I Married a Strange Person!
I Married a Strange Person!
| 09 August 1997 (USA)
I Married a Strange Person! Trailers

It's a heartwarming story of a newlywed couple on their wedding night. Grant, the husband, starts experiencing strange, supernatural powers and Kerry, the wife, can't cope. Whenever Grant thinks of something, it becomes reality, yet he doesn't know where these magical powers come from.

Reviews
Wordiezett

So much average

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ThrillMessage

There are better movies of two hours length. I loved the actress'performance.

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Senteur

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

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Winifred

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

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filmsarmy

I caught this movie by accident at 2am and found it highly entertaining. It dashes from one scene to the next at a rate of knots. The animation is good and it is very refreshing to see an adult oriented cartoon despite the bizarre nature of the story. I'll be watching out for more by Bill Plympton in the future.

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RobT-2

I've been a fan of Bill Plympton's ever since first seeing his Oscar-nominated short "Your Face" about 12 years ago as part of the traveling International Tournee of Animation. Plympton started out as a magazine cartoonist (an early version of "How to Kiss" was published in "Rolling Stone" in the early 80's), and his early short films were based around single gags or concepts. On the basis of these shorts I knew Plympton's animation was kind of primitive, that he had excellent timing, and that he had a flair for metamorphosis and the grotesque that recalled such distinguished predecessors as Otto Messmer and Tex Avery. Unfortunately, I found Plympton's first feature, "The Tune", rather disappointing. The story was weak, and the best parts were the shorts that were incorporated into the feature ("Wiseman", "Push Comes to Shove").With this in mind, I approached "I Married a Strange Person" with some trepidation. I'd heard some good things about it, and it was such a shock to find it for rent here in Tulsa that I snatched it up right away. It turned out to be a pleasant surprise, so much so that I had a hard time figuring out just what I liked about the movie. All the usual virtues of Plympton's animation are there, and the story starts out nicely enough-a new bridegroom gets zapped in an accident involving a satellite dish and a pair of over-amorous birds, giving him strange and wondrous powers.What made the story work at first were the appealing characters set within it, the new husband Grant and wife Kerry. Most of the time their actions and reactions were very believable, whether the situation was realistic (the sexual tension between the newlyweds at the beginning-she's in the mood for love, he feels he's got to work overtime to support them) or fantastic (Kerry's alarm, and later anger, when Grant's stray imaginings begin coming to spectacular life). The quality of the animation and design helped, giving depth and texture to Plympton's characteristic style without making it unnecessarily slick. Tom Larson and Charis Michelsen, who voiced Grant and Kerry respectively, deserve considerable credit as well. Maureen McElheron's songs don't hurt either; where much of "The Tune" seemed to be an excuse for the songs, here the songs served the story by setting the mood. I especially liked "Honey How'd You Get So Cute", which (along with Plympton's animation) effectively captured some of the playfully absurd aspects of eroticism.Unfortunately, the quirky romantic fantasy at the beginning gets shunted aside when an unscrupulous media mogul learns about Grant's new powers and sends a paramilitary squad to capture him. This plot device reminds me of Disney's old comic fantasies-not the animated ones, the live-action ones, the ones with Fred MacMurray or Dean Jones or Kurt Russell as the hero and usually Keenan Wynn as the villain and they also had sentient-or-flying cars or teenaged computers-or-sheepdogs or stuff that bounced higher than the height from which it was dropped. Actually, I dug those films when I was a kid, and I bet Bill Plympton liked them too, but he does little to vary their formula when he applies it here, apart from dollops of sex and violence and a bit of satire.The plot also threatens to derail the characterizations that were established so well in the first part. Simply, all scenes where the characters' actions follow from their previous behavior work; when a scene doesn't work, it's usually because a character's integrity has been violated for the sake of a gag or the convenience of the plot. I don't know if this means Plympton and/or his collaborator P. C. Vey are still learning how to maintain a story at feature-length, or if they just couldn't resist their impulses to go for quick and dirty laughs, or both.Nonetheless, despite its flawed or hackneyed aspects, "I Married a Strange Person" is very watchable as a whole film. It is also evidence that Plympton and company have a really great film in them somewhere. Let's hope they put it all together next time.

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Droz-4

I watched this movie with my sister last night on Cinemax and I must say this was absolutely brilliant! I am a big fan of Bill Plymptons animation which can be seen on Cartoon Sushi on MTV. OK it starts off with two birds having sex (which right there tells you that this movie is gonna be hilarious). The movie itself is about a guy with some kind of object lodged in the back of his neck that gives him all these crazy powers, and the government is trying to find him. Not only does this movie have a lot of funny sex scenes. It also has a lot of gratuitous violence, with brains and c**p coming out of peoples bodies. Bill Plympton is the master of animated violence. I recommend that everybody see this movie. It's so hilarious that you'll be laughing at it for days to come. Oh yeah the little songs in it are cute too

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DaJ

I find Bill Plympton's animation on MTV to be interesting. Having said that, I think this theatrical release proves that his work is best limited to the short format. Numerous times during the screening, I found myself looking at my watch and marvelling that only five more minutes had passed since the last time I looked. The jerky animation had only a little to do with it; it was just simply not all that interesting as a whole. Not bad, but definitely not all that good either.

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