People are voting emotionally.

not as good as all the hype

Lack of good storyline.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Stern's writing, with the talents of Wells , Scwartz and a great supporting cast, results in a clever, modern rom-com that should appeal to a wide audience. Charters are flawed, but sympathetic, their relationship a balance of humor and angst that's enjoyable and relatable. Stern adds some clever reflections of other relationships, parents, friends, spouses, that add to the movies appeal. I highly recommend it, and look forward to more productions from Stern!

Really, the occasional "F Bomb" can be tastefully dropped for serious dramatic impact but in this show, the first 10 mins has more profanity than regular words and sounds so childish. It's too awkward to watch. Whether the director made him swear so much, or the actor just had no real concept of how to delivers lines is irrelevant. There's an immediate disconnect. I'd expect that from a 10 year old leaning how to swear, but not from an adult. The storyline was OK, the supporting actors were quite good. Flashbacks were necessary to hold the story together. I only watched it to the end because I was curious about how disconnected one can be from the ridiculous dialogue. Sure enough, a complete waste of time.

This is a terrible movie. one of the worst one's i've seen lately. it's sad cause i really like those actors and i thought the movie has potential but it was a waste of time

See above and don't waste your time. Since when is it legitimate for a woman to have an insane amount of requests from a relationship which a man is supposed to fulfil. What has she done for him? Perhaps it's time for us to reconsider the usual gendered expectations from relationships. This will make people less selfish.Cinematographically speaking, the acting in this movie is rather poor. The plot is thin and corny. The screenwriters' attempt to capture the complexities of Y-generation relationships absolutely fails. Neither the story nor the acting are convincing.