Boring, over-political, tech fuzed mess

it is the rare 'crazy' movie that actually has something to say.

It's one of the most original films you'll likely see all year, which, depending on your threshold for certifiably crazy storylines, could be a rewarding experience or one that frustrates you.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

"Lost in the Sun" is a small independent film that itself gets a little lost on the way, but you can enjoy the ride because of the terrific acting from Josh Duhamel (Leo from "All My Children", Major Lennox from "Transformers"), Josh Wiggins ("Max"), Lynn Collins ("Wolverine"), and Emma Fuhrmann ("Blended"). It's a non-traditional road show and it delivers a fascinating look at the back roads of Texas and the meager life of a small time crook with a good heart but little else.We are all looking for a place that feels like home and people to share it with. For most it isn't a cottage with a white fence and two dogs, and we make the best along the way. Sometimes the search is in vain and sometimes we can get back home, but we can get lost in the sun along the way.

Lost in the Sun is about family, and the discovery that families differ from person to person. Not every family turns out to have strong bonds, and from time to time, we can downright despise them at times. Lost in the sun centers on a young boy who has lost those bonds and a trip that brings his life into focus.It's a fairly dramatic story. A young boy loses his mother, and has to travel across the country to live with his grandparents, whom he's never met before. Along comes drifter and lowlife John (Josh Duhmal), who offers to take this young man to his destination. Against his better judgment he hops into the car with this stranger, and begins a journey of self-discovery.I didn't think it was a copied story. There was a lot of interesting and heartfelt moments. The plot line delivers a lot of teary moments, and as you travel through the country with them, their bond becomes stronger, as does yours with the characters. It was an interesting story too, as each reveal brings you closer and closer to their destination, and it's inevitable end. The thing I did notice is how similar the story was to the movie "Road to Perdition." If you've seen that film, you'll know it's not EXACTLY the same story, but remarkably close in many points. The lost boy, the father figure, the journey they take together across the country. Many of the same elements and emotional moments were in both films.Overall, it's a decent movie. Better than I thought it would be and I found myself pretty drawn in to the story. It's sad, but in a good way.5/10

I sort of stumbled across this film, and thought yeah it has got an OK cast, the ratings on IMDb (specially the amount of 1 votes) were sort of on the low side, but glad I gave it a go.It has a very simple story line that guides you along from the minute it starts, and I really got caught up in it, the music was partly to blame, but it was filmed with a feeling most high end Hollywood products would kill for.Great performance by the whole cast, especially the kid, and seeing it has a low score of 6 on IMDb, I gave it a 10 as it deserves a way better rating than it has. If you like a film that gives you that chill kind of feeling, with out blood and guts purely because of the great acting and simple but very effective story, than you will love this film!10 out of 10

Except for the gun propping up the story, good - very good - in a European film melancholy joie de vivre, Francois Truffaut, or "Paris, Texas," kind of way. I'm reviewing it because it's quite good. If I'm still remembering it the next day, it was noteworthy. That's in no small measure a credit to excellent photography by Robert Barocci. I'll just say, the story could easily have been written without a gun - 'cuz that's my soapbox. Guns in films are so prevalent, there should be an Oscar for the guns.The character played by Josh Duhamel isn't very deep, and is kind of an unredeemable punk, but that's the way the character was supposed to be played. Josh Wiggens is excellent in his role as the orphaned boy. The pair are a credible duo. I never thought for a second that the characters were Hollywood contrivances. A lot of critics thought the characters and story were too thin to carry a full-length feature. I disagree. It's a wretched tendency that U.S. filmmakers have of tending toward clobbering audiences with action or sentiment. The characters unfold in a quiet way through their gestures and appearances, as in a Cormac McCarthy novel.A great haunting score by Daniel Hart is appropriate for the film and plays an unmistakably powerful role in accenting the drama, but I have to admit I'm a bit weary of the rock strings Godspeed You Black Emperor/Explosions in the Sky copycat genre, not because I don't like it, but because it offends my sensibilities that it's been beaten from overuse into flattened roadkill at the edge of a highway. Nevertheless, it's essential to under-girding this drama.The score's performers got dropped into the post-production credits, I hate to say, because they carried the film through the longer ponderous landscape moments - carried the film more than, say, the hair artists. I looked them up, 'cuz that's how I rolls: Shawna Hamilton (cello), Borak Loftipour (percussion), Veronica Gan (violin), Maria Demus (violin), Annika Donnen (violin). These all seem to be musicians trying to get their footing in the business - all in Texas, I think - maybe Denton.http://www.imdb.com/title/tt3593046/