This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

I happen to love dance of all types (big on ballet) which peaked my interest with it being THE Sergei. Best dancer in history, hands down. This is a movie, however, for everyone, not just dancers. I do think those who aren't 'into' dance will be after seeing this doc!This was one of the most interesting and beautiful documentaries I have seen, and I have viewed a lot of them. The movie was fresh throughout, whereas some docs either start fresh and interesting then become a total yawnfest and stale by the middle. Sergei's story is remarkable, impressive, one to be shared over and over and over again. He is an icon and legend for his fierce, artistic, poetic, athletic dance first and foremost, but to see where it all started is fantastic.The final dance literally took my breath away.

This wonderful documentary about an amazing dancer is definitely worth watching if you love ballet. He's a totally fabulous dancer who is currently considered to be the best male ballet dancer in the world. He's often compared to Nureyev with his high leaps, pirouettes, fouettes, and nearly perfect technique. He also seems to be a genuinely good guy who lost his way in his early 20's, having reached the peak of his dancing skills and being named the youngest Principal dancer of the London Royal Opera Ballet at the age of 19.The separation from his family at an early age left him wondering if it was all worth it. He decided to quit dancing and left the Royal Ballet in his early 20's only to discover that he really loved dancing, and could not see himself never dancing again. After leaving the Royal Ballet, he was dubbed by the press as "the bad boy of ballet" after admitting to drug use and getting numerous tattoos. He has fortunately returned to dancing. His video "Take Me to Church" can be seen on YouTube and has had close to 17 million hits. His current dance and life partner is the beautiful ballerina Natalia Osipova.

Without doubt Sergei Polunin is one of the most amazing dancers ever with a body that is strong, powerful and light. When he dances his movements are incandescent. He possesses something that goes beyond nurtured talent.Documentaries are sometimes the best form of film because they take something true, which is either remarkable in itself, or the context in which they present the truth is remarkable. This documentary is evidence of the former. Sergei was born to a family of modest means in Southern Ukraine and as a baby was hyper mobile, which lends itself to gymnastics (his first enterprise) or ballet (his second as chosen by his mother - which is significant). By the age of 8 Sergei was destined for a ballet career for which his family made enormous sacrifices; his father and one of his grandmothers (maternal, I think) emigrated to work in the EU to support financially his ballet studies in Kiev. The cost of this to Sergei emerged when he was an adult and, sensationally, quit the English Royal Ballet where he was a Principal dancer.In his teens Sergei joined the English Royal Ballet and by 19 he was a ballet sensation in the UK and gained notoriety a few years later because of his use of cocaine, self-harming and tattooes. I was curious about this young man psychologically; he danced like fire but was troubled. My one disappointment with the documentary, which prevents it being perfect, is that only the surface psychology of Sergei is presented. To be fair to the director he arrived in Sergei's life when the latter was at his most cynical and least trusting. The film took 5 years to make but to know Sergei probably takes a lot longer. Nonetheless the niggle remains.What the film gives in abundance is footage of Sergei dancing and Sergei filmed by his mother and then the English Royal Ballet as he grows up. The visual impact of Sergei's body with tattooes and scars is an aesthetic marvel. My favourite piece of the film was Sergei on-and-off stage whilst dancing in Spartacus in Siberia where we see the man suffering for his art and his damaged feet. There is private footage too, which is endearing as Sergei's warmth, sense of fun and sincerity abounds.If you love dance, you will like this film. If you marvel at what the human body can do physically, you will like this film. If you want a very human story of sacrifice in the quest to improve the lot of the children, you will like this film. If you love, like or are remotely interested in Sergei, then this is a film for you. With his dance Sergei has gifted the cinematic world a unique form. He has abandoned ballet, by which he felt constrained and which was not his choice but that of his mother's, but is continuing to dance.

"Dancer" (2016 release; 85 min.) is a documentary about 'bad boy' ballet superstar Sergei Polunin. As the documentary opens, we are with Polunin in his dressing room, with "curtain in 20 min." being announced. We then watch him perform, and are in awe of his skills. The documentary then goes back in time, to "Kherson, southern Ukraine", as the movie informs us, where we see young Sergei do absolutely amazing things at a young age (watch the footage of 8 yr. old Sergei...). Before we know it, Sergei, now age 13, is training at the Royal ballet School in London.Couple of comments: this is the latest documentary from veteran film maker Steven Cantor. Here his subject is a highly skilled and talented ballet dancer who shot up through the ranks of the ballet world, only to discover that it's pretty lonely at the top, not to mention that the physical and psychological toll it takes on him may be more than he can handle. The British press had a field day with this guy, branding him the "bad boy" of ballet (and that is certainly what I remembered of Polunin). But when you see it in a larger context, it's pretty clear to me that Polunin wasn't much of a bad boy, but instead a lonely young man who comes of age in a brutally competitive environment, all the while terribly missing his family. There are some extraordinary moments in this all-access documentary. Let me just mention one to wet you appetite: late in the documentary, Polunin is dancing the lead role in Spartacus, and at the break we find him in his dressing room, recovering before the second half of the evening. Just watch..."Dancer" opened last weekend at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was attended poorly (only 2 people besides myself). Given the complete lack of marketing for this release, I can't say I was very surprised. Hopefully this is the type of release that will find a wider audience once it is available on DVD/Blu-ray. If you like ballet, I would readily recommend you seek this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray.