This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The first must-see film of the year.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Night of Fear and Inn of the Damned are two of Australia's first horror films. Their director, Terry Bourke, would go on to create this film, a quasi-slasher stalker film that's packed with plenty of weirdness.Gordon Mason is a handyman that's obsessed with Marie Coleby, a young singer who treats everyone around her with snarling contempt. The film starts with what seems like him taking care of her needs, but he really just has a blow up doll that he pretends is her. She treats everyone around her like garbage, but Mason demands an apology from her, unlike everyone else. Later, he spies on her being tied up by a boyfriend.Later that day, he breaks into her apartment, continually plays one of her songs and rapes her, thinking that it's what she wants from what he watched before. Oh yeah - this dude also spends much of the film wandering around in mirrored shades, wearing a speedo and showing off one hell of a porn mustache.After all that, she ends up biting Mason, so he holds her upside down and drowns her in a fish tank. Welcome to Australian film!Mason gets caught by a neighbor, so he kills the man and his dog, too. But the killer had no idea that Marie's sister, Jenny, is coming to visit. She instantly finds Marie's jewels in the fish tank and the neighbor's dead dog. Soon, Mason has transferred his stalkerly affection to her and only two policemen (the younger one being Roger Ward from Mad Max and Turkey Shoot) can save her.What follows are the kind of antics that set Australian films apart: cops being set on fire, dead bodies being hidden in sheds, people being shot over and over, cops trying to drown their suspects and so much more.This film didn't come out in the US until 1986 and has never been released on DVD or Blu-Ray in this country. Is it worth a release? There have certainly been worse films put out. It's cheesy and not a little ridiculous, but it ends up being pretty tense by the end.

Mind tipped Handyman, Hayward who gets treated look one of his tools, by a successful bitchy model- Coulls from The Restless Years finally snaps, raping and killing her. A lot of us guys have been there too. How the film got this title, I'm buggered if I know. Coulls's character would chafe a lot of guys. Hayward, playing the reverse of his in control and sexually alluring character norms, is almost a childlike character, here, ill treated by Coulls, not even being allowed to come into her house. When verbally striking back, telling her what it feels like to be one of her tools, she just abusing him more, as if what he said, went in one ear and out the other. Prior to Coulls getting it, when entrapped in the house I liked, as well as seeing her nude. It was great here to really see Hayward, return forth, his own brand of retribution towards her, that is funny in part too. But our disturbed Chard had developed a sexual fascination for her, an obsession, that has eventually led to her demise. He so much obsesses with her, he replaces her with a mannequin at the start. Hysterical, especially played against a mellow soundtrack I liked. Getting rid of Coulls's body is only the start of his problems. Big sister is in town for a visit, so Chard must play the part of the stable minded handyman, where other complications develop, the biggest, when the cops finally arrive on the scene where it's a standoff between them and Hayward. The sister, out of harms way at this stage, even insults the cop, as not taken psycho Hayward, as seriously as he should. This is a good situation plotted movie just like Bourke's "Brothers", with some sick violence, but it's a good watch, one reason for Coulls's over the top acting, where in contrast, this is one of Hayward's best performances.

Pretty singer/actress Marie Coleby has a charmed,affluent life in Sydney.She lives alone in a beach-side mansion with her dog and doting neighbour,old Billy Shepherd helps her out from time to time.The bearded Gordon Mason is her gardener.He is a psycho,who enjoys lying in bed with a mannequin and dreaming about torturing women on the beach.His obsession with Marie leads to rape and murder.A new resident enters the house of murder.Marie's older sister Jenny Nolan is looking for her..."Lady Stay Dead" is a sleazy psycho slasher comparable to "Maniac","Don't Go in the House","Never Pick Up a Stranger" or "American Nightmatre".There is plenty of sleaze and full-frontal nudity as well as some brutal violence.Chard Hayward is perfect as a appropriately perverted and crazed murderer.8 out of 10.I enjoyed this low-budget slice of sleaze.

I was warned from beforehand that the first half hour of "Lady Stay Dead" would be quite dull and derivative, but I can't say I fully agree with that. True, the concept of misogynistic violence was quite popular around that time, but this film definitely does bath in a strangely uncomfortable and sinister ambiance right from the beginning. There's a creepy guy, with beard and glasses, fondling a life-size mannequin doll to the tunes of a song by his favorite singer/actress Sheena. That's slightly disturbing, to say the least, especially if you know that this same freak is employed by Sheena (who's real name is Marie Coleby) as her gardener and handyman around the house. He – Gordon the pervert, as I'll refer to him as from now – secretly peeps at Marie when she's working out on the beach. He actually digs little holes in the sand to … you know … masturbate! Yeah, Gordon the pervert is quite the sicko! But then Marie yells at him quite mean and Gordon the pervert snaps. He viciously rapes her and barbarically drowns the poor girl by holding her upside down in the fish tank. All this stuff occurs during the first half hour, so how can you even think for one second that "Lady Stay Dead" is a boring film? After his little moment of temporary insanity, Gordon the pervert has to get rid of Marie's body – as well as those of the noisy neighbor and his dog – on the exact same day that her sister Jenny planned to pay an unannounced visit. Only around this time slot, there's a slight dip of boredom in "Lady Stay Dead", as it takes a little too long before Jenny realizes something isn't right around the house, but the pacing automatically repairs itself for a virulent and exciting finale. Jenny eventually locks herself inside the house with Gordon the psycho pervert trying to get in by using all of his gardening tools. "Lady Stay Dead" is a raw and mean-spirited early 80's Aussie shocker with a similar set-up like the American exploitation hits "Maniac" and "Don't Answer the Phone". Basically, these are all very sick thrillers with misogynist killers that are introduced straight from the beginning and containing explicit footage of violence against women. The body count in this film is relatively low, but Gordon the pervert insists on exhibiting the bodies of his victims in various macabre positions. That's quite disturbed enough already, I'd say.Interesting trivia detail for horror buffs: "Lady Stay Dead" comes from writer/director Terry Bourke, almost ten years after he made what is generally considered to be the very first Australian horror movie "Night of Fear".