The greatest movie ever!

Simple and well acted, it has tension enough to knot the stomach.

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Completely so-so. Some parts are nice - music, Alessio Boni, who just CAN'T play bad. But other parts are very strange: it seems that the director himself treated that film non-seriously. Night life, memories about South America, blood, some dialogues - are artificial and lifeless, grotesque. They seem unnatural, although all thoughts of main hero are interesting (perhaps, they were taken strait from the novel). So the serious and even tragic film begin to have some unexpected comic connotation: really, I couldn't help laughing than watching all this "night club things". Feelings of main hero wasn't shown: I see a girl, I want a girl (which is completely normal), but I do not want to sleep with her, I want her to love me (why? of course, the hero has some reason, but nobody show us what it is). Very strange feeling...

Once there was a promising Italian director with a nearly perfect hand when it came to splatter fun like "Deliria" (Stage Fright) and who eventually delivered the exquisite, tongue-in-cheek postmodern zombie flick "Dellamorte Dellamore" (Cemetery Man) with Rupert Everett in his perhaps finest leading role. That's fifteen years ago, with Soavi having done lots of TV work in the meantime -- maybe the reason why "Arrividerci amore, ciao", his first big-screen venture after more than a decade, is exactly looking like a professionally executed RAI Uno television assignment. The biggest problem of "Amore" is the script, working moderately, occasionally even quite well for about an hour, after which the story is rapidly mutating from a pretty tight, at intervals hard-hitting crime flick into an extraordinarily boring wife-murder yawn ultimately dissolving into lukewarm air, the end being one of the most awful letdowns in Italian thriller history. It's probably my last Soavi movie: Arrividerci Michele, ciao.

it's a very great movie. it isn't a typical Italian movie: the screenplay was made by a series of professional writer. You aren't able to understand what will be in the next scene. Movie move on very fast. Also actors was very good. especially Giorgio, the protagonist, is unconventional character: he was a fighter with the dream of revolution, but for him only things important from the beginning to the end of the movie is his freedom, for which he is read to make everything. the co-protagonist have a wonderful smile, is very sweet and pure and falls in love with Giorgio completely.is adorable. there are various sequence of action and Italian and international locations: south America, Paris, Milan, and a series of small Italian town. finally scenes are totally shocked. the director isn't new to great movie , even if his usually work for television drama.music of author is rocking, and soundtrack contains tracks with the same name of movie's title.

It is an awful movie. It is incredible since the Novel by Massimo Carlotto was so good. Probably Carlotto should have be involved in the screenplay writing to realize a better movie. The only positive point is Michele Placido , great interpretation. I do not understand how a director such as Soavi could make a terrible movie from a very good story. The music is good and the song is beautiful. I am really upset since I love the "noir" and we could have a good chance....... Sorry but I really did not like It, the screenplay has so many problems and some scenes makes you laugh since they are almost ridicule. All the actors except Placido are not as good as we know them. Enrico