Very well executed

This movie is the proof that the world is becoming a sick and dumb place

Excellent, Without a doubt!!

A Major Disappointment

Firefighting films was probably one of the most popular early film genres of the silent era. This is understandable; audiences were normally treated, when this film was made, to short snippets of everyday life: babies being fed, dancers performing, etc. This film is far, far from being the first of these firefighting films (years before, in 1896, Edison made many different films that were static shots of firemen racing to the rescue, and several fire rescue scenes) but this is one of the very first films to actually make a story out of it. Unlike Edison's previous static scenes of fire rescues, this film has multiple shots; nine in all, and manages to tell an exciting story at the same time that can be easily followed.While Edwin S. Porter made some ground-breaking steps in the making of this film, it cannot be denied that the film is a remake actually of James Williamson's "Fire!" drama from 1901. Two years earlier, that film was much simpler: instead of nine shots there are four; the film is shorter with a running time of five minutes instead of seven; the pace itself is faster. Porter's remake is much more elaborate and expanded on Williamson's ideas. The film begins with a postman (I think it's a postman) dreaming about the fire starting through the use of a matte shot. He sounds the alarm, and the firemen come and save the mother and child. It's a pretty simple story but the way it's told is more important. Yes, it is sometimes a drag; I find watching it with music makes it much more enjoyable. While there isn't much to it, it was one of the most well-known movies of its era, and thus is a must-see for silent film buffs.

. . . as opposed to the grand documentary suggested by the Edison title. I've seen many bits and pieces from this 6 minute, 45.28 second crazy quilt in other Edison shorts from the previous decade (some from possibly ACTUAL fire runs with REAL firemen!). The long ending sequence at the prop house with smoke machines and histrionic actors was especially familiar to Edison peep show viewers who were repeat dupes--I mean, customers. If you watch this mish-mash closely, it makes little sense. The part I find most ludicrous is the lingering shot of the alarm being sounded by someone pulling the lever inside a fire box. This alarm box is located on a city sidewalk, and the fire turns out to be in the suburbs at a frame house five or ten miles away! Presumably, old Tom's entertainment empire henchmen thought so little of their viewers' intelligence that they would assume a passerby could see a fire, saunter for an hour or two till reaching the big city call box, pull the alarm, wait for three different convoys of fire vehicles to reach the country, arriving just as the lady of the house (who has apparently been stumbling around in the smoke FOR 3 HOURS!) finally collapses onto a conveniently placed bed. I've heard of the suspension of disbelief, but Thomas Edison figured his suspenders reached to the moon!

Director Edwin S. Porter ignites things early in Life of an American Fireman with little let up in this 1903 display of narrative filmmaking. Porter literally juxtaposes (early split screen) exposition before sounding the alarm for the smoke eaters to jump into action. After some firehouse mobilization we are treated to a stunning parade of galloping fire engines in what looks to be a twelve alarm fire. Arriving at the fire (actually more smoke) engulfed home the firemen battle their way into the house to save woman and child. Fireman has all the visual and circumstantial elements of suspense and action. It is the Towering Inferno of its day filled with human drama and in the balance moments. Porter's action is both non-stop and engrossing and if he needed any indication that this stuff had a future for making money he need look no further to the crowd quickly multiplying to watch the racing fire chariots in a top rate action film from this early period of film.

THE LIFE OF AN AMERICAN FIREMAN is one of the earliest narrative films. It was made in 1903 by Edwin S. Porter. The extremely short film tells of the life of an American fireman. In the finale, he races to save a girl from a burning building.Arthur White stars as the fireman. The film is very fascinating, as it gives a look at a bygone era. It is fascinating to see horse-drawn fire trucks. And this was just at the beginning of the 20th Century!