Excellent but underrated film

Best movie ever!

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

By the time the dramatic fireworks start popping off, each one feels earned.

In 2018, downtown Detroit becomes a walled in city...by a four foot wall. The Mayor wants to move the people out and build a place for rich people. Meanwhile Lino (David Belle) in a subplot is thwarting drug dealers as a vigilante. Detective Collier (Paul Walker) is also fighting against the bad guys downtown, while other cops are on the take.Lino's ex-gf (Catalina Denis) gets kidnapped by the bad guys who also jack a vehicle with a suitcase neutron bomb now on a countdown. Collier has to go get the bomb that just happened to be strolling around the walled in city in a vehicle, something he is not smart enough to question until someone points it out to him how odd is the state of events.The plot was all over the place and uneven. It appears Walker's dad was killed and he was looking for the culprit, but not that hard. David Belle had the best fight moves highlighted early on...i.e urban acrobatics. There was also a grindhouse cat fight. It is hard to imagine this botched screenplay was done by the same guy who did quality work like "Fifth Element" and "Transporter."And you can't help but notice that in this film Paul Walker crashes his vehicle at 80-90+ mph and survives because he wore a seat belt.Action with no substance. Appears to be overrated by Paul Walker fans moved by his untimely death.Parental Guide: F-bomb. No sex or nudity.

I just don't get why people don't like this movie. It's just so awesome that it feels bratty for someone to say it doesn't have a story when it most certainly has an epic one. Like I just mentioned the story here is great with an awesome twist at the end. Epic action scenes are what this movie has to offer. Watching David Belle do some epic parkour is worth your time and the Paul Walker/ David Belle interactions are good. Sure there's not that much else then an epic storyline and some awesome action scenes but when they're executed well there's nothing to complain about. A great heart warming ending ends the movie well. I would recommend Brick Mansions to people who are capable of giving it a chance.

Detroit detective Damien Collier (Paul Walker) is sent in to infiltrate a notorious gang led by Tremaine Alexander (RZA). Alexander's gang have stolen a nuclear warhead and intend to use it against those that are living 'outside' of Brick Mansions. Collier is assisted in this mission by ex-convict Lino (David Belle). However, their mission becomes more difficult when Lino's ex-girlfriend Lola (Catalina Denis) ends up being kidnapped by the gang. The two men (who initially don't get along) find that they have to work together to not only rescue Lola, but also to rescue an entire city as well.The problems begin with this film pretty much from the start and the first issue is unoriginality; the start of the film felt like a rip-off of Robocop - the fact that the setting of this film is Detroit (the same setting as Robocop) makes matters worse - it's one thing stealing an idea, but then to have the audacity to use the same city as the setting??. Hmmmm..... very dodgy. It then has a 'haves' vs 'have nots' theme between those in Brick Mansions and those that are 'outside' Brick Mansions. Suffice it to say that this one sentence sums up this concept as it is given no real focus or development. It perhaps would have been slightly better if this aspect had been developed more and probably would have made the film slightly more interesting and much less derivative.The laziness in the storytelling continues as we see Collier saddled with an ex-con as a partner whom he doesn't get along with which is something that we saw 30 years ago in 48 Hours. The scene where Collier fights a load of heavies whilst he's got a steering wheel handcuffed to his hand is something that was done by Jackie Chan in one of the Rush Hour films (I think it was the first one). Now I'll be honest I don't mind unoriginality per se, but if your material is unoriginal then at least try to make sure that your characters have some chemistry, make the action sequences either exciting or tongue in cheek. All these things are lacking here and what you get here for the most part are one-dimensional characters and a dull and lifeless script. This could have worked as a very basic 'buddy-buddy' film, but as mentioned the chemistry is so weak between Belle and Walker that even this basic need isn't fulfilled. The story is also weak, clichéd and not particularly interesting and the lame twist at the end is unlikely to fool anyone. This is a shame because storytelling used to be one of Besson's strengths so I'm at a loss as to what has gone wrong here.The closing credits inform us that this is a French-Canadian production and it's easy to see France's input in this film; parkour (which is a French invention) seems to be promoted heavily in this film, but then again I believe the original version of this film was set in France so perhaps the French are just trying to promote parkour more in the US. Even the action sequences (which could have been the film's strength) fail to excite or do anything we haven't seen before. This film is directed by Camille Delamarre, but he offers the same frantic directional style coupled with slow-motion framing styles that we've seen from Besson in some of his previous directional efforts. It made me wonder if Delamarre had taken some advice from Besson on how to frame the shots. The direction here isn't horrendous, but it's a little too familiar and is starting to look a bit old hat now. Luc Besson has been responsible for many films that I have enjoyed (he wrote the screenplay for Leon and Taken which are two of my favourite films), but he seems to have lost his way lately by churning out this derivative fluff and recently he also released a film called Lucy which was another rather mediocre offering. Even action fans looking for the most basic requirements in a film are going to be disappointed by this rather weak offering from Besson.

On my evening to myself, I thought I would watch Paul Walker's last film. I though, "Hey, it will probably be decent." I couldn't have been more wrong.This movie is awful. It's hard for me to concentrate and pinpoint which element is the worst over the feeling of how abhorrent it is. I'll make it quick because it's hardly worth my words.Collier is a apparently a bullet deflector. Nothing hits him when he is always dead center in the enemy's sights. So annoying.The car scenes were so shoddy, showing the speedometer registering at 80MPH when it's clear to see the vehicle is really going about 30. At one point Collier and the french guy crash into a red Jeep Cherokee going 80 and the van doesn't crunch an inch. Oh, and in the beginning when Collier crashes the Greek's car into the barrier (also going 80) he seems fine and dandy and the airbag didn't even go off. Tremayne's character is completely inconsistent, being such a stereotypical drug bully the entire movie until the end, where he has a sudden moral mid-life crisis and decides to run for mayor. Not to mention his acting is terrible, along with everyone else in this shipwreck. The acting is so flat I was bored out of my mind. The girlie fight scenes were just an excuse to get a lot of up-skirt camera shots with a side of bouncy cleavage.The story is drier than the Sahara, being a ho-hum revenge line with no morals ending in a turnaround propaganda-like, stick-it-to-the- man, power-to-the-people warm and fuzzy as Paul Walker drives through the streets waving to his thug buddies and blowing kisses to the schoolkids. The ONLY semblance of a redeeming factor was the parkour. Too bad it was ruined by cheesy side-by-side backflips and excessive use of slow-mo. Any director who uses slow-mo more than twice in a movie is immediately discredited in my book. Well look at that, I've spent twice as many words as I wanted to. This movie is trash; don't waste the electricity.