Waste of time

Very well executed

Too many fans seem to be blown away

One of the most extraordinary films you will see this year. Take that as you want.

This extraordinary film came my way with the title 'Spell', although the film itself bears the title, Man, Woman & Beast and appears to be the uncut re-edit released, in however a small way, under that title. A most appropriate title it is too, where in a small Italian village where everyone knows everyone and they all life very close indeed to nature. The main character is a communist artist who has a deranged wife, who can become very violent, and spends his days doing collage, in which he has a penchant for slapping images of internal organs over recognisable pictures. There is also a butcher who gets off with the meat hanging in his cold store, a young girl who's mother finds is pregnant - by her father and many more fun figures. There is much sexual activity, barely simulated, much exchange of body fluids, including a particularly harrowing finale and along the way a surreal, hypnotic, visceral and existentialist ride, like no other. Actually, having said that it precedes by a year the same director's Blue Movie, which is of a similar tone but less successful. Strong stomachs and non addiction to narrative flow essential should you even be tempted to seek this out.

This is a very well made movie, but definitely NOT for everyone (like observant Catholics, for instance). It's like Luis Bunuel film, but with even more extreme imagery--for instance, where Bunuel simulated cutting open a woman's eyeball, in this film a woman actually DOES insert a cow's eyeball into her vagina (whatever THAT is supposed to symbolize). This movie may at times approach the arty sleaziness of Pier Paolo Passolini's notorious film "Salo", but I haven't personally seen that. Of the movies, I HAVE seen it reminded me of "Viva la Muerte" with its use of often grotesque animal imagery, and "The Highest of Skies" with it's combination of religious iconography and extreme scenes of sexual/bodily degradation.The main character is one of those weird European Communist/modern artist types (Stalin, of course,being a great appreciator of modern art). He has a wife who is very much and very dangerously insane (she drinks out of the toilet and at one point tries to cut off the nipples of her nurse/maid), yet he leaves her untreated perhaps as part of some "art" project (there are shades here similar to Lars von Trier's more recent art-house outrage "Antichrist"). Meanwhile, there is some kind of religious festival taking place in the local town. The younger townspeople are using the occasion for a drunken, naked bacchanal the saints would probably not approve of. The virginal teenage boys are doing their damnedest to get in the panties of the virginal teenage girls. A lonely young butcher gets so turned on staring at the breasts and asses of the local girls that he has to go graphically hump a side of beef. A bunch of younger kids are wandering around engaging in street fights. A prepubescent boy meets a slightly older pubescent boy who has been injured in a street fight, and takes the injured youth to the villa of the artist and the insane woman. Eventually, we learn why it is NOT a good idea to perform analingus (look that up in a dictionary if you need to)on an insane woman while her weirdo artist husband watches (not that most people WOULD do that. . .) This movie does get pretty outrageous, but it is well made and definitely worth seeing if you're not too easily offended. I'm not exactly sure the point of all this religious imagery, animal imagery, and general human debauchery and degradation, but it's definitely all presented in an interesting manner. And it's definitely not boring.

"L'uomo, la donna e la bestia" is what one could call an avant-garde film - it has something of Pasolini and of the Buñuel of "Un chien andalou".The film begins in black and white. A man is watching a gravestone. On the gravestone there's a photo - it's his own photo. We see some images in black and white. An image of a woman. B&w turns into colors. The woman moves.The man who was staring at the gravestone is a communist in crisis (but he's not a wife-beater as another reviewer wrote). He doesn't know anymore if his ideology has any use or reality at all. What is truth? But he still hangs on to his icons: photos of Lenin, the hammer & sickle etc.. His wife is a mentally disturbed woman that can be sometimes very aggressive.We are in a small town in Italy. People are preparing themselves for the feast for the town's patron saint. The film feels natural: Little boys running around selling drawings of saints. The priest organizing the procession. Boys meeting girls at the town's main square etc... You don't feel that you're watching a film. I had almost the feeling of being there.There are many other characters in the film: There's a butcher that gets his sexual kicks with the big chunks of meat hanging in the freezer.There's a rude countryman, good at dealing with cows and in killing chickens, but very unsubtle when it comes to dealing with his own wife, and she's already fed up with being treated as a domestic slave and sexual object.There's the girl who had an affair with her own father and now... well, she's carrying his baby.There's the town's whore. She's young and pretty and seems in fact much more a hippie than a hooker.There's the priest who organizes processions and stages rituals. He seems happy enough in his life.And finally there's a mysterious drifter. He is the harbinger of change."L'uomo, la donna e la bestia" resembles an acid trip. The butcher's dreams, those of the countryman's wife and others... and reality mix, and the feast, the fun park, the people dancing to a band, the multicolored lights blinking, pulsating, the strange soundtrack... make for an hallucinating audiovisual trip. There are many ways to interpret this film, not the least of them the political/religious view, but my piece of advice is that you just let yourself flow with the images and sounds.If I were to classify this film in few words, I would say that "L'uomo, la donna e la bestia" is a sexual/political/existential film. It's a typical product of the 70s. I doubt that a film like this could be made nowadays.

I was lucky enough to stumble upon this masterful work of pure genius from director 'Alberto Cavallone' and I must say I was in for a visual pleasure ride, the likes of which I was pleasantly surprised. I must admit, the version i saw was the 'italian-uncut-print, and so was able to sit back, and be completely mesmerized by the amount of artistic blasphemy that was presented for my viewing pleasure.Words that come to mind are, twisted,irrelevant,surreal, yet.....normal..to be blunt!......i'm still stumble'in about...muttering to my self...more.....MORE....yes..M....O......R.......E!........JUST DO YOURSELF ONE FAVOR, SEE THIS MOVIE AT ALL COST'S.................and...........heh,heh...exactly! P.s.-IVE ALSO SEEN ANOTHER OF his movies, 'BLUE MOVIE',another one to see..if...you...can.......find it!