Wow! Such a good movie.

Plenty to Like, Plenty to Dislike

Expected more

everything you have heard about this movie is true.

During the 1940s, Columbia Pictures made a ton of westerns...most of them B-movies lasting about an hour and featuring a variety of mostly small-time actors. However, occasionally they made a western that was just a bit better...and "Go West, Young Lady" is one of these. While it's about the length of many Bs, it has a better cast than usual. While Glenn Ford was not yet a top-tier actor, having him and many familiar faces in the film (Penny Singleton, Ann Miller, Charlie Ruggles and Allen Jenkins) give it a more sophisticated look than a B....making this sort of like a B+ picture!The star of the picture is Penny Singleton. She was a veteran of Bs...and in the middle of her Blondie and Dagwood series when she made this western. But she's certainly no typical western woman (at least the movie versions), as when bad guys strike, she's quick to shoot back and isn't the least bit a cowering lady! Glenn Ford is the male lead...but with such a dynamic lady starring in this one he's easily overshadowed!As for the plot, apart from Singleton's wild (and sometimes ditsy) character, it's pretty standard stuff. Some masked gunman named Killer Pete is terrorizing a town...killing sheriff after sheriff. His ultimate goal isn't robbery but to force folks to want to leave town...so he can then buy them out and become the big boss man...a very familiar western cliche.Watchable and a bit better than usual for the genre.

Delightful slice of western slapstick from Columbia Studios. The humor is pretty broad, the musical numbers frequent, and the cast especially appealing. It's a really young Glenn Ford showing why a big, versatile career lay ahead; a tomboyish Penny Singleton showing why she was more than just Blondie; and bad girl Ann Miller (!) still tap dancing her way into our hearts. And mustn't overlook an outstanding supporting cast, e.g. Ruggles, Jenkins, Waffles. I especially like that Miller-Jenkins tap dancing number with her in cowboy boots and him tripping the light fantastic. Oh yeah, the plot's something about a masked bad guy terrorizing the town. Turns out it's a town bigwig, just like in a kid's western. But who cares since that's just a way of stringing together the other, better elements. I'm not sure who the intended audience was since the result is neither a kid's matinée nor an A-production (the guys ride around greater LA). I doubt that the audience was ever found since the release date was right before Pearl Harbor! Anyway, for me the 70-minutes came as a pleasant surprise, though that opening stagecoach chase seems an unnecessary body-count. Nonetheless, the music's delightful and the acting appealing, so there's a lot to like in this unheralded Columbia production.

This is not a comment- rather, I would like to point out a goof: When Penny Singleton and Ann Miller are having their cat fight towards the end of the movie (incidentally, one of the all-time great cat fights) it really looks like those girls are belting each other), Ann Miller's blouse buttons and unbuttons during the scrimmaging.But, as long as I am here... This was a truly enjoyable western. Glen Ford is actually funny in this movie, and the relationship between him and Penny Singleton is very well developed and quite touching, in an amusingly innocent sort of way (inotherwords, exactly the opposite of most movies today). The rise of the townswomen to thwart the evildoers plans is also very well done.This is a rare western comedy that actually delivers some jocular moments. I've seen it three times, and enjoyed it all three times. And, if it comes on the Westerns Channel again when my boy is home from school or doesn't have practice or a game, We'll watch it together.It's just a fun movie. period.

'Go West, Young Lady' is a surprisingly delightful little film that easily straddles at least three different genres: it's a comedy western with a couple of full-fledged musical numbers, but which never quite becomes a full-scale musical. This film features the only good comedy performance I've ever seen by Glenn Ford, who is usually a dead loss in comedies. (He ruined 'Pocketful of Miracles'.) I actively dislike Penny Singleton, partly because she's so annoying onscreen and largely because (in real life), as the inept president of Agva, she nearly drove that union into bankruptcy. But Singleton gives an enjoyable performance in this film. Even Ann Miller (whom I usually dislike) gives a fine performance as Lola, the dance-hall girl in the local saloon.Allen Jenkins, one of my favourite character actors, is hilarious (as usual) as sheriff Ford's deputy. A high point of this film is the 'Yip-Ay-Yay' number performed by Ann Miller and Jenkins. For possibly the only time in his prolific career, Jenkins sings onscreen! His gravelly voice (with his prole New York accent) is completely unsuited to carrying a tune, but Jenkins sings gamely (in both senses of the term) while Miller does a couple of simple tap steps (less elaborate than usual for her) alongside him.SLIGHT SPOILER. There's a very funny running gag, well executed. Ford keeps getting into brawls with various tough guys who are bigger and stronger than him. Each time this happens, Penny Singleton tries to help him by coshing the other man ... but she always misses him and beans Ford instead. The payoff comes when she tries this one more time. As Ford looks up in horror to see Singleton bearing down on him with a bottle, he shouts: 'Don't hit him! It'll be me!' Very funny indeed, and several other scenes in this movie are funny too. I'll rate this charming low-budget gem 9 points out of 10.