderfully offbeat film!

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Stevecorp

Don't listen to the negative reviews

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Jenna Walter

The film may be flawed, but its message is not.

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Stephanie

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Charles Herold (cherold)

I remember when there were people going to MOMA in droves to sit across from some artist I'd never heard of. I heard people say it was a very moving experience. It sounded nuts to me. So I was curious to see if I could get a sense of what it was all about from this movie.I suppose I did, a little bit. The movie is made by people who want to be a bit artsy about it all, with jump shots and some shaky camera-work, but it does give you the basics. Marina is a long-time performance artist who specializes in feats of endurance, like running repeatedly into a wall or sitting naked on a bicycle seat for hours. She is very sincere, very determined, and seems to be someone who lives her art. There are scenes of her with her ex-partner/lover in which she is driving and cooking dinner which give you a glimpse into the mundane aspects of life that even those living for their art experience.Most of the second half of the movie is devoted to her three months sitting staring at people who stare back. You see how physically grueling the experience is, you see how moved many people are, and you say how insane things got, with people camping out all night, desperate to get in early enough to spend some time having a famous artist stare at them.The movie doesn't really recreate the experience. It's rather glossy at times, with a soundtrack that I'm sure creates a different experience than what I assume was simply the buzz of the crowd and the noise from any video projections nearby. I'm amazed that some people here said they were moved by this movie. It's an interesting view of a performance artist, offering occasional mild insights from her friends and giving some understanding of her approach.I'm also surprised that some people expected more of this movie, like a complete investigation of her career, or questions into how performance art fits into the art world. The movie is called The Artist is Present, and it's focused on that show, and that piece, and it's by someone who clearly buys into performance artist (I've always thought this sort of thing was interesting but kooky). It's exactly the sort of documentary I would expect someone who is intrigued by Marina would be inclined to make.The movie absolutely did not make me wish I'd gone up to MOMA to stare at her, although it makes me feel, just a little, that maybe I should have gone up to see the recreations of her previous pieces and take a quick peek at her face-offs. But it's not something I'm losing sleep over.

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lasttimeisaw

A 2012 documentary about the 2010 retrospective exhibition "THE ARTIST IS PRESENT" held at MoMA, New York, by the Serbia-born Marina Abramovic, the performance-art spearhead, has been active for over 40 years, she is the "grandmother of performance art". For the new generation, Marina probably is well-known for her recent collaboration with Lady Gaga in her trendy ARTPOP album, so one may reckon this documentary could be an introductory piece to her wholesome work and artistic ethic, however, as the title implies, the film doesn't purport to be a comprehensive presentation of her lengthy career, instead, it mainly stays in the "present", extensively records her latest performance inside MoMA (with a group of young artists re-enact her most important work at the same time), where Marina dares to sit and stare with her audience face to face but in silence for many hours a day continuously for 3 months. It was a great success in any rate, but also accurately testifies how smart Marina is, as an astute artist, she knows what her art needs is the gaze and attention from audience, and it is so different from other media, performance art is an ongoing process, so she utilizes her towering stamina to grant each audience the possibility to be in the center of a crowd, to participate in her work and to ruminate in a trance of emotional undercurrents. In a three-months span, the film covers the sensational public images and the more laid-back private moments in Marina's life, through cautious eyes, one might find she is always performing, it is her lifestyle, her habitual mechanism towards the world at least whenever the camera aims at her, she minimally elucidates her beliefs and through ages, her radical angle has abated, what is left is the mystical allure of her presence, as she is sitting silently in front of you and gazing into your eyes but indeed, in most case, you don't mean a thing to her. The most curious and emotionally relatable part is in the first half of the film, when we briefly get a chance to know about her background, especially her works with German artist Ulay, who she met in 1976, afterward they spent 12 years together as a collective being until they historically ended their relationship in 1988 after a spiritual journey in the Great Wall of China. Like Marina said in a speech, an artist should not fall in love with another artist, it does come from her own experiences, that's why their reunion is much more meaningful and intriguing in this sense. Ulay is also quite frank about this relationship, and gives Marina his blessing for her achievements, still through his interview, there are much more mixed emotions are engendered and mixed, but the truth only exists between those who are involved, no matter how curious we are, it is never what this film intends to demonstrate.Directed by Matthew Akers, with snappy editing work and soothing score from Nathan Halpern, the film is a joyful ride for those who are really into art scenes and all the fanfares tailing along, occasionally thought-provoking, but essentially it is a bandwagon for Marina's artwork and reputation, if you want to know more about the person herself, you will find this film wanting and not spunky enough to soberly take stock of its subject matter.

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emilyelizabeth1283

This documentary is so powerful to me. I had never been introduced to this type of art before and made me realize how important it is to have an open mind when your goal in life is to discover, learn and connect. For example, one of the landmark pieces Marina is known for is where she sits in front of someone for an incredibly long time, day after day, for weeks, months. I looked at this and was struck with thoughts dominated by puzzlement and judgement. It was weird and silly to me, until I let myself think about it. Think about where the artist is coming from. I thought about my own situation where looking people in the eyes is incredibly difficult and the idea of coming to a space where this woman is sitting, taking a seat in front her, then meeting her eyes became profound. It also made it clear to me that sometimes in order to appreciate something so radically different from what a person is used to or familiar with, the time in a person's life, what has come before, and what a person is tuned in to all become so vital in the outcome of whether the person listens, or immediately dismisses. I was able to let myself make a connection with what it is Marina is trying to do with her art and it came alive for me, all at once. The documentary itself is beautifully done, you can tell it was a production made with love and devotion to its subject. It goes into Marina's history in performance art through interviews and old footage, and is framed by the massive preparations for a show held at the Museum of Modern Art in New York City. One of my new favorite documentaries. http://funkyforestfirstcontact.wordpress.com/

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anz10

I have heard of Marina Abramovic but didn't know much about her and was scared it would all be a bit pretentious or she wouldn't be any good or to my taste, (even though I like modern art, but not all of it of course) but I found her truly inspiring, not only that but she is truly down to earth and real, she truly believes in her work and went to great lengths for her art and still does, her life story is telling of this and very engrossing. The exercises she puts the young people through whom she entrusts with reproducing her work for her exhibition, also shows just how much she digs into her own being to give back to others in her art and to her students. I guess I was scared performance art wouldn't live up to what I expected it to be. Whether or not you appreciate her art is not really the point to me, although many people do, it's more important that it comes from a genuine place and that to me makes is true expression, you cannot argue with that. The most touching part of the documentary for me however, was definitely her piece for the exhibition. Marina sat in a chair (initially with a table in between her and the person) in silence for three months, only looking up when a member of the public sat in a chair opposite her. This is no easy feat if you consider we can't even be still for 5mins without back pain or needing to check our iPhones. The intensity and genuine affection/serenity/love and calm she gives each and every individual is deeply moving. She gives each person the attention they deserve, it moved me to tears several times, as it did some of the people sitting opposite her. It made me question just how much we truly "see" each others, or even whether we even really try often enough, how much do we truly care about someones true self and feelings, how many times do we get that attention from someone else, how many lonely people there are in the world. It also made me consider what true connection, love and acceptance can do for the human soul and for the serenity of the world in general and that we are all seeking love. The power of Buddhism and it's principles really do come to light in her work in a very real way. It's made me want to be more accepting of others and myself, it's also made me realise just how deep the need for connection truly goes. Her observation that she becomes someone's mirror and that she can feel people's pain and feelings in a gaze, was telling. I now understand even more deeply how important my need for connection truly is and how it affects me emotionally. Connecting to yourself, others and your "art" or whatever makes you happy is more important than ever in this super busy hyper world, be still and re-focus :)

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