In the Shadows
In the Shadows
| 24 June 2001 (USA)
In the Shadows Trailers

When a stunt man dies in Miami, his uncle, a New York mob boss, sends a hit man to tail the stunt coordinator, whom the boss wants dead. The hit man, Eric O'Bryne, gets close to his mark's daughter, and through her he asks her dad to teach him to do stunts. While waiting for the word to kill this mentor, Eric discovers the joy of stunt work and of being part of a family. Meanwhile, several people are looking for the dead man's briefcase of money and a cloth bag of illegal drugs that he stole from an undercover FBI agent now desperate to get the borrowed drugs back to the bureau. The stunt coordinator says that 'we dance in the shadows of death.' Can Eric step out into the sun?

Reviews
Hellen

I like the storyline of this show,it attract me so much

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SpecialsTarget

Disturbing yet enthralling

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FirstWitch

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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wilwalk

No ensemble or great individual actors; a horrible screenplay, and a cliched premise...put them together and you don't even have a half of a B movie.For anyone over 18, this is like a trip to the dentist.Grade it as an F.

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Jim Kopitke

Granted the premise for the movie and the plot is a little far fetched. The end result is a decent mafia related movie intertwined with the stunt industry in Miami. *****SPOILER*****The money/drug story is kept quiet until the end and seemed like the producers were just trying to squeeze the angle into the movie. An unexpected ending leads into a cheezy end scene with Caan and Adams. Overall (B-).

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George Parker

"In The Shadows" tells of a hitman with a conscience (Modine) who becomes a stuntman because this dumdass flick wouldn't work if he didn't. Ill-conceived, sophomorically contrived, poorly written, and poorly directed, this flick is long of atmospherics and short on everything else. One can only watch and wonder how Caan, Adams, Modine, and Gooding climbed aboard such a shabby project. A waste of time for all but diehard fans of the principals and maybe people with some interest in film stunts. (D+)

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mattymatt4ever

It took me a little while to get into this movie, but eventually I found it intriguing and sometimes touching. The performances help buoy the plot's inconsistencies. Matthew Modine is good and convincing, not looking like a pretty boy this time around. He's handed a much darker role than he usually plays, and he does a fine job at carrying the film on his shoulders. James Caan is always great, and I was delighted to see every minute of his presence. And Joey Lauren Adams gives another charming performance. Unfortunately, Cuba Gooding Jr. only appears in the film for about 10 minutes. His first scene almost had me laughing--and I wasn't exactly laughing with him. I'm sorry, Cuba was convincing as a street thug back in his "Boyz N the Hood" days, but now it's just laughable. After seeing his dynamite performance in "A Bronx Tale," I was hoping to see Lillo Brancato on screen again. Well, I got my wish and he does a fine job. Unfortunately, he doesn't get much screen time either. One thing that irked me about the plot was how swept away Joey's character was by Modine. She meets this soft-spoken, monotoned, stonefaced guy who doesn't give her much background on who he is, and she doesn't even think for one second, "Isn't this guy a little creepy?" I think if a real woman were to see such a quiet soul who doesn't even crack a smile, she would freak and think he was some serial killer (or gangster, in his case). But as I said, the actors help make the scenes more credible. The ending is touching and sad. I don't suppose I'll remember this film in years to come, but for a little-known film it's surprisingly good. My score: 7 (out of 10)

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