Street Trash
Street Trash
NR | 16 September 1987 (USA)
Street Trash Trailers

A group of hobos begin melting into multicolored piles of goo after drinking sixty-year-old liquor. At the same time, the psychotic Vietnam War vet who rules the hobo camp snaps and begins killing at random. Two brothers set out to stop the liquor and the killer.

Reviews
Thehibikiew

Not even bad in a good way

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Dirtylogy

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Lucia Ayala

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Varg Vikernes (tchort-86377)

Street Trash is the 1987 cult classic directed by future Hollywood lumni Jim Muro, look up his credits and you will find he is a talanted bloke. The film's premise is that greedy liquor store owner Ed is rummaging in his shops basement when he discovers a case of Tenafly Viper. Ed promptly racks the fortified wine on his counter at a price of $1 per bottle. Ed's clientele's actually quite shabby, consisting of... well Street Trash. The caveat being that the Viper has gone toxic, anybody who drinks it melts from inside out. As the Viper hits the street it's only a matter of time before the homeless bums will be literally flushed down the toilet. Who will be left unmelted after last call? Among those in line for a drink are Freddy and his brother who live in a junkyard owned by the horny Mr Schnizer, or will it be Bronson and his minion Wizzy and their ragtag group of deviants who terrorise the junkyard? The cinematography is a real standout in this film, there are some clever 360 spinning camera moves and the shot composition is very nice to behold. Street Trash is a very colourful film and you will really appreciate the detail and great locations on display. The melt scenes are all colour coded to each person which is an unique touch. My best friend and I have watched this movie at least 30 times over the last 20years and we still enjoy its humorous and often unintentionally funny lines delivered by the cast. Speaking of cast there are some pretty obscure actors along side legends like Tony Darrow from Goodfellas and Sopranos as well as the 80s wunderkind James Lorenz from Frankenhooker fame. Street Trash is worthy of the highest acclaim, this is one entertaining film that is best enjoyed with your friends and Vodka. Heck! It's worth 10 stars just for the Cop Bill's lines alone.

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Woodyanders

Two derelict brothers struggle to survive in an automobile junkyard that's ruled by dangerously deranged Vietnam veteran Bronson (fiercely played with fearsome intensity by Vic Noto). In addition, a batch of toxic hooch causes anyone unfortunate enough to drink it to melt into hideous gooey puddles.Director Jim Muro makes great use of the grimy junkyard main location, maintains a blithely sordid and warped tone throughout, and pulls out the show-stopping stops for several spectacularly messy and revolting over-the-top gore set pieces. Better still, Muro and screenwriter Roy Frumkes obdurately refuse to sentimentalize the homeless characters who populate this movie; these bums for the most part are quite vile, mean, and despicable. The uncompromising pitch-black humor pulls zero punches: We've got uproariously ultra-offensive jokes about rape, shoplifting, and necrophilia as well as an unforgettable sequence involving a game of toss with a severed penis. Moreover, it's acted with considerable zest by an enthusiastic cast: Jane Arakawa adds plenty of spunk as the feisty Wendy, Bill Chepil cuts a formidable figure as brutish cop Bill, Pat Ryan contributes a hilarious turn as irate junkyard owner Frank Schnizer, and James Lorinz steals every scene he's in as a smartaleck doorman. David Sterling's fluid and vibrant cinematography boasts loads of neat smooth and sinuous gliding Steadicam shots. A supremely scuzzy treat.

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poexania

First of all...sorry for my bad English Second... i think that the 90% of the so called cult films are not watchable Third this is not an all around review, just the expression of some of my thoughts about Street Trush So now that i made my statements lets cut to the cheese This movie is boring, i wonder how are people make it the whole 100 something minutes it lasts. Imho most of the people just jumped from scene to scene just to watch the silly gore... I admit there are some interesting aspects on the film, like the attempt of a social comment about how hypocritical are modern societies. But if fails due to the un-seriousness of the whole thing, of the stereotypes that it reproduces, and its general conservationism. And i wonder:Is it a comedy? Is it a horror film? Is it a film about the social injustice? Is it a kind of a sick snuff film? All the above?Whatever it is is not funny - Its not smart... its kind of random and i don't thing its creators had in mind -while shooting- of all of the meta-interpretations that the audience thought of- nor they intensively wanted to provoke such interpretations. I mean it was not meant to be the way it was interpreted. Some times this is a good thing - and maybe a part of the definition of cult-but not that time. - It is not scary... It is i admit kind of obscure and make you feel uncomfortable...even wonder if some of the actors are people in their right minds - The film looks like a day inside Donald Trump's mind meaning that it possibly reflect his views on the poor and the unfortunate3/10 because and not 1/10 just because of the obscurity

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Leofwine_draca

STREET TRASH is one of the better known, zero budget B-movies of the 1980s. It has that reputation thanks to a series of incredibly splattery effects scenes in which homeless people melt from the inside out in spectacular displays of multi-coloured goo. Sadly, these excellent effects scenes are absolutely the only thing the film has going for it, and otherwise it's a complete dud.The viewer is forced to sit through endless and unending scenes of sub-par comedy involving various street characters and their machinations. The opening chase scene is high energy but everything else falls flat, particularly the lowbrow attempts at comedy. There doesn't really seem to be much of a script to speak of, and the acting is strictly amateur. Those special effects are grand indeed, but there aren't enough of them to sustain the running time, and like the Australian flick BODY MELT, this is all effects and no substance.

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