I like the storyline of this show,it attract me so much

Simply Perfect

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

I hardly ever give movies 1 out of 10. a 1 to me indicates that NOTHING was done correctly. To get a one every single thing in the movie has to fail and for me to get actually angry at the film's existence. Unfortunately the planets aligned when they released Jin-roh the Wolf brigade. I saw this movie YEARS ago and every single stupid thing about this film still irritates me. The plot is one of the most stupid boring things I have ever had the misfortune to come across. Some girl blows herself up and the guy who saw her do it talks to her sister. That's really all this movie is. And even THAT makes it sound more interesting than it actually is. The characters are bland, the story is stupid, and the ending (while i won't give it away because i want to avoid clicking the spoiler tag) is one of the most insulting things I have ever seen in my life.They were trying way too hard to make their movie dramatic and have some sort of drama and connection to little red riding hood but it just came off pretentious and annoying.I will say this. basically, if you're a fancy pants art student and you want to sniff other people's pretentious piles of garbage, then you will be right at home watching this. However if you are someone who just wants to watch a fun anime movie maybe with some good action with some military police flair, do NOT watch this movie. It is NOT fun, it is NOT interesting, and all it does is leave you with a sense of 'Why in god's name did I watch this?' The fact that the people who made this thought they were making 'art' is probably what drives me the most insane about this movie. Making your movie sad and depressing does not make it art. It only helps make it schlock. If you want a movie that's artsy and also really good, go watch Millennium Actress. This. God, just thinking about this movie pisses me off. That's probably why it gets a 1. The art is fine, the voice acting is okay. It's not that. It's the fact that this movie's plot is so so awful and they treat it like it's some tragic classic tale when in actuality it's art school garbage. 1 out of 10.

This was one of the best animated movies I have ever seen, with possibly the best animation ever (Japanese characters looking Japanese, people looking different from each other, breathing, having little human quirks, and truly wonderful urban landscapes); the story, motivations, noir/western touch of the ending etc. were also great, but such unobtrusively vivid animation I have never seen before. In addition to everything, it was one of those movies one likes to think about after having seen them, because there are many ideas and meanings yet to be discovered. It also seems to be a movie built in such a way that each further viewing will be very different from the last one, because each time, by the end of the movie, one has discovered new sides of the story that will change the meaning of the next viewing from the beginning...*Big Fat Spoilers from now on* It is important to underline that this movie is not a retelling of "The Little Red Riding Hood" in a modern context; it is a story by itself, using the Riding Hood tale to clarify elements of the plot and character features. The point of interest is not to see an updated version of the folk tale, or to see how the tale can also fit in a modern surrounding, but to use the folk tale in order to help us understand the story of the movie. Our reactions are not "oh look, there's the wolf! and there's the mother! and there's the path of pins! yes it fits, the story can be applied to a modern world!", but "the story is connected to this movie, so he must be the wolf, so the girl had always been in the presence of the wolf, she was never in the presence of the man she was in love with (the mother in the tale)!". The French tale is molded to, or chosen in order to explain the Japanese story, like a (rich and meaningful) analogy, not the other way around, like a retelling. And the way various elements of the tale were used in order to express a new story was extremely well done, as good as the way in which Leone used various elements from old westerns in order to create his "Once Upon a Time in the West". And there's another big source of inspiration used by Oshii for this movie, just as well integrated within the main narrative...What we see in this movie is a young wolf going through a rite of passage and becoming a full-grown beast. Him having visions of the various girls being chased by wolves was not him "being afraid of the beast inside", but him knowing that the beast was inside and will devour the girl, yet getting on with it because that was the only thing he knew to do.The way I saw it, this was not a movie with a message, it was just a movie that presented a story – the story of a man who was actually a wolf in human skin, and whose only place in the world was within his pack, no matter how bitter this may have tasted at times. If you want it (and, from what I saw on forums, some people really want it), it may be a movie about what it is to have an inner nature, or a prescribed social role that cannot be betrayed, but not more.I have also read somewhere that Oshii's constant preoccupation concerns "the beast that hides in the human heart", but I disagree. On the contrary, I think that he is interested more to investigate the weak, sensitive, human, warm spots that linger in the heart of the beasts, as it is the case with Motoko, Ash, Yuichi, and definitely with Fuse (though, in his case, we witness the lingering humanity flickering and dying). Anyway, in his movies, the beast is usually the first thing we see, so it is not something that could be said to be hiding. There are lots of "Vertigo" allusions in this movie, which I had not spotted until I saw a passing mention of Hitchcock's flick somewhere on this forum; and my jaw dropped – of course! The love-with-complications part of the story follows almost step-by-step the plot from Vertigo – woman being spotted by man while standing – purposefully! – by the grave of someone very reminiscent of her, her being by sent by somebody else to seduce a certain convenient male for ulterior reasons unrelated to the two of them – they were both meant to be bare pawns, her fulfilling her role even though she falls for the male, male realizing the trap and using it to counter-manipulate her, now insensible to her feelings, all ending up with him causing her death / killing her directly; there's also a "man being scarred by woman dying in front of him" part in both movies, but in Jin-Roh it takes place differently; oh and Jin-Roh also has a protagonist psychologically scarred by a sequence that takes place in the beginning of the movie, and the people behind the female decoy use precisely this psychological damage in order to fulfill their trap. And none of this is in anyway "remake-ish", because the pieces of the puzzle are being mixed up and used to build a completely different story, like I said about Leone and his "Once Upon a Time in the West". Besides, I missed completely the "Vertigo" during the movie, which can only mean that they were really well embedded in the story, and that the story was powerful enough to not get engulfed by its own sources. The "Vertigo" discovery pretty much settled it, the flick is a 10/10, the first time I go to 10 for an animated movie since I saw "Samurai Champloo", "Mushishi" and "Texhnolyze" two years ago.

Set in a alternate version of history were Japan never fully recovers socially or economically from WWII, Jin-Ro focuses on the doomed relation ship between two individuals with conflicting backgrounds and loyalties. The film opens with a bang but never really gets its pacing on track afterwards. Other issues include the confusing twists and turns the plot takes (maybe I just watched it to late, but was lost 3/4 in.)and the red riding hood comparisons, while interesting in places, are overused and quickly become pretentious and rather preachy. Getting those complaints off my chest, Jin-ro is also very thought provoking, superbly animated,stylish and well crafted. Recommended.

In the first ten minutes, the movie was able to hold my interest and it seemed as if it might be good, HOWEVER, it quickly devolved into a sad, warped, Red Riding Hood fairy-tale, with an occasional automatic weapon. Near the beginning of the movie, it seemed that the main character was on hallucinogenic drugs, which would have made the movie watchable had I had some. As the movie progressed, it became increasingly painful to watch and ridiculously overcomplicated. In Jin-Roh, they threw in what were supposed to be flash-backs, foreshadowing, dreams, or conflict of thoughts within the main character. However, they essentially lie to you about the whole situation since the main character doesn't even think those things to begin with, he knows exactly what's going on the whole time. The movie was ridiculous and it felt like it was at least 6 hours of my time wasted. I would give this a zero if I could.