Very very predictable, including the post credit scene !!!

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Violette (Julie Delpy) is a 45 year old modern Parisen high-powered fashion producer. She is divorced with teen son Eloi nicknamed Lolo. She can't find a good man anywhere and has given up. Her flirtatious friend Ariane pulls her into a spa vacation in the country. They meet up a couple of guys and she starts dating naive nice guy Jean-René Graves. He's also divorced with a child and little experience in dating. Outwardly, Lolo is chummy with JR but secretly, he's working to sabotage the relationship.Anything with Delpy is elevated by her presence. She needs a charismatic lead to be her opposite. The character may be bland but the actor shouldn't be. Lolo's evil ways are funny at first but the ending turns too dark. As the director, Delpy needs to maintain the tone better than that. Lolo becomes less comedic and more psycho. This has Delpy and a little fun but not that great.

I liked the freshness of this film. The actors' game is adapted And rather successful: Dany Boon and Julie Delpy are all very pleasant And sympathetic, while Vincent Lacoste still plays The role of the unbearable boy. Good little comedy that begins.The idea of ​​departure is interesting: the bobo that takes of love for A "provincial" in Biarritz, it does not matter if he is not a member of Social circle. However, I found the end disappointing: he Can not succeed modestly in the province, we find it rich Computer engineer at the city ... Bof, we will go back for an analysis and Interesting conclusion, far from the usual stereotypes about the search for happiness.

I admit it: I am a Julie Delpy fan. I think she's a genius. This movie proves it.The movie begins with a Julie-Delpy-like barrage of witty talk. (Much like Woody Allen.) Throw in a tuna fish, and you've got a good introduction to what's coming.Throughout the movie she throws in little mini-jokes: some verbal, some visual. If you blink, you missed one. For me, they're the best part of the movie. And for me, this is where she shows her genius: it's relatively easy to come up with some extended routine--lots of movie do that. But to see the latent humor in an everyday action and to make you laugh with a word, a gesture, or an expression, that's amazing and rare.I'm not sure that we need to look for involved psychological analysis here. There may be an opinion about the younger generation, or children, but that's not what this is about. It's about love, and how to find and keep it. And along the way, yes, it's extreme. If it weren't, it would be boring. This is anything but boring.And unlike many movies lately, it has an ending. Extra points for that.

Greetings again from the darkness. The old saying "opposites attract" is on full display in director and co-writer Julie Delpy's latest, as she offers up a twist on the French farce by adding a dark undercurrent. Additionally, the film addresses the personal and societal challenges facing women in their 40's who are successful in their career, and who also hold out hope for finding true love.Ms. Delpy also stars as Violette, a germaphobe divorcée who works in the fashion industry in Paris. The film opens as Violette and her best friend Ariane (Karen Viard) are deep into girl-chat while hanging out at a spa … each annoyed that they are without a soul mate that would complete their lives (or at least fill the sexual void).After dumping a freshly caught tuna in Violette's lap (as they meet for the first time), and then informing her that he understands she's not his type … you know, since she is a lesbian (which she is not) … Jean-Rene (Dany Boon) re-groups and begins charming her with his grounded and simple nature. These two form a cute, but odd couple of opposites and seem to very much enjoy each other's company.Things start to get confusing for the couple when her 19 year old son Lolo (Vincent Lacoste) begins his (initially) subtle clandestine activities designed to break up the couple. Soon enough we realize this wannabe artist goes well beyond typical passive-aggressive activities, and straight into full-on psychotic mode with Oedipal tendencies. His psychological warfare against Jean-Rene slowly builds from childish antics, to deceitful and devilish scheming, to downright criminal … all with a sense of black comedy for us viewers (can't say the same for Jean-Rene).Other movies such as "Cyrus" and "We Need to Talk about Kevin" have dealt with the mother-son relationships ranging from creepy to dangerous, but Delpy's movie always hits us with a dose of laughter when it's needed. The use of the movie classic "Village of the Damned" (1960) is especially spot on as Violette and Jean-Rene continue to plug away as a couple … even when it's obvious to us that 3 is too many for a healthy relationship – especially when one could be a reincarnation of Damien from "The Omen". The perfect ending reminds us that no one beats the French when it comes to a farce; even when the darkness is sprinkled on a bit heavier than usual.