Crappy film

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

While it doesn't offer any answers, it both thrills and makes you think.

I admit I am not on the same page as the other folks on here: I do not view Hotel Imperial (1927) as a lost gem from the silent era. It is beautifully directed and shot, with fluid cinematography and mostly competent performances. Negri shines brightest, bringing her naturalistic acting and passion to her performance. It is she who makes this film so memorable.The story is what brings everything down. The story is meant to be good drama, but the lack of subtlety in the villains and lapses of intelligence in most of the characters just drags everything down.A beautifully made but certainly not classic film. Watch for the atmosphere and Negri.

Seeing this film, Pola Negri is a definite feast for my eyes as she fills the screen with a fine performance. I viewed this recently with a live audience and one of our elder viewers was from Eastern Europe. His comments resonate on the qualities in this film."The World War 1 uniforms were very accurate in the film, and it is the first time I have ever seen a film which portrayed the Eastern Europe government in a positive light politically. This film stunned me in the political accuracy of that portrayal." This speaks reams for this film. Not only is Pola Negri super, but a person who lived in Eastern Europe applauds the excellent film making involved.This is one of a very small handful of films made about this front in World War 1. The history is just as important as Pola Negri's performance.

Set early in World War I, Lieutenant Paul Almasy tries to escape to the Austrian army lines from Russian occupied Austria, but ends up in a small hotel, saved by chambermaid Anna Sedlak (Pola Negri). A Russian general makes the hotel his headquarters and chases Anna, who has fallen for the Paul. They must stop a dangerous spy and save the Austrian army and Paul's life.Starts slowly and has a lot of filler, especially stock footage of WW I action. They could also have left off the Hollywood ending, which is obvious once it starts. The action in the middle is somewhat better done, especially the scenes with Anna and the General.Thought to be the only Hollywood work by Mauritz Stiller to have survived.The same play was also filmed in 1936 as I Loved a Soldier, in 1939 and in 1943 as Five Graves to Cairo.

A great movie - very entertaining from start to finish - the video release available from Grapevine is lacking only in the fact that the musical accompaniment is below average. However, that does not diminish the fact that Pola truly was a star and her on screen magnetism shines in this World War I themed movie. A must for silent movie fans.