Best movie of this year hands down!

Boring

A Masterpiece!

By the time the dramatic fireworks start popping off, each one feels earned.

Here we have corporate culture at its worst in the 90s; two men, a decade out of college, going city to city and making their money by giving presentations and telling others what to do. It's a high-pressure job with what appears to be small reward. Both Chad and Howard are slowly becoming fed up as they see younger men rise quicker and with less work ethic; they see their wives and girlfriends leave them without warning, breaking their hearts as their souls are destroyed in the workplace. It has become too much for Chad and he is looking for revenge. What better way to do so than at the demise of a girl, the fairer sex in which he says is composed of women "all the same, meat and gristle and hatred just simmering"? What if they could lead on some poor soul who has reached a point in her life where the prospect of a relationship or a future full of love is unattainable and than destroy her for sport to watch the reaction? Hell, they'll always be able to tell each other afterwards, "They never got me the way we got her".The writing is cynical and witty; this is one of the blackest comedies you will ever view. I literally felt bad laughing at times, but it is constructed so smartly, you just can't help yourself. Howard is a wormy romantic who knows Chad, the epitome of alpha male, from college and has stayed close through the years. He would never partake in a game such as this if not for the tale of his stronger buddy being cleaned out by his girl, even having the frame around his American Gigolo poster taken from him. If the sort of heartbreak Howard feels can happen to his friend too, well than maybe the female race deserves to be taught a lesson; unfortunately for temp Christine, that exercise will be brought upon her in full. She is the perfect fodder for their six week revenge plan, not only is she attractive, but she is deaf. Handicapped to the point where she wears headphones to appear distracted when unable to hear someone walk by, she is so far removed from the dating scene that the advances of two successful men in the office may just be too strong for her to pass up. Both men work together to show her so much affection that she will have to fall for at least one. Love, however, wasn't anticipated to play a role in the proceedings.As the weeks advance, the dates become more intimate, the bonds stronger. Sitting and watching the advancement starts to make it tough to discern true motivations. Are Chad and Howard really falling for her or are they that good at pretending in order to make the breakup as devastating as possible? Howard may not be getting as close physically to the girl, but his actions express a longing and need to be with her. Chad, on the other hand, working his magic and getting her in bed, has acquired the phrase he's been working towards, having her tell him she loves him. He responds in kind, but is it real? We will have to wait and see in week six whether the game has gone too far or whether it has gone just as planned. That statement may seem cruel, because the fact the ruse began at all means it went too far—they are playing with an innocent's emotions and heart for sport—but in the context of the film, you do start to buy into it and want to see what kind of fallout will result.LaBute does come from the stage and it shows here in his first film as most scenes are constructed from long takes and static setups. One moment on the rooftop has Chad almost flub a line, but they keep going, either to keep a sense of realism or save money on reshooting the exchange. Definitely shot on the cheap, it becomes the job of the actors to perform at the highest level, and they do not disappoint. Stacy Edwards is amazing as Christine, both in her portrayal of a deaf woman and in the emotional turmoil she must go through from start to finish. Also remember too, see is deceiving them by going out with both at the same time, selfishly keeping her own happiness above them knowing the truth. But it is Matt Malloy and Aaron Eckhart, as Howard and Chad respectively, that really carry the film. Malloy is a ball of nerves and insecurities, yet when he needs to be, either lying to the girl or venting to his friend, can compose himself to a man of power and force. Needing incentive to be confident, it is in him, but the moments where his insecurities rear their head shine above all else; never able to control the situation, he slowly devolves into a version of Chad.Chad, conversely, doesn't have a weak bone to his name. He says at the end that he can sell anyone, and it is true. The lines he utters are pure gold and I can see why it was hard for him to get work early in his career. Eckhart played a prick so well, no one wanted the controversy surrounding this role to take anything away from the new work. He is so conniving, so manipulative, yet with a smile that can charm us all. This film exists due to his performance and the revelations at the conclusion only cement him as one of the best screen villains ever. I'd love to see this story on stage, because The Shape of Things blew away its brilliant screen counterpart when I saw a college production, and I can only imagine watching this acted out in front of me would do the same if not more.

From directorial debut of Neil LaBute (Nurse Betty), the premise of the film sounded a very interesting black comedy drama, and being five stars, I wasn't going to miss it. Basically work buddy junior executives Chad (The Dark Knight's Aaron Eckhart) and Howard (Matt Malloy) are on a six week business trip, and have both recently been hurt by women. They plot an horrible to find the most naive and vulnerable women they can as revenge to all women, to find her, date her, romance her, and then dump her, with her feelings and self-esteem being completely destroyed. They choose their perfect victim, deaf secretary Christine (Stacy Edwards), who can only understand people by reading their lips. It goes according to plan, especially for Chad who she is most smitten with, however it is complicated for Howard who has genuinely fallen for Christina. Howard cannot stand to see Christine being hurt and tells her the "game" that he and Chad has formed, and she obviously tells Chad she knows, only slapping him, after he leaves crying on the bed. Weeks later, Chad's real girlfriend Suzanne (Emily Cline) hadn't actually left him, like he had told Howard earlier, so no real change to his life, and the last thing Howard does is try to talk to Christine, but she ignores him, and the film ends with him constantly shouting "listen". This independent black comedy drama is brave, hard-hitting, controversial and in some moments deliberately uncomfortable viewing, so I would definitely recommend it. Very good!

Not a typical film, it looks more like a play. A series of set-piece dialogues in which it is very rare to see even three people in any given scene. Set in a non-specific 'corporate' world in nameless locations the film suggests that these people could be living near you... Chad and Howard are colleagues and friends, embittered with the world. Women, work colleagues, the system have all conspired to hold them back, nothing is their fault, they just haven't got them breaks. Chad decides to play a cruel game in which while on a six week relocation they will both 'romance' the same woman then dump her. Break her heart just for the hell of it. In their dotage they can bask in the glory of her humiliation. Though Howard appears the weaker of the two men he agrees to play an active role. These are not easy people to like, but the sad thing is they probably *do* exist somewhere near you. Chad is charisma and charm while spitting venom in private. Is Howard simply more easily led? I cannot decide, but he is no saint. They want a 'vulnerable' woman so a deaf typist is to these men ideal, they look down on women, a disabled woman even more so. I will not go any further with the actual story, it is worth sticking with despite it being at times difficult viewing. Refreshingly different.

Taut, stylish, touching and disgustingly misogynist. LaBute's small-scale kitchen-sink parable about men in the workplace is a dead-eyed look at lost love and fads: timeless truisms and modern trends that favour the unscrupulous opportunist. One might see it as a warning shot across the bows of the media-invented demands on men trying to decide between new-laddism and burgeoning 'metrosexuality'.Either way, Aaron Eckhart's vile, not-quite-alpha male Chad goes in search of promotion and kicks by luring the impressionable Howard (Matt Malloy) into mistreating a new secretary, Christine. Pulling these sorts of office stunts is bound to complications and LaBute has a beautiful twist for the mix as well. Quietly demonic and horribly accurate. 7/10