Journey to the Seventh Planet
Journey to the Seventh Planet
| 10 March 1962 (USA)
Journey to the Seventh Planet Trailers

A space expedition to Uranus is menaced by a giant brain that can make illusions come true.

Reviews
Kattiera Nana

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Scanialara

You won't be disappointed!

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Afouotos

Although it has its amusing moments, in eneral the plot does not convince.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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a_chinn

Colorful but dull science fiction tale of an astronaut, John Agar, leading a team of explorers to Uranus, where a brain-like creature fights them by making their thoughts reality, which, as you may guess, involves them thinking about sultry ladies of their past. There's an interesting idea for a film buried here somewhere, but this is strictly children's sci-fi fare. Nothing great or even anything I'd even call good, but there were enough camp elements to keep me entertained.

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romanorum1

The movie's setting is 2001, when according to the opening monologue, "the planet earth is no longer racked by wars and threats of annihilation. Man has learned to live with himself." Really? A bit optimistic there! Anyway, the United Nations, the world's governing body (Yikes!), has undertaken missions to determine if life exists on the planets of the solar system. So far there has been no luck. The current rocket mission is to explore the surface of planet Uranus (pronounced as Ur-ah-nus), which has a cloud-top temperature of 200° Centigrade. After all, it's almost 1.8 billion miles from the sun! It emits a "strange radiation" and is not very dense, being composed of ammonia and methane. These facts do not faze the five men in a rocket ship who seem to land in a forest (actually an icy surface). It is obvious that little or no pre-landing preparation was accomplished, for there were no orbiting satellites, no unmanned probe, and no specific information gathering. Ah, details, details . . .After boring dialogue that consumes nearly one-half of the picture, the explorers finally depart their spacecraft with their rubber suits and headgear. They find weird happenings, like green plants that do not belong there; they lack root systems. Houses and windmills automatically appear when the spacemen think about them. It seems that the planet is using mind control to dominate the spacemen. The memories of the men are used to format illusions instead of the realities of the planet. They include the Danish pastries, er, alluring earth women who do not really exist on Ur-ah-nus. When Captain Graham (John Agar) is rescued after sinking in a quicksand-like substance (ammonia snow particles), he says rather haltingly, "I . . . am . . . glad . . . you were here . . . to pull me out." "Be careful," the boss wisely utters. The men do encounter a one-eyed Allosaurus – they think it's a rodent. It seems that one of the crew has a fear of rats. "That's it," utters the commander, "Our deepest and greatest fears are being dug up by our subconscious by whatever the power is out there and pitted against us!" The novice astronaut chimes in that it is not only the fears that are used but also the desires (cute chicks) as part of mind control. Oh, the tension! What to do?Before long the space heroes are smooching on the Danish pastries (Ingrid, Greta, Ann, Mimi). But time is running out for them to blast off from their optimum orbital position. If they miss it there will not be enough fuel to return to earth. Oh, the horror! Then they encounter other oddities, like the giant tarantula. They soon (not soon enough) encounter the telepathic Big Eye-on-Brain, which is exposed without any covering! Big Eye's sinister plan is to conquer the earth (HA HA HA HA HA). "You will submit, and I shall possess you." Oh, the pressure! Can they stop this maniacal alien? The ludicrous ending will not be revealed here. Darn!Directed and produced by the incomparable Sid Pink, who gave us "The Angry Red Planet" (1959) and "Reptilicus" (1961), this Danish honey was made on the cheap ($75,000). Filming could not have taken more than a few weeks. It shows: wretched dubbing, laughable dialogue, wooden acting, cheap sets, and meager production values. The film was sent to American International, who reportedly made several special effects changes before the American distribution to theaters. So aging is not an issue with this stinker, as it was awful at the very beginning! Hard to believe it was even worse than it is! John Agar, that creature from Earth, made such films as "Tarantula" (1955), "The Brain from Planet Arous" (1957), and "Attack of the Puppet People" (1958). Surprisingly he is only the second-in-command here. The other actors are better left unnamed.

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Hitchcoc

This slow moving mess has stilted dialogue, bad acting, and some of the most incomprehensible motivations ever. First of all, what an embarrassment is John Agar. He was thought to be the next Cary Grant at one time, but good looks didn't do it for him. He spent most of his time doing these cheesy horror/science fiction movies. In this one he plays a man with a reputation for jumping anything with skirts. While these guys find themselves on a kind of isolated patch on Uranus, they guess that there is some kind of force that they must deal with. What do they do? The thing reads their imaginations and apparently the whole crew has the hormones of an eighth grader. They are constantly accosted by these babes and fall for their charms any time the force that is acting on them desires. There is also this endless exploration of the little bit of heaven they are on and they never seem to get anywhere. There is a German guy named Karl who gets his arm frozen (though thaws out), falls in a kind of ammonia quicksand, and is eaten by some unfriendly maw. He is stupid and impulsive but never changes. There is this ridiculous voice that keeps telling us that these people are stupid and he will eventually kill them. He is apparently studying them so he can go to earth later and take over. How these guys could tie their shoes let along travel through space is beyond me. There are some decent special effects and a nice use of sound, but the story just doesn't make it.

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MartinHafer

The immature teenage hiding inside of me can't resist--this is a movie about astronauts traveling to Uranus (snicker, snicker)! In the film, they pronounce it "Ur-an-us"....yeah, sure! As for the film, I was expecting it to be a lot worse than it was. My reason--it starred John Agar. While he was not a terrible actor, his career was spent appearing in any film provided the check cleared! The movie itself is a very mixed bag. I'll be giving it two separate scores--one for technical merit and one for artistry and originality--sort of like figure skating.Technically speaking, this movie was a pile of doo-doo. The special effects were among the worst I've ever seen for a 50s-60s sci-fi film. In particular, the rocket special effects were simply awful--consisting of a fuzzy rocket ship that appears to be cardboard flying across a terrible painting of space and later when it lands it is a child's plastic toy! It really is worse than the UFO special effects from PLAN 9 FROM OUTER SPACE (these were pie plates suspended from wires). Also, many of the monsters were cheap and crappy--and about as bad as you'll find in the genre. I'd give this aspect of the film a 1 and not a smidgen more! It's really sad, then, that the story itself is so good--as it's burdened with such ineptness. The story gets interesting just before the rocket lands on Uranus. A strong mental force takes over the ship and probes the astronauts' minds. Then, when they actually land, the planet looks much like Earth--as this force can make the planet appear just like home--including providing people who are from home as well. Interestingly, the only people these men seemed to think of were hot babes in lingerie--proving these guys were pretty smart! The problem is that what exactly the force intends is uncertain. And, as the film progresses, the force seems malevolent--or at least having fun toying with them. The men are faced with a dilemma--how do you fight something this powerful and that can control what you see?! Apart from a rather flat and anticlimactic ending, I'd give this an 8--it was very original and very exciting.Overall, I think a 4 is a reasonable compromise. This film was intelligent and worth seeing--even if the special effects were abominable. This is one movie that could really, really stand a remake!!

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