Too much of everything

Good movie, but best of all time? Hardly . . .

Did you people see the same film I saw?

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Another film that has garnered cult status over the years, more so for its unique nightmarish flashback narrative structure. I honestly had to sit in silence for a good ten minutes and attempt to string some words together to surmise this film. Simply put: "A confusing mystery of confusing confusion". *sigh*...I'm going to need my notebook next time. Jacob is wounded during the Vietnam war, years later he starts to see hallucinations and experience depressing flashbacks which leads him to investigate the sudden mental visions. I mean...how do I even collate adjectives and superlatives to create a review for this? It's so bizarrely executed that it left me questioning if this was a hidden masterpiece or just difficult for the sake of melting the brains of the audience. Currently, I sit in the middle. It's an intriguing perspective into a heightened mind during a visceral heart-pumping experience such as the Vietnam War, where secret experiments with hallucinogens were utilised as a means to increase aggression. That aside, the primary appeal to this thriller is the intricate narrative structure. Is it real? Fabricated? Nostalgic memories or malicious nightmares? The careful construct of the plot will leave you questioning every scene up until its conclusion (which still left me scratching my head occasionally). It's rapid pacing, consistently blending ghostly fantasies with reality, which certainly needs to be adjusted to. The constant transitions between flashbacks is jarring, particularly for the first half, but stick with it and all will be answered. Robbins gives yet another exceptional performance as a man undergoing psychological delusions. My main negative is the fact it was so...how to put it..."in your face", that actually I cannot remember the majority of scenes. It's like a jigsaw puzzle, you don't remember slotting each piece in but you do acknowledge the final product. Jacob's Ladder is just that, an absurdly hallucinogenic jigsaw puzzle that definitely needs to be revisited again.

This is simply one of the best films hardly anyone ever saw (OK - it's got 80+ thousand votes on IMDb - but I'm still amazed that it's not 3 times that number). Amazing script, acting, story, visuals; it makes you wonder why Adrian Lyne didn't make more films of that caliber. Don't get frustrated if you don't understand the film at first. It DOES make sense, but it usually takes repeat viewings to figure this one out. 9 stars out of 10.In case you're interested in more underrated masterpieces, here's some of my favorites:imdb.com/list/ls070242495

This movie is outstanding. It's scary in your creepy, thriller, and psychosis kind of way. However, this movie is also scary in the fact that it reveals that government secrets do exist. They're not just a bunch of jive. In the movie, the main character Jacob is shown in early Vietnam, wounded and winding down to unconsciousness. He eventually wakes up in the "post Vietnam War," to find out his son and his family are okay. He lives a "normal" life as a mailman in New York City. Then, he starts getting these weird visuals, people with tails and foreign body structures. Eventually, they all turn into monsters. Then one day, he wakes up in a bed next to a woman he knew before he met his wife; he's all confused about this. He starts living in two alternate realities, with visions of occurrences that aren't quite clear, or that contain hellish creatures and settings. In one of his realities, he calls all of his Vietnam buddies to see if they're experiencing the same situations he's going through. Lone and behold, they're all experiencing "it." They all thought they would think each individual would think they were nuts if they admitted it, but they soon establish that they're not nuts among each other.Jacob soon finds out through his dream that a chemist had been experimenting with a new drug in order to make super soldiers out of the Army. The test was selected of a small platoon in the Vietnam jungle. It worked alright; so good that the whole platoon killed each other afterwords. it filled everyone with super human rage.You think all of this is fiction, but it's not. Everything that happened was of Jacob's self conscience, unwilling to let go of his family. He's actually dying in a Vietnam medical facility, pumped full of this drug. He is actually living in his self conscience. This movie is very creepy. There is a synopsis at the end that verifies the testing of this drug on Vietnam soldiers during the war. It also states that the Pentagon still tries to deny the authorization of this testing/strategy. The Pentagon doesn't want to take any responsibility (hmmm, sound like American politicians to me). I will let the viewer experience what happens in the end. I don't want to spoil too much. This movie is outstanding. At the end, I was just like...."wow." I would definitely recommend this movie to anyone.

Few supernatural horror films tap into the abstract realm of the unconscious quite as effectively as Adrian Lyne's Jacob's Ladder. There's a select group out there who have done it as well (Tarsem Singh with The Cell, Hellraiser and Silent Hill come to mind), but there's just such an abundance of generic, or 'vanilla' horror out there. It's not that that kind of stuff isn't great, I just like to see something strive for a little more, stylistically speaking, go for something truly elemental and out of the box in its attempts to elicit fright. This one engraves nightmares of an inexplicable variety into your perception, images and sounds made all the more disturbing by the fact that we never really know what is going on with our protagonist, a Viet Nam vet named Jacob (Tim Robbins), a decent dude with a sketchy past who spends his days as a postal worker in NYC. Jacob is plagued by waking nightmares, visions of demons, confusing allusions to his past and a son (a pre Home Alone Macauley Culkin) who may have died, or never existed at all, all combined with a general sense of dread that almost seems to crawl out of the screen and choke the viewer. Jacob is dating a co worker (RIP Elizabeth Pena), who isn't equipped to deal with whatever is going on with him, and his only friend seems to be his doting chiropractor Louis, played by an excellent Danny Aiello in a performance that is a ray of kindness and light in an otherwise ice cold atmospheric palette. Jacob begins to suspect that he and his platoon may have been victims of illegal weapons gas testing, and are now suffering the psychological fallout, or perhaps that his plight goes much deeper than that. It's a disorienting state of mind for him, and in turn puts the viewer in a similar daze of eeriness and uncertainty, with not a concrete clue or answer in sight until the film reaches its devastating final moments. Ving Rhames, Pruitt Taylor Vince, Eriq La Salle and Matt Craven are just as haunted as his fellow Nam buddies, Jason Alexander has an energetic bit as a lawyer, and watch for Kyle Gass, Orson Bean and Lewis Black in early smaller roles. This film has put a hazy emotional and visual filter over my perception for years, and each time I give it another visit I get goosebumps from the horrors within, especially on a crisp recent blu Ray. There's one sequence in particular which I won't spoil with details, except to say it should be front and centre on the demo reel for the entire horror genre in cinema, a harrowing journey into a hellishly creative interzone of undefinable fear that still serves as the blueprint for some of my bad dreams to this day. A fright flick classic.