Too much of everything

For having a relatively low budget, the film's style and overall art direction are immensely impressive.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Liu Chia-Liang or Lau Kar-Leung learned martial arts from his father who was a student of Lam Sai-Wing who was the number one student of Wong Fei-Hung. He learned fight choreography on the set of the early Wong Fei Hung movies starring Kwan Tak-Hing. I consider him to be the greatest man in the history of martial arts movies and dub him the Grandmaster. A perfect martial arts movie is composed of these elements – real martial arts, Chinese opera, puppetry and storytelling. More specifically, those are the elements essential to a perfect fight sequence. First element is real martial arts. This is obvious because the fight has to appear to be real. The individual moves have to actually work. However, the fight cannot be too real. Real fights are all the same and pretty much boring to watch. First the fighters throw a few moves from distance to close, then they fight in a clench, then they go to the ground. The audience gets bored starting at the clench.Chinese opera keeps the fight from becoming boring. It adds an element of acrobatics that serves to keep the fight at a distance and thereby avoids the clench. Even if fighting close the action can keep going and even on the ground the elements of Chinese opera keep the fight interesting to watch instead of looking at two guys rolling around on the ground until they get tired.China is also famous for puppetry. This element added the wire work to the fights. The actors could do gravity defying acrobatics and even the props could be controlled to follow specific paths of action. The last element is storytelling and there is nothing specifically Chinese about it. In a good fight the viewer should be able to tell why these people are fighting and the story should be advanced by the fight. John Kreng calls this the art of non-verbal dialogue. This element is the most difficult and is often missed altogether but the greats like Liu Chia-Liang made some of the best movie ever by adding this element. I consider these the Grandmaster's greatest movies, in chronological order: "Challenge of the Masters", "Executioners from Shaolin", "Heroes of the East", "The 36th Chamber of Shaolin", "Dirty Ho", "My Young Auntie", and "Legendary Weapons of China". I consider "Legendary Weapons of China" the greatest martial arts movie ever made and have reviewed it and rated it a perfect 10. I am often asked "What was the best fight scene ever?" This question is really impossible to answer. It is totally subjective and how does one even define the qualities that make the best fight scene ever? Recently I began a project of watching every martial arts movie ever made in chronological order. I came to one conclusion from that effort. I believe absolutely that on May 7, 1976 (the release date of "Challenge of the Masters") the best fight scene ever filmed as of that day was the fight scene in that movie with Lia Chiu-Liang against his brother Lau Kar-Wing. The runner–up would be his fight against Gordon Liu in the same movie. Since then there are thousands of possible best fight scenes. Where does "Mad Monkey Kung Fu" take its place in all this greatness? Off the list. It opens with Uncle Chan's downfall due to his character flaw of drinking. The circumstances are contrived and unbelievable yet presented as good entertainment so despite the stretch of believability it all works. The action for the first 48 minutes is minimal and the sequences short. Hsiao Ho gets on the ropes in the training sequence and kicks it up a notch. Greatness begins at about 1:02 minutes with the comedy fight against the protection gang and continues to the brothel. Another contrived and cliché scene this time involving eavesdropping) ties up the plot. The final fight is back at the brothel and runs about ten minutes. It is really good yet many fight scenes in many movies were really good. I like this movie and recommend it for anyone. Critically, though, it does not make the list of the Grandmaster's best movies.

I love the movie. It is actually, my favorite Kung Fu movie and Hsiao Hou is my favorite Kung Fu star. Now, I prefer to watch these movies with sub-titles. The British actor voicing little monkey's character, and the one voicing for Ah Choi's sounded ridiculous and were difficult to understand sometimes because the audio would become very low. This doesn't help because they sound so horribly whiny. I think these bad voice over actors do an injustice to the actors on screen. Should have used American voice over. My copy did not have subtitles.Despite this, I was still able to enjoy the performances by all...Lau Kar Leung, Hsiao Hou as well as the supporting cast. Some will not like the comedic facial expressions by Hsiao Hou, but all of it is to make him look and behave like a monkey. The story begins with Chan (Lau Kar Leung) whose hands are crippled by thugs after he is falsely accused of rape... a trick staged by a local gang boss who hopes to claim Chan's sister (Kara Hui) as his concubine. He ultimately succeeds when she sacrifices herself in order to spare her brother's life.Many years later, Chan is a street merchant with a monkey show. His hands are crippled as a result of the beating given to him after the "rape" charge. He is also bullied by local thugs who works for the big boss. He meets an orphan who calls himself little Monkey. Little Monkey takes pity on Chan and befriends him. They become roommates, and ultimately work together after Chan's real monkey is killed by thugs when he refuses to give them the money they want.Little Monkey looks (check out the haircut) and acts like a real monkey so he fits the show perfectly. But Little Monkey is tired of being shaken down by the thugs and wants to do something about it. He tries to fight them, but is badly beaten. Chan agrees to teach him the Monkey style, and so the epic training sequences begin and for me, that makes the movie. Little Monkey is eager to get back at the thugs, and leaves his training early. He's learned everything about the Monkey style except its most crucial skill, which is HITTING your opponent. He leaves training early, against the wishes of Chan, his sifu. Little Monkey challenges and and humiliates the gang in a hilarious fight. They finally take him to meet their boss, Ah Choi, who is also beaten and humiliated by Monkey. Then finally, the big boss appears and Little Monkey is badly defeated and saved by Chan's sister, who is injured in the fight. He also learns about the trick and the false rape charge.Little Monkey tells Chan about the trick. Chan agrees that Little Monkey must complete his training first. The results are awesome. They go back to rescue the sister and things happen. I won't spoil the ending but it's pretty cool.Some of the best, if not THE best, acrobatics in a Kung Fu movie are displayed by Hsiao Hou and that was also very enjoyable for me. Even the smaller gestures, jumps, and flips seem so natural, it's like watching a fish in water.Mad Monkey Kung Fu is your standard Kung Fu movie. An underdog learns Fung Fu to avenge his master. But in the end... so few movie are done as well.

I generally dislike comedy in my kung fu, and prefer straight up revenge tales. Mad Monkey Kung Fu, strangely enough, combines both, but ultimately is more comedic than I would like.That's not to say Chia-Liang Liu's direction isn't as good as ever, his choreographies mind-blowing and the kung fu on display impressive. My only gripe with the film, and the reason I largely didn't enjoy it, is that everything is utterly silly. I guess the monkey style kung fu is inherently silly, in and off itself, but Little Monkey's fights with Lo Lieh's thugs are more circus fare, complete with grimaces and silly quirks, than straight up kung fu.What I DID like where the training scenes, where Master Chan trains Little Monkey (played over the top, and given his role, right on the money, by Hou Hsiao) in the ways of the monkey fu, . It's still very much played for laughs but pleasantly so.Anyways, overall good performances by Hsiao, Lo Lieh and the foxy Kara Hiu (unfortunately in a short role), great choreographies as usual by Chia-Liang Liu, but too light-hearted for my tastes.

As a Bagua/Hsing-i instructor for over 20 years, I have witnessed many different levels of kung-fu expertise. 'Mad Monkey' is the best demonstration of footwork and kung-fu mastery that has ever been put on celluloid. Lui Liang's choreography and acting are first rate. As a viewer make sure to pay close attention to the demonstration of monkey style vs. all other 'hard' styles. In this demo., Liang shows how any martial artist should strive to become more and more loose/relaxed during a fight vs. what we are normally shown, which is the hero flexing his muscles and locking out into stiff poses for the camera. The story is gripping and the kung-fu is top notch, this is truly a martial masterpiece!