Powerful

Don't Believe the Hype

The first must-see film of the year.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The premise may sound a little 'Serial Mom', with an over-protective mother ensuring that anyone who dares to slight her precious offspring doesn't live to regret it, but there the similarity ends. The victims return to haunt the mother in question and she must figure out a way to be rid of them as the body count rises. Despite homages to some well-known films, most notably a sweet Bridget Jones-esque moment where the unlucky-in-love heroine finds herself with two men vying for her attention, which ultimately descends into full-scale 'Carrie' territory, the film is a fairly original idea. Plus there is a perfect scene we all dream of: being passionately kissed by a hot bit of stuff in front of the ex. I only intended to watch a small part of this film to chill out before going to bed, but it kept me entertained until the end. Perhaps playing 'spot the EastEnders alumni' was a contributing factor. Unlikely to become a well-loved classic like its (almost) namesake, but good, ghostly fun.

Unfairly slated Ealing-style slapstick comedy. Obviously fun to make, with familiar faces and heart-warming family drama, along the lines of "OMG what is Mum doing now?", as she tries to solve her daughter's seemingly non-existent marriage prospects. Along the way, the audience bops along to Indian remixes of popular western disco and pop, and wonders how an unlikely murderer will meet their fate. The plot is unsophisticated yet gripping. The dialog is natural, with gags, but the film's undeniable humour comes from the same loving, awkward moments that drive it's story. I can't see anyone walking out of this movie, unless they don't wish to be entertained.It's a Wonderful Afterlife (2010) is not a work-of-art, not a beautifully made film. But it does not try to be. It is a funny murder-love-story with falling down moments, with familiar actors having a blast making ridiculous comedy. If you want a horror show, or a logical plot, then it may let you down. But for laughs, and for a screenful of some of our most popular actors (with new faces too), it will tickle you. Nothing much to complain about here, if you love life.

While I understand the Indian masala films usually involve having everything including the kitchen sink thrown into the plot, which will have enough room for the story to combine romance, mystery, drama, comedy, song and dance all together for possibly something for everyone to enjoy, It's a Wonderful Afterlife somehow had all these ingredients coming together, but felt a little too contrived at mixing everything up and gelling them all nicely, especially since it had a trailer that's not quite accurate, and it seemed more like a typical 3 hour film rather than its 100 minute duration.Gurinder Chadha's more famous for her directorial breakthrough Bend It Like Beckham, which arguably introduced Kieira Knightley to the world, and here she combines an ensemble with the likes of Jimi Mistry, Sally Hawkins and the Indian actors Sanjeev Bhaskar, Shaheen Khan, Adlyn Ross and Ash Varrez in a film that started like an investigative drama with a potential serial killer on the loose in the Southall district of London, the policeman D S Murthy (Sendhil Ramamurthy) who had been transferred in for investigative work in his own community to sniff out details of the suspects, Roopi (Goldy Notay) and her mother Mrs Sethi (Shabana Azmi) who is desperate for the former to get married with much of her rejection based on her plumpish looks, Roopi's best friend Linda (Hawkins) who finds her inner Indian self and is somewhat of a self-taught spiritual guru, and the list goes on.At best, the plot and its subplots were extremely scattered, and somehow it seemed that Chadha didn't manage to find common ground for all of them to coexist, with each plot line threatening to upstage and distract one from others. Prime to everything hinged on Mrs Sethi's rather protective quest to look for a potential husband for her daughter Roopi, and how the former's dealing with rejection led to an eventual five spirits tagging along with her, who through her guilty conscious is the only one able to see them all. The cat is let out of the bag early, and it's somehow not so much of a mystery other than a zany comedy to have these friendly ghouls make jokes at every opportunity.The romantic leads of Sendhil Ramamurthy and Goldy Notay also lacked believable chemistry though the rushed romance didn't help their cause since the detective also had to juggle an ulterior motive, while that between Jimy Mistry and Sally Hawkins went down the road to explore how some people groove to the beat of other cultures since they're not at home with their own. Sally Hawkins though had a single major scene which mimicked a horror film where a woman scorned unleashes hell on earth during her own party, probably a comedic highlight of the film that defied all logic and pushed the film toward absurdity.I had enjoyed Gurinder Chadha's works such as Bride and Prejudice, and Angus, Thongs and Perfect Snogging, but somehow this entry into her filmography seemed like a step back. Let's how she finds her groove back pretty soon with a stronger and more coherent story rather than leaving things scattered around.

I cannot believe that I have just come back from watching this film at the cinema, and the best thing about going was watching the film trailers before the actual film started. This is categorised as a "comedy horror"....it wasn't funny, and it would not scare my 5 year old nephew. The scary part was how bad the acting was and the storyline. The film concept did not work and it felt like a lot of the attempted jokes were too forced. The director attempted to make a film that would appeal to everyone but ended up as a huge disaster and did not have the fundamentals of being a good film. The director has made other hit films such as Bend It Like Beckham and Bride and Predajice and they were much more entertaining to watch. It was very surprised that such a highly rated directer managed to make such a mess of this film and I cannot think of one memorable part of the film that would encourage me to recommend it to others.