A very feeble attempt at affirmatie action

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Above average movie based on the Kitty Genovese murder case of 1964. Kitty Genovese was a lesbian and so is the first murdered victim in this movie. Movie shows how callous people can be by ignoring a poor girl's murder. It is an all star cast, which has Dinahann Carroll as a potential suicide victim, Tina Louise as a lesbian, Ed Asner as a jealous husband, Cloris Leachman as nymphomaniac wife, Lucie Arnaz, Lucille Ball's daughter, as a potential murder victim, Art Carney and Nancy Walker play an older couple who ignore the murder. Kate Jackson has a nice cameo but this is clearly Raul Julia's movie. It is also nice to see Helen Hunt as a child actress and Tony Dow, Wally on Leave it to Beaver, in a scene as well. Sadly, this was a true case. Of all the cameos, Tina Lousie gives the best performance as the lesbian, ex-girlfriend of the victim, who is taking in to be questioned. What would Ginger Grant say? Enjoy this fun movie.

I found this film to be very good, with some fairly gritty realism (for it's time anyway); Raul Julia has fun with his role and is very likable and heroic in his portrayal of the Brooklyn detective out to catch the killer. There are a number of cool action sequences (check for the bicycle chase scene with Raul peddling away on the bike), All in all made this an above average film which had potential (IMHO) to become a really good TV series. The premise for the film, borrowed from the true story of Kitty Genovese, murdered right near her apartment building as her neighbors looked and but offered no assistance is still quite haunting. I'm actually surprised Hollywood hasn't attempted a huge theatrical remake of the film.

No-frills crime-drama debuted in 1975 on The CBS Friday Night Movie, one filled with familiar television faces of the time (Ed Asner and Cloris Leachman as mismatched marrieds, Art Carney and Nancy Walker as an elderly couple, Diahann Carroll as an attempted suicide, Tina Louise as a lesbian dental assistant, etc). Loosely based on the Kitty Genovese crime wherein a woman was attacked in front of her apartment building, screaming for half an hour while fighting off her attacker but not getting any help from her neighbors. Raul Julia and John P. Ryan are the investigators, and Julia in particular exudes a lot of easy charm and charisma in this role (his young daughter, played by none other than Helen Hunt, has a lovely scene with him singing in the car). This may have been a proposed pilot for a TV series (the tag at the end suggests it); if so, it's a good one, with tight pacing and gripping camera-work. Surprises in the cast: Hunt (looking like a pint-sized hippie), Sally Kirkland as a flirty waitress, Lucie Arnaz as a victim who survives, Tony Dow (from "Leave It To Beaver") as a married man who wants to go to jail, and Kate Jackson in a brief cameo as a woman walking her dog. Too bad there isn't more of Jackson, she's very appealing and works well with Raul Julia. Except for the drab decor, the movie doesn't date too badly and has good moments. Fans of TV shows from the 1970s will certainly be intrigued.

This film was one of the typical seventies crisis-of-the-week type dramas. However, I have always suspected it was at least loosely based on the infamous murder of Catherine (Kitty) Genovese, which occurred in March 1964 in Queens, New York. Ms. Genovese was murdered in an almost identical fashion to the victim in this film -- attacked in the courtyard of her apartment building in Kew Gardens, screaming in vain for help while "thirty-eight witnesses" ignored her. Since this movie was filmed a scant decade or so after the actual case, perhaps there hadn't been sufficient time for reflection on the proper way to tell the story for the ages; perhaps Ms. Genovese's family refused to allow any association; or perhaps the filmmakers were just looking for a quick buck.What they did to "spice up" the story was to add into the plotline the fact that the murder victim, "Jenny," was a lesbian; that her former girlfriend (played by Tina Louise -- imagine "the movie star" chasing Mary Ann all over Gilligan's island with perverse intentions! say it ain't so! LOL) has a history of violent and threatening behavior; and that among the neighbors who heard Jenny's dying screams are an immigrant couple from an unspecified Eastern European country who fear deportation; a sleazy housewife played by Cloris Leachman who is carrying on an affair behind her husband's back; and a married couple with Nancy Walker playing the wife, apparently having gotten lost on the way to the Bounty commercial shoot. Also look for a very young Helen Hunt, playing hotshot detective Raul Julia's daughter.It was the seventies; what can I say?