Purely Joyful Movie!

Clever, believable, and super fun to watch. It totally has replay value.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This movie feels like it was made purely to piss off people who want good shows

Despite having the great Michael Ironside and the equally great M. Emmet Walsh as brothers (now there is an interesting combination!) this film seems much longer than its 94 minutes with a winding plot concerning photography, revenge, brotherly love and a politician leading to a predictable climax. It is tedious and our hero Max Oliver is dull. This is a shame as he is played by John Pyper-Ferguson who is a decent actor. The script is lame. One kept asking oneself, why doesn't he do that or that or that? It was filmed flatly with boring visuals though the last location scene was set by a very picturesque waterfall, the only interesting looking thing in the film. There probably was a music score but I can't remember any of it so little impression did it make. A forgettable film.

This Canadian movie is a pretty standard early 90's thriller. It's truthfully pretty pedestrian in most ways but it does benefit from the presence of genre legend Michael Ironside and respected character actor M. Emmet Walsh; both of whom play a pair of brothers, whose bad actions get the film's plot underway. The story is essentially about a professional killer who seeks incriminating photographs which are in the possession of a man whose brother he murdered. This leads to all manner of unreasonable behaviour being carried out by out pony-tailed psychopath.This is not a particularly well written film. It is not, for instance, especially clear why the pivotal murder even happens in the first place. And characters continue to act in illogical ways throughout the story. In fairness, it's not the first thriller to succumb to this, so it's hardly a deal breaker. It is a bit lethargic though and really only comes to life when either Ironside or Walsh are on the screen. So, not an awful lot to recommend here but at the same time it does get the job done, it just does it with the minimum effort.

CAUTION: Plot spoilers present.Freelance photographer Max Oliver is mourning the death of his brother Ric, who was also in the photo business. Soon Max finds his life invaded by a mysterious figure who is searching for some negatives that implicate the local senator John Kane engaged in an illicit tryst with a prostitute. As the psychopath – revealed to be Kane's psycho brother Luther – frames him for murder in an attempt to force him to hand over some negatives, Max finds a roll of film in his late brother's motorbike & upon processing it discovers that the negatives not only implicate John Kane for his affair but Luther for secretly killing the hooker & dumping her body into a dam.Killer Image was a cheap Canadian B-thriller made in the early 1990s under the tutelage of producer Pierre David's Image Organization production group. The film stars Michael Ironside as a psychopathic killer whose attempts to procure some incriminating evidence of his involvement in some murders comes unstuck when he messes with the brother of one of his victims.As far as cheap thrillers go, Killer Image is something of a disappointment. The opening scene works well enough although could have needed some exposition in order to let viewers understand what is going on. Afterwards, the film gets stuck with second-rate (& not particularly convincing) thriller mechanics. It is never made clear why Ironside's character murdered the hooker since the senator was planning to marry her & why he is trying to frame the photographer for the murders.On the acting front, the actors give decent performances. Michael Ironside is at his best as the sharp-suited killer although he finds himself unstuck by the poor writing & poor characterisation of his character. M. Emmet Walsh gives the film what little dignity is deserves as the senator brother.

After taking incriminating snaps of adulterous senator John Kane (M. Emmet Walsh) getting frisky with his unlikely bit on the side, photographer Ric Oliver (Paul Austin) witnesses the murder of the poor woman at the hands of Kane's uncontrollable brother Luther (Michael Ironside). Ric's subsequent actions makes one wonder how someone so dumb could even operate a camera: instead of immediately going to the police with the evidence, the lens-man unwisely follows the killer as he dumps the body into a reservoir (in broad daylight!), but is spotted while taking more pictures. Realising that he has been seen, Ric gets onto his motorbike, but rather than speed off in the opposite direction, he races towards the gun-toting murderer, thereby sealing his own fate.This level of idiocy seems to run in the family, for Ric's brother Max displays a similar lack of common sense in most matters, and soon finds himself being blackmailed by Luther, who is keen to get his hands on the late brother's incriminating roll of film (which he had the foresight to hide in his motorbike's fuel tank before getting himself killed). After repeatedly being manipulated with ease by loathsome Luther, who even tricks him into riding a roller-coaster with a dead hooker, Max comes up with an incredibly crap plan to foil the killer. And this being an incredibly crap film, the incredibly crap plan works!3/10 for being so unintentionally moronic that it is occasionally funny; however, not even the presence of the usually brilliant Ironside (who hams it up a treat on this occasion) can make me rate this movie any higher.