This movie was so-so. It had it's moments, but wasn't the greatest.

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

The movie really just wants to entertain people.

This is a dark and sometimes deeply uncomfortable drama

Alaskan melodrama in which Richard Burton rises from unemployment to cannery mogul, getting everything he wants through ruthless determination. Carolyn Jones is the other side of the coin, a woman who fails through indetermination to get anything she wants out of life - including Burton.It's another Edna Ferber novel about industrial pioneers with an underlying environmental message (the devastation of fish stocks). It's unappealing and humourless, with Burton laying it on too thick, and the drama driven by unpleasant people finding excuses to get on each others' nerves.Then (like Ferber's Giant) it starts to creak across generations with lots of unconvincing aging and new characters appearing late in the film we are surprised to have to care about. Finally, just to ratchet up the excitement, it gets all political.Watching pack-ice breaking up would be more satisfying.

Without any doubt one of the corniest, most idiotic dramas of all time. Based on a "novel" by one of those dim-witted and talentless 5-dime soap-opera female writers, it lives "up" to its expectations, and then some: this film is a laugh-a-minute drama which easily qualifies for a "Mystery Science Theater 3000" treatment. The dialog, the story, the characters, the plot-twists, the plot-devices, and the unintentionally comical dramatic soundtrack all combine to form a movie that has to be seen to be believed. The sheer imbecility of it all is a joy. Ed Wood would have been proud had he made it.Where should I even begin? Here goes, in no particular order: 1) Burton's and Ryan's granddaughter (how poetic) is quarter Eskimo, but what about those blond, Swedish looks? 2) Her Eskimo Daddy is basically a white college type with dark oil smeared onto his face, 3) His fight with the bear is a comedic highlight; watch how he goes at the bear (and why isn't it a white i.e. polar bear?) with just a knife, and how little he is hurt when the bear slaps him, 4) the moment Ryan's son was born it became so damn obvious that he would grow up and fall in love with Burton's daughter, and that way set the stage for a lame re-re-re-re-re-hash of "Romeo & Juliet", 5) the re-re-re-re-re-re-hash not only ends tragically - it ends so ULTRA-tragically that I had to laugh out loud! Romeo gets killed by a bear, while Juliet dies at the same time at childbirth, 6) By the way, Juliet is woman no.2 to die at childbirth in this movie; it seems that in the early Alaskan days babies tended to plop out of the womb at the most inconvenient times, and there was nobody in sight anywhere to help; plus it was a convenient way to get rid of two mothers so that Jones can be their reserve-mommy, 7) and as if the totally over-the-top deaths of Romeo and Juliet weren't enough, only (movie-)minutes before their doom Burton's wife dies of a heart-attack; them corpses, they just kept a-pilin' in the middle section (and them plot-devices, they started a-getting' dumber and dumber), 8) since Burton made it as a successful capitalist, it was only fair that his arch-enemy, Ryan the fisherman, makes it as a politician: this is rather hilarious, too, 9) Burton's rich daughter (Juliet) decides to run away from home to Romeo's Eskimo village and she is happy there! 10) Baccus's son is born BEFORE Juliet yet I had the strange impression that Juliet was a cool 5 years older, 11) one of the idiotic highlights is "Star Trek"'s Zulu (Takei; in a wonderfully bad performance) trying to find a doctor for Burton's expecting wife, but managing only to find Jones, whom the former can't stand - how poetic! 12) in the first scenes showing Romeo's and Juliet's daughter (let's just call her Lovechild) the movie almost becomes a sit-com, with Burton and Ryan being both Granddaddies to her but also arch-enemies, and Lovechild being in the middle, but 13) then suddenly the movie starts getting overly dramatic and soppy yet, yet, yet again! 14) Burton saves Ryan's life at the end - how CORNY! 15) a highlight in the last half-hour (which tends to get dull) is undoubtedly Burton losing his cool at a political hearing and wanting to have a punch-up with Ryan! It strikes me as the height of hypocrisy and irony that a movie which takes such a righteous stance against racism casts all-white actors to play half- or quarter- Eskimos. Were they afraid that we wouldn't like Eskimo-looking Eskimos as much as Eskimos who look like they graduated from Yale? Talk about left-wing Hollywood's double-standards. I can't imagine how the actors must have felt uttering so many idiotic lines. There are a number of moments of campy preaches and pathetic moralizing which are only good enough for 5-dime soap-operas and retards. The fact that this dumb tale is supposed to be an epic only makes it sillier. And how about Jones's bad looks: this bug-eyed actress, who looks at least ten years older than she really is, is the focal point of the two lead studs. But perhaps that was - as Takei found out one day (in one scene) - the result of her being the only woman in town.

I know it sounds like a contradiction, but "Ice Palace" suffers from a long running time while the movie's scenes are too brief to offer anything substantial. Based on a novel by Edna Ferber (who also wrote the best-selling novels Show Boat, Cimarron and Giant, all of which became classic, award-winning films), the movie deals with an almost life-long rivalry between Zeb Kennedy (Richard Burton) and Thor Storm (Robert Ryan) in the wilds of a still territorial Alaska. Zeb is a WWI veteran who comes back home to Seattle to find he can't get a job, thanks to local packers who see him as a troublemaker because he dances to his own tune and not theirs. He heads to Alaska aboard a freighter, along with a bunch of Chinese workers (he meets the character of Wang (George Takei in a demeaning role of a pidgen-English speaking role of comic relief). Zeb meets Thor (Robert Ryan), a local fisherman in the town of Banarov when he is beaten up by local cannery workers and thrown into the bay after stepping in to defend Wang, who's being threatened. Not to belabor a point, but Thor and Zeb become friends and conspire to open a rival cannery in Banarov to avoid having to grovel at the feet of the big cannery across the bay. Zeb then meets Bridie Ballantyne (Carolyn Jones), who is Thor's woman and business partner. He falls for her, makes her fall for him, then realizes it's wrong and decides to leave Baranov. Thor, unknowing of all this, gets him to set up financing in Seattle for the cannery. Zeb does this by marrying Dorothy (Martha Hyer) to get her father to back the cannery, thanks to some advice from best friend and future business partner Dave Husack (a pre-Gilligan's Island Jim Backus). Anyway, when Zeb, Bridie, Thor and Dorothy all meet up, it's like that song where Chicago says to look away. The jig is up and sets the tension for the rest of the movie. Zeb becomes a tyrant, in league with other big packers, while Thor becomes a protector of Alaska, seeking statehood so that federal laws can come in and stop Zeb, called "Czar" Kennedy by the locals. The problems with the movie deal mostly with the length of the novel, which rivaled "Giant." Whereas "Giant" and "Cimarron" dispensed with huge chunks of the books to avoid boring and losing audiences, "Ice Palace" tries to touch on all of the story. This leaves quick scenes that jump and leave the rest of us behind. Characters aren't allowed to develop fully. For instance, Zeb defends Wang and then, feeling guilty about Bridie, decides to leave well enough alone. A moment later, he's a cruel, callous tyrant who calls Eskimo kids "half-breeds" and mistreats his wife, Dorothy (Diane McBain in a wasted role). The costumers and set designers do a marvelous job of advancing Baranov year by year and a little make-up does wonders to make Burton et al age with the times (although Jim Backus, who was 14 years older than Burton, seemed to just let the Just for Men wear off). In no short time, we're introduced to Chris, Thor's son by his Eskimo wife (Dorcas Brower, a gorgeous woman who's character is barely touched upon because she conveniently dies off-screen in childbirth). Grace, Zeb and Dorothy's daughter is seen briefly as a little girl and then as a teenager who elopes with Chris. By this time, Zeb is a shell of a husband and Thor spends his every waking moment railing against Zeb like George Bush against Saddam Hussein. Then, suddenly, Grace is pregnant and she and Chris are flying across the frozen tundra on a three-week journey via dog sled to the nearest town so she can give birth (don't ask). They get lost and Thor and Zeb come to the rescue. Great drama until the scene with Chris fighting a man in a bear suit (watch how the bear throws Chris to the ground, then hams it up in a death scene; it's unintentionally hilarious). No doubt, the movie has a great cast, but most of the roles are underdeveloped and a few are totally out of place. George Takei's voice-over work on the English version of "Rodan" must have seemed a godsend compared to the simpering man-servant Wang. Kar Swenson as the full-blooded Irish father of Bridie is a hoot. Swenson is best known as lumber mill owner Lars Hanson of "Little House on the Prairie" and his Scandinavian accent massacres his attempts at speaking with an Irish brogue. Bridie is also wasted. She's supposed to be the object of love for Thor and Zeb, yet she marries neither, tries to help Thor raise his son, but is rarely shown in the same space as the boy. As she ages, she begins to resemble Bette Davis (it's hard to imagine her later role as Morticia Addams). It's become more and more difficult to believe she can still harbor any love or like for Thor or Zeb, both of whom lose audience sympathy by being total jackasses. Of course, all would seem to come together in the end, despite a despicable plot by Zeb and Dave's son, Bay (Ray Danton), to use his granddaughter Christine (Shirley Knight in another wasted role). But even this is left flapping in the breeze, literally, when Thor and a local pilot do the cliche "small plane in a snow storm hitting a glacier" plot twist. You can guess what happens next, which leaves you feeling cheated. "Ice Palace" plays out more like the pilot for a TV show, where you hope unresolved issues will be answered. Actually, it probably should have been made into a TV show a la "Peyton Place" where the whole story line could have been given its proper due. All in all, it's an interesting little film to watch if you happen to be the kind of person who doesn't hit the "pause" button when the phone rings or the doorbell rings in the middle of the viewing. If you miss a scene, don't worry. You'll be just as confused as if you had watched it.

The growing tension between Richard Burton and Robert Ryan is amazing. Both actors were as serious, driven, righteous (in their own minds), and caring as the other. All performances were believable and interesting. The change from generations to generation was seamless. And character change melded nicely with Ryan and Burton. Carolyn Jones however did not impress me as much as she did in the beginning. She somehow lost her luster as the film seemed to continue without her. Strangely this also was her role through the duration of the film. And I felt she seemed to be going through the motions towards the end. Just my opinion. I also found the characters of Christopher and Grace charming at first and utterly brainless towards the end. You have to see it and the circumstances to believe it. The innocent bliss that leads them throughout the film culminates. To mention Jim Buckus, his performance was quite an agitation to most every event in the film due to his characters business interests. Believable even if you still see him as Mr Howell! LOL! Four years later, character development, who can say, Recommended if you looking for a (mini) epic that might just keep your interest.I'm keeping my copy!Otherwise outstanding performances